SKU: VD.ED11420
ISBN 9790202024201. 12 x 9 inches.
SKU: BA.BA04555-02
ISBN 9790006547159. 34 x 27 cm inches. Preface: Haußwald, Günter / Plath, Wolfgang.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: M7.GRG-5300437100
ISBN 9783872523631. German Kölsch.
Liederbuch fu?r Gitarre & Stimme 201 Bläck-Fööss-Hits mit allen Texten und Akkorden, die sich zum einfachen Singen mit Gitarre am Lagerfeuer oder zu weiteren geselligen Anlässen eignen. Mit Akkordtabelle. Ohne Noten.
SKU: M7.GRG-5300438101
ISBN 9783872523686. German Kölsch.
Liederbuch fu?r Gitarre & Stimme 201 Bläck-Fööss-Hits mit allen Texten und Akkorden, die sich zum einfachen Singen mit Gitarre am Lagerfeuer oder zu weiteren geselligen Anlässen eignen. Mit Akkordtabelle. Ohne Noten. Mit PC-DVD: mit Hörproben aller Lieder - eingesungen nur mit einer Gitarre von Bömmel, Erry, Kafi und Peter mit einem kurzen Kommentar. Intro, Vers und Refrain.
SKU: BT.EMBZ1764
English-German-Hungarian.
'In August [Bartók] heard the fifty-year-old Ãron Balogh playing the peasant flute in Gyergyóteker patak in Cs k district. He arranged three songs under the title From Gyergyó, for tilinkó [peasant flute] and piano, and the piano transcription of this occasional composition presented to Stefi Geyer as 'Three Hungarian Folksongs from the Cs k District'. In all three versions Bartók retained the rich ornamentation of the flute version, and added a modal accompaniment to the melodies in a church mode. After the first two rubato melodies, notated in alternating time signatures, he concluded with a melody in strict 'giusto' rhythm. It is in this latter that the pentatonic skeletonbeneath the diatonic surface can best be felt. Bartók notated the pentatonic vocal version of this melody on this same field trip, and arranged it in the series 'Eight Hungarian Folksongs'.' (HCD 32524 Bartók New Series Vol. 24, István G. Németh).
SKU: M7.GRG-106293100
ISBN 9783872523815. German Kölsch.
Eine Auswahl der 24 besten Kölschen Kneipenhits der Sessionen. Alle Noten und Texte bearbeitet fu?r Klavier, Gitarre und Gesang.
SKU: BR.OB-5329-16
ISBN 9790004333549. 10 x 12.5 inches.
According to the date inscribed in Wolfgang Amadeus Mozart's autograph score, the present mass was composed in March 1780. The instrumental setting (oboes, trumpets and timpani add color and festive splendor to the work) rightly suggests that the work was in all likelihood performed with the Church Sonata K. 336 at the Easter high mass in the Salzburg cathedral. Since Archbishop Hieronymus Count Colloredo wanted the mass text to be treated as succinctly as possible, Mozart offered him a richly orchestrated Missa solemnis in the terse form of a Missa brevis.The brilliant, festive character of the Mass K. 337 is abruptly interrupted by a powerful Benedictus in a harsh A minor, the most striking and revolutionary movement in all of Mozart's Masses, in the strictest contrapuntal style ... (Alfred Einstein). What could have inspired Mozart to such unexpected rigor? But there is another surprise yet: while the dark drama of the Holy Week seems to radiate from this Benedictus, the following Agnus Dei in the distant key of E flat major sounds, with its soprano solo and concertante oboe, bassoon and organ, like a song of thanksgiving filled with the warmth and light of Easter.Other features worth noting are the three unisons between the alto and bass heard at the Deus pater omnipotens in the Gloria (bars 22-32), the a cappella illumination of the words Jesu Christe found a little later (bar 62) and the descending chromaticism evocative of death at the Crucifixus in the Credo. (Incidentally, Mozart had initially planned a different movement for the Credo of this mass, superscribed Tempo di Chiaconna; he wrote out 136 bars but, for some unknown reason, never completed it.)While the Coronation Mass K. 317 of 1779 is one of Mozart's most well-known mass settings, its later composed frllow piece K. 337 - Mozart's last completed mass before the great C minor fragment K. 427 (417a) - has been paid less attention, even though it is an outstanding example of the Mozartian mass type and contains parallels to the Coronation Mass in its disposition and in the structure of its various movements. The score and piano reduction of this new edition were prepared on the basis of the autograph (Osterreichische Nationalbibliothek/Vienna, dass. no. Mus. Hs. 18 97512) and the Salzburg performance material (Staats- und Stadtbibliothek/Augsburg, dass. no. Hl. Kreuz 9). We wish to thank both libraries for putting the source material at our disposal.Franz Beyer, Munich, Spring 1998.
SKU: BR.OB-5373-26
ISBN 9790004341032. 10 x 12.5 inches.
Wolfgang Amadeus Mozart wrote his Hafner Symphony K. 385 in the summer of 1782 on the occasion of the elevation into the nobility of his friend and patron Sigmund Hafner. Next to the well-known movements, this version (A) also contained the March K. 408/2 (385a) and possibly a second, no longer extant minuet. Called Hafner=Musique by Mozart, the work was unquestionably a serenade at first. In early 1783 Mozart then reduced the Hafner Music for his subscription concert at the Vienna Burgtheater on 23 March 1783 to a four-movement symphony. This is the form in which the work was first printed in 1785 (Version B). For a further performance, Mozart added flute and clarinet parts to the symphony. In 1805, this version (C) was published by Andre in Offenbach, who thus began making it known.The primary sources of the present Breitkopf Urtext edition are the autographs to K. 385 and K. 408/2 (385a). It thus becomes possible for the first time to play all three versions of the Hafner Music, since the variants of Versions A and B can be easily discerned through indications in footnotes and notes in small print.
SKU: BR.OB-5373-16
ISBN 9790004341018. 10 x 12.5 inches.
SKU: BR.CHB-5289-02
ISBN 9790004412046. 7.5 x 10.5 inches.
SKU: BR.OB-5373-19
ISBN 9790004341025. 10 x 12.5 inches.
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