SKU: CA.3109419
ISBN 9790007136451. Key: D major. Language: German/English. Text: Kindermann, Balthasar. Text: Balthasar Kindermann.
Score and parts available separately - see item CA.3109400.
SKU: CA.3109409
ISBN 9790007046651. Key: D major. Language: German/English. Text: Kindermann, Balthasar. Text: Balthasar Kindermann.
Score available separately - see item CA.3109400.
SKU: CA.3109413
ISBN 9790007046682. Key: D major. Language: German/English. Text: Kindermann, Balthasar. Text: Balthasar Kindermann.
SKU: CA.3109400
ISBN 9790007046613. Key: D major. Language: German/English. Text: Kindermann, Balthasar. Text: Balthasar Kindermann.
SKU: CA.3116414
ISBN 9790007209056. Text language: German/English.
This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.
SKU: CA.3116412
ISBN 9790007209032. Text language: German/English.
SKU: CA.3116413
ISBN 9790007209049. Text language: German/English.
SKU: CA.3116411
ISBN 9790007209025. Text language: German/English.
SKU: CA.3116209
ISBN 9790007208899. Language: German/English. Scripture: Matthew 22:1-14.
The cantata for the 20th Sunday after Trinity. Ah! I see now, as I to the wedding bidden, BWV 162 was first performed on 25 October 1716 in the Castle church at Weimar. During the first year in his position as Thomaskantor, Bach made a revival performance of the cantata on 10 October 1723. For this Leipzig version he added an additional obbligato voice in the first movement and in the final chorale he added a Corno da tirarsi, which played colla-parte with the soprano. However, we do not know what this mysterious instrument looked like. For performances today we recommend using a trumpet or a slide trumpet. The cantata begins not with an introductory chorus, but rather with a sonorous bass aria with a string accompaniment and obbligato trumpet. The following movements, movement 2 through 5, are also performed by vocal soloists. The third movement, a soprano aria, presents a peculiarity: the obbligato wind parts were not contained in the original version of this cantata. Our edition offers a reconstruction for the flute, made by the famous Bach interpreter and expert, Masaaki Suzuki. Score and parts available separately - see item CA.3116200.
SKU: CA.4061818
ISBN 9790007219666. Key: C major. Language: Latin.
Mozart's Missa in C K. 317, erroneously dubbed the Coronation Mass, is among the most popular and most often performed works in this genre. The autograph of the Mass, which in many respects is very enlightening, was regarded as having been lost following the end of World War II, but was discovered at the end of the 1970s, it is preserved among the musical treasures contained in the Biblioteka Jagiellonska in Krakow. Ulrich Leisinger, the editor, prepared the edition based upon what is, without a doubt, the only authentic source, although additionally in the Critical Report he has also consulted an early copy of the Mass (by Fugerl), since such later copies often help to clarify questions concerning historical performance practice. This work is now available in carus music, the choir app! Score and part available separately - see item CA.4061800.
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