(Mastering the Language of Jazz (Bass Clef Instruments)). By Caleb Chapman and Jeff Coffin. Jazz Ensemble. For Bass Clef. Book; CD; Jazz Ensemble Method; Method/Instruction; Play-Along; Technique Musicianship. The Articulate Jazz Musician. Jazz. Grade 2; Grade 3. 44 pages. Published by Alfred Music Publishing

(Mastering the Language of Jazz (Drums)). By Caleb Chapman and Jeff Coffin. Jazz Ensemble. For Drums. Book; CD; Jazz Ensemble Method; Method/Instruction; Play-Along; Technique Musicianship. The Articulate Jazz Musician. Jazz. Grade 2; Grade 3. 60 pages. Published by Alfred Music Publishing

(Mastering the Language of Jazz (Bass)). By Caleb Chapman and Jeff Coffin. Jazz Ensemble. For Bass. Book; CD; Jazz Ensemble Method; Method/Instruction; Play-Along; Technique Musicianship. The Articulate Jazz Musician. Jazz. Grade 2; Grade 3. 64 pages. Published by Alfred Music Publishing

(Mastering the Language of Jazz (Guitar)). By Caleb Chapman and Jeff Coffin. Jazz Ensemble. For Guitar. Book; CD; Jazz Ensemble Method; Method/Instruction; Play-Along; Technique Musicianship. The Articulate Jazz Musician. Jazz. Grade 2; Grade 3. 64 pages. Published by Alfred Music Publishing

Orchestra Cello, Contrabass, Viola, Violin 1, Violin 2, soprano Recorder - Grade 3.5

SKU: CF.CAS147

Composed by Basque Carol. Arranged by Christopher Thomas. Carl Fischer Concert String Orchestra Series. Set of Score and Parts. 8+8+5+5+5+1+3+16 pages. Carl Fischer Music #CAS147. Published by Carl Fischer Music (CF.CAS147).

ISBN 9781491160916. UPC: 680160919512.

A Basque Carol (also known as Gabriel's Message) originated from the 13th or 14th century. This brilliantly crafted tune is at once hauntingly beautiful, yet warm and joyous. The lasting power of this song is in the craftsmanship of the melody. Its contours are complex and skillful, yet incredibly simple to sing. A Basque Carol's popularity can also be attributed to it's elegant translation into English by Sabine Baring-Gould. While translations often feel blunt or coarse, this one is especially poetic (his wings as drifted snow, his eyes as flame). In this orchestration, a flowing, cinematic style is combined with rich, thickly-textured string voicings inspired by composer Ralph Vaughn Williams. This graceful arrangement features an obbligato line on solo recorder (optional solo flute or violin). It may be performed by orchestra and soloist alone, or with soprano and alto choir (or S/A soloists). There is even a moment quoted from another favorite holiday carol, Jesu Bambino. A lovely addition to your next holiday program!.
A Basque Carol (also known as Gabriel's Message) originated from the 13th or 14th century. This brilliantly crafted tune is at once hauntingly beautiful, yet warm and joyous. The lasting power of this song is in the craftsmanship of the melody. Its contours are complex and skillful, yet incredibly simple to sing. A Basque Carol's popularity can also be attributed to it's elegant translation into English by Sabine Baring-Gould. While translations often feel blunt or coarse, this one is especially poetic (his wings as drifted snow, his eyes as flame). In this orchestration, a flowing, cinematic style is combined with rich, thickly-textured string voicings inspired by composer Ralph Vaughn Williams. This graceful arrangement features an obbligato line on solo recorder (optional solo flute or violin). It may be performed by orchestra and soloist alone, or with SATB choir. There is even a moment quoted from another favorite holiday carol, Jesu Bambino. A lovely addition to your next holiday program!.
A Basque Carol (also known as Gabriel’s Message) originated from the 13th or 14th century. This brilliantly crafted tune is at once hauntingly beautiful, yet warm and joyous. The lasting power of this song is in the craftsmanship of the melody. Its contours are complex and skillful, yet incredibly simple to sing. A Basque Carol’s popularity can also be attributed to it’s elegant translation into English by Sabine Baring-Gould. While translations often feel blunt or coarse, this one is especially poetic (“his wings as drifted snow, his eyes as flame”). In this orchestration, a flowing, cinematic style is combined with rich, thickly-textured string voicings inspired by composer Ralph Vaughn Williams. This graceful arrangement features an obbligato line on solo recorder (optional solo flute or violin). It may be performed by orchestra and soloist alone, or with SATB choir. There is even a moment quoted from another favorite holiday carol, Jesu Bambino. A lovely addition to your next holiday program!

About Carl Fischer Concert String Orchestra Series

This series of pieces (Grade 3 and higher) is designed for advancing ensembles. The pieces in this series are characterized by:

• Expanded use of rhythms, ranges and keys but technical demands are still carefully considered
• More comprehensive bowing techniques
• Viola T.C. included
• Careful selection of keys and degree of difficulty for advancing musicians

With Canon in D. Composed by Martin Luther (1483-1546) and Johann Pachelbel (1653-1706). Arranged by Lanny Allen. Shawnee Sacred. Hymn, Sacred. Octavo. 16 pages. Published by Shawnee Press

Composed by Z. Randall Stroope. For SATB choir and piano/organ/orchestra (fl, ob, bn, hn, str). Vocal score. Duration 3.5'. Published by Oxford University Press

Chamber Music Flute(s)

SKU: PR.144407600

Composed by Jonathan Mitchell. Sws. Performance Score. Duration 6 minutes. Theodore Presser Company #144-40760. Published by Theodore Presser Company (PR.144407600).

ISBN 9781491137987. UPC: 680160692675. 9 x 12 inches.

Imagine searching, searching underwater, searching for aquatic life... A flutist’s soliloquy captures the free-floating ebb and flow of time and currents, of camouflage and dazzling flashes of color. Jonathan Mitchell’s IN SEARCH OF AQUATIC LIFE conjures this fluidity, full of waves and beautiful contours for unaccompanied flutists to pace with impressionistic rubato, creating a six-minute journey through wherever your imagination leads.

(New Edition). Composed by Joseph M. Martin. Shawnee Sacred. General Worship, Holy Week, Lent, Sacred. Octavo. 12 pages. Published by Shawnee Press

Fanfare Band - Grade 4

SKU: BT.GOB-000399-020

Composed by Andreas Ludwig Schulte. Set (Score & Parts). 154 pages. Gobelin Music Publications #GOB 000399-020. Published by Gobelin Music Publications (BT.GOB-000399-020).

In ‘Land of Legends’ German composer Andreas Ludwig (what’s in a name) Schulte takes you along to the fictional world of legends, myths and fairy tales.
The introduction to the first part (The Castle) describes the majestic contours of the sceneof action. Its instrumentation (horns) immediately makes you imagine being in Medieval spheres.
The addition of trenchant copper instruments even gives the part a heroic tinge. After entering through the gate, a lot of hustle and bustle appearsto be going on in the courtyard. Pages, squires and soldiers are busy attending to their arms. Beer is being brewed, flax is being spun, cattle are being tended and some craftsmen from neighbouring villages are busily at work.
In the upperchamber of the round tower lives an old man (The Old Wizard). He hardly ever comes out, and nobody knows exactly what he is doing. It is said that he is engaged in wizardry and magic. It is all very mysterious.
There are also festivities, some ofthem sober, others exuberant.
The wedding in the third part is celebrated in a grand manner. With a flourish of trumpets, the bride makes her entrance at the hand of her father. Afterwards, at the party there is dancing to the music played byminstrels and of course a plentiful banquet follows.

In ‘Land of Legends’ worden we door de Duitse componist Andreas Ludwig (what’s in a name) Schulte meegenomen in de fictieve wereld van legendes, sagen en sprookjes.
De inleiding van het eerste deel (The Castle) beschrijft de majestueuze contourenvan de plaats van handeling. De instrumentatie (hoorns) zorgt er mede voor dat we ons direct in Middeleeuwse sferen wanen.
De toevoeging van het scherp koper geeft zelfs een heldhaftige tintje.Wanneer we door de poort naar binnen gaan blijkt dathet op binnenplaats een en al bedrijvigheid is.
De pages, schildknapen en soldaten houden zich bezig met het in tact houden van de wapenuitrusting. Er wordt bier gebrouwen, vlas gesponnen, het vee wordt verzorgd en enkele ambachtslieden uit deomliggende dorpen zijn druk in de weer.
In de bovenste kamer van de ronde toren verblijft een oude wijze man (The old Wizzard). Hij laat zich bijna nooit zien, niemand weet wat hij precies doet. Er wordt gezegd dat hij zich bezig houdt mettovenarij/magie. Het is een groot mysterie, in nevelen gehuld.
Gefeest werd er ook. De ene keer sober de andere keer uitbundig.
De bruiloft in het derde deel heeft allure. Onder luid trompetgeschal wordt de bruid aan de hand van haar vaderbinnengebracht. Tijdens het feest wordt er gedanst onder begeleiding van de troubadours en natuurlijk volgt een bourgondische maaltijd.

Gobelin Music Publications.