SKU: HL.49019635
ISBN 9790001191302. UPC: 841886019638. 9.25x12.0x0.111 inches.
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably. More than two dozens of his concertos are dedicated to the violoncello, including the probably most famous double concerto: the Concerto for two violoncellos, string orchestra and basso continuo in G minor (RV 531) written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of the sources.
SKU: IM.1443
SKU: HL.49019633
ISBN 9790001191289. UPC: 841886019614. 9.25x12.0x0.13 inches.
The genre of the violoncello concerto was born in 17th-century Italy. Thanks to the Venetian composer Antonio Vivaldi (1678-1741), there exists today not only a wealth of magnificent violin concertos but also quite a number of cello concertos to whose development he contributed considerably. More than two dozens of his concertos are dedicated to the violoncello, including the probably most famous double concerto: the 'Concerto for Two Violoncellos, String Orchestra and Basso continuo in G minor (RV 531)' written after 1770. The sonorous work with its playful outer movements and expressive largo is published in this critical new edition on the basis of the sources.
SKU: HL.49019634
ISBN 9790001191296. UPC: 888680913090. 9.0x12.0x0.26 inches.
SKU: BT.EMBZ14201
The fourth violoncello volume of the series Music for Beginners offers beginners who wish to get acquainted with camber music as well, a selection from the music literature of more than two centuries, starting from the late 17th century to the early 20th century. It contains both demanding polyphonic works and popular melodic pieces. The easier pieces included in the volume can already be performed after two or three years of serious studies. The range of the pieces extends in general to the fourth position and cannot go beyond it, except in scale progression.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version