SKU: BT.DHP-1002353-404
ISBN 9789043161817. French.
Pour tous ceux qui recherchent un nouvel outil pédagogique pour apprendre jouer dâ??un instrument vent, les Ã?ditions De Haske proposent la méthode Ã?couter, lire and jouer. Elle se compose dâ??une méthode richement illustréeen trois volumes avec fichiers audio en ligne et dâ??ouvrages éducatifs et ludiques fondés sur les principes actuels de la théorie musicale. Tout en se conformant aux exigences de lâ??apprentissage classique, cette collection utiliseune approche résolument ouverte, motivante et moderne de lâ??enseignement musical permettant aux élèves de découvrir la pratique instrumentale avec plaisir. De nombreux jeux, exercices dâ??écoute, morceaux et compositions originalespermettent dâ??acquérir un savoir-faire tout en sâ??amusant. Ã?couter - lire jouer : trois éléments incontournables de la pratique musicale, trois concepts réunis dans une collection enrichissante et simple utiliser.
SKU: BT.DHP-0991825-404
ISBN 9789043163651. French.
SKU: BT.DHP-1115091-400
ISBN 9789043135290. 9x12 inches. Italian.
A tutti coloro che cercano un nuovo strumento pedagogico per imparare a suonare, la casa editrice musicale De Haske propone i metodi della serie ASCOLTA, LEGGI and SUONA, unâ??opera educativa e ludica con accompagnamento su CD.Questi metodi attuano un processo decisamente aperto, gratificante e moderno per rivoluzionare lâ??insegnamento musicale: attraverso lâ??ascolto, la lettura e lâ??interpretazione dei singoli esercizi, dei giochi e dei quiz potrete imparare divertendovi. Ogni singolo esercizio prevede lâ??esecuzione con accompagnamento di una vera band sul CD! In più troverete tante notizie sulla storia del vostro strumento, sugli interpreti, e sulla tecnica giusta per suonare.Sonodisponibli in italiano i volumi per tromba, clarinetto, saxofono contralto e flauto. Per tutti gli altri strumenti, il metodo è disponible in inglese.
SKU: BT.DHP-1115090-400
ISBN 9789043135283. 9x12 inches. Italian.
SKU: CY.CC3021
ISBN 9781774310618. 8.5 x 11 in inches.
Cherry Classics Music and Jeff Reynolds are thrilled to introduce for the first time in print an excellent work for unaccompanied Bass Trombone from the 1960's by the late American composer Gregory Kosteck. Here is what Jeff Reynolds says about the Kosteck - Concert Music for Bass Trombone - unaccompanied: When I was a student, my teacher, Roger Bobo handed me the 1963 Kosteck manuscript (originally written for tuba when they both lived in Amsterdam) to have a look for my senior recital. He said it was not right for him but I might find it worthy. Worthy it was, and I went on to play it on my recital and also as the solo piece for my audition for the bass trombone chair with the L.A. Philharmonic. After playing it on the audition, conductor Zubin Mehta asked, Did you miss any notes? My response was, No. Some years later I recorded the piece on an album called The Big Trombone for Crystal Records. Also available on iTunes. The music of about 5 1/2 minutes in length is contemporary sounding in four sections: Lyrical - Scherzando - Cadenza - Lyrical and is appropriate for advanced performers. The range goes from a pedal F up to a high G above middle C. The beautiful performance on the audio sample is taken from Jeff Reynold's album The Big Trombone from Crystal Records and also available on iTunes.
SKU: M7.AHW-2036
English.
Excerpts from the orchestral literature designed to develop facility in the use of the F attachment; discussion of the F attachment and its use, distance between positions, tuning slide, operation, and usefulness of the valve.
SKU: M7.AHW-2037
Double Valve Bass Trombone Twenty-six low-tone studies from the works of Ernest S. Williams designed to develop the low register.
SKU: SU.50009090
Published by: Seesaw Music.
SKU: SU.50010810
Copyright 1984. Published by: Seesaw Music.
SKU: CY.CC2916
Ralph Sauer has beautifully edited Volume I of the Milde Concert Studies. They will add much to the Bass Trombone (Tuba) study/etude literature. We look forward to many performers using these valuable studies to improve their technique and musicianship.Originally written for the bassoon, these studies were favorites of the great trombone teacher, Emory Remington (1891-1971). While perhaps not concert material, they provide much more musical interest than the typical �©tude book.I have added dynamics and changed phrasings to be more suitable for the bass trombone (or tuba) while keeping the wide tessitura of the original. The keys have been changed to put each �©tude in a more suitable range, while the trills from the original bassoon version are included primarily for tuba players.These enjoyable and challenging studies will provide many hours of pleasurable practice. I have returned to these two volumes often over the years and hope that you will also find them useful and rewarding..
SKU: HL.48181907
UPC: 888680848385. 9.0x12.0x0.388 inches.
Written by Paul Bernard, Complete Method is a full method for Bass Trombone, Tuba, Bass and Counter-Bass Saxhorn. With comments in French, English, German and Italian, this method provides all the necessary information for beginner musicians to become the greatest players. It features a ?Preliminaries? section explaining the specificities of the instruments, and follows on with chapters on the placing of the sounds, the intervals, the major and minor scales, the articulations as well as some techniques for appoggiatura, trills, grupettos, nuances among many others subjects. This great method also includes some daily exercises, some great, technical or modern studies and introduces to the work in an orchestra. It is a definite must-have to become familiarised with all the techniques and eventually master them..
SKU: CY.CC2766
Children the world over love 'playtime'. A welcome break from lessons, a time to burn some energy and have fun. A time to play some games!Playground Games is a collection of etudes for bass trombone portraying these traditional games and reflecting on the childrens' enjoyment. We can picture them jumping, playing Hopscotch, Leapfrog and 'Skipping' (the Double Dutch version of this popular game) and running around in the fast and furious Tag! More peaceful moments are to be found when you sense the concentration during Marbles and Cat's Cradle and an exciting contest is on during Conker Fight.These entertaining pieces are in many genres and styles, keys and meters. Some etudes are funky and rhythmic, others dance-like with waltzes and a merry gigue. They are appropriate for intermediate to advanced performers.The etudes evoke feelings for those on the playground today and for others, bringing back happy memories.
SKU: CY.CC2921
Exegesis is an unaccompanied solo for Bass Trombone written by American composer and Bass Trombonist Philip Brink in 1973. The work of about 4 minutes in length is appropriate for very advanced performers and requires the use of multi-phonics and other technical challenges.Below is a brief instruction to the performer from the composer.The rhythmic notation of Exegesis is fairly free; sections in traditional notation should approximate those rhythmic patterns, while arbitrarily long notes, rests or patterns should be as long as possible. The score hints at but does not make explicit any particular dramatic action or effect, which it is left to the performer to create or not. Most of the instructions are on the score and fairly easy to follow. The Beams that crescendo and diminuendo relate to acceleration or deceleration as indicated. There are odd little notes, like secretive in the first line - in these instances do whatever comes to mind as giving an impression of secrecy - change in volume, tone, or whatever - even a hand gesture!The composer gives detailed instructions in the score for the listener and the performer, helping with the interpretation and appreciation of this work.
SKU: CY.CC2912
Phil Brink's new work for unaccompanied Bass Trombone is in three contrasting movements:1. Harmonies - subtitled The Trombone Strikes Bach is pensive in mood and in the style of an Unaccompanied Prelude by Bach.2. Balooze - subtitled A Sort of Soliloquoy is in a swung blues-style including a free cadenza-like introduction. It also includes a foot tapping accompaniment and multiphonics, reminiscent of Bernstein's Mippy II.3. Rhythmus - Movement At High Speed, the finale is in a Presto tempo with lots of technical wizardry for the performer.This very fine work of about 7-minutes in length is appropriate for advanced performers.The live sample sound track featuring a portion of each movement is performed on the Bass Trombone by the composer himself, Phil Brink.
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