Cello (Cello)

SKU: HL.49044838

For solo cello. Composed by Thomas Larcher. This edition: Saddle stitching. Sheet music. String. Vier Seiten is a response to Ayrton Senna's fatal car accident, portrayed in slow motion, as it was repeatedly shown on television at the time. In this poignant work, a violent fast section represents the crash, followed by a long epilogue, reflecting the. Softcover. Composed 1997. 8 pages. Duration 7'. Schott Music #CB269. Published by Schott Music (HL.49044838).

ISBN 9790220134418. UPC: 841886027602. 9.0x12.0x0.067 inches.

Vier Seiten for violoncello is an attempt to present an event that in reality takes about two seconds in extreme slow motion, thus making even the micromovements visible or audible beyond the straight line of motion.When I composed the piece, the fatal accident of Ayrton Senna came to my mind again and again - an accident which was shown on TV in slow motion again and again until it became unbearable. The fast motion of the car immediately before the crash into a concrete wall, a motion which was no longer purposeful but out of control and which had the car pulled to and fro and from side to side, was followed by that crash. In this extreme slow motion, it is no longer shown as a crash but as the fast telescoping of carbon fibre, metal and human body parts.After this crash, as a postlude so to speak, everything suddenly slowed down, tyres and automotive particles floating in the air, the torso of the vehicle swinging until the motion stopped. It was not until this moment that I realized that the whole presentation of the incident had been accompanied by paralyzing silence.- Thomas Larcher

Vier Seiten is a response to Ayrton Senna's fatal car accident, portrayed in slow motion, as it was repeatedly shown on television at the time. In this poignant work, a violent fast section represents the crash, followed by a long epilogue, reflecting the apparent stillness of the immediate aftermath.

By Various Composers. Instrumental Folio. Size 9x12 inches. 146 pages. Published by Hal Leonard.

(Foreword and Additional Editing by Richard Hughey). By Camille Saint-Saens Daniel Francois Van Goens. Edited by Richard Hughey, Larry Clark. For Cello, Cello and Piano. 104 pages. Published by Carl Fischer

(Instrumental Play-Along Book/CD Pack). By Leonard Bernstein (1918-1990). Instrumental Folio. Book with CD. 16 pages. Published by Hal Leonard

Instrumental Play-Along for Cello. By Various. Instrumental Play-Along. Softcover Audio Online. 24 pages. Published by Hal Leonard

(Cello). Arranged by Various. For Cello. Book; CD; Play-Along; String Series. Top Hits Instrumental Solos. Broadway; Movie; TV. Grade 2; Grade 3. 76 pages. Published by Alfred Music

Studies in Style and Technique. Berklee Guide. Etude, Technique, Instruction. Softcover Audio Online. 122 pages. Published by Berklee Press

By Katherine Curatolo. For cello. Saddle-stitched. Wedding Music. Intermediate-Advanced. Book. 32 pages. Published by Mel Bay Publications, Inc

Improv Lessons and Tips for the Contemporary Player. Cello Instruction. Softcover Audio Online. 60 pages. Published by Hal Leonard

Composed by János Vajda. EMB. Softcover. Editio Musica Budapest #Z14818. Published by Editio Musica Budapest (HL.50499232).

Violoncello

SKU: BA.BA05277

Composed by Johann Sebastian Bach. Edited by Andrew Talle. This edition: facsimile. Paperback. Facsimile. BWV 1007-1012. Baerenreiter Verlag #BA05277_00. Published by Baerenreiter Verlag (BA.BA05277).

ISBN 9790006569618. 32.5 x 25.5 cm inches.

The suites are the very core of cello literature, with their timeless beauty accompanying cellists from their student years throughout the height of their professional careers.

Considering the worksâ?? significance, the great number of editions in existence is not surprising. However, the composerâ??s autograph has not been preserved and is considered lost. This circumstance creates an exceptional challenge many editors faced over the years. The four autograph sources still in existence and the first print from 1824 show numerous small deviations, especially in terms of articulation markings and phrasing.

This facsimile edition is the first to juxtapose all four autograph sources as well as the first print (along with Bachâ??s own arrangement of Suite No. V for lute). For the first time, readers can compare a specific section in all sources at one glance. This allows for a straightforward and immediate consideration of all sources.