SATB Chorus and Organ

SKU: SU.90810285

For SATB Chorus and Organ. Composed by Nancy Galbraith. Vocal/Choral, Sacred Choral. Choral Octavo. Composed 2006. Subito Music Corporation #90810285. Published by Subito Music Corporation (SU.90810285).

2 Violins, Viola, Cello Duration: 15' 1. Allegro; 2. Folk Fragments; 3. Chorale and Ostinato; 4. Appalachian Strings Set of Parts: available for sale: (#90880091) Composed: 2005 Published by: Subito Music Publishing.

Choral SSATB chorus

SKU: PR.312418620

For Mixed Chorus. Composed by Adolphus Hailstork. Contemporary. Performance Score. With Standard notation. Composed 2010. 8 pages. Duration 5 minutes. Theodore Presser Company #312-41862. Published by Theodore Presser Company (PR.312418620).

ISBN 9781598063714. UPC: 680160597642. Octavo inches. English. Text: Francis Quarles. Francis Quarles. Text by Francis Quarles (1592-1644).

This gorgeous setting of a text by Francis Quarles was written especially for Scott Williamson and the Virginia Chorale. Though implicitly sacred, this work’s lullaby quality transcends the spiritual genre and would be suitable for concert use as well. Duration: 5’.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002709

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. 1x 10.027/31 trombone 1, 1x 10.027/32 2 trombones, 1x 10.027/33 trombone 3, 1x 10.027/34 trombone 4. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/09. Published by Carus Verlag (CA.1002709).

ISBN 9790007189310. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002714

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 4. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/14. Published by Carus Verlag (CA.1002714).

ISBN 9790007189358. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002712

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 2. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/12. Published by Carus Verlag (CA.1002712).

ISBN 9790007189334. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo

SKU: CA.1002713

Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 3. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/13. Published by Carus Verlag (CA.1002713).

ISBN 9790007189341. Text language: German.

The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700.

Soli SATB, SATB Choir, 2 Obda, Cor (Ctto), Trb, 2 Vl, Va, Bc - Level 4

SKU: CA.3100349

2nd Sunday after Epiphany. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. Organ. Sacred vocal music, Cantatas, Epiphany. Single Part, Organ. Composed 1725. BWV 3. 20 pages. Duration 27 minutes. Carus Verlag #CV 31.003/49. Published by Carus Verlag (CA.3100349).

ISBN 9790007204426. Key: A major. Language: German/English. Text: Moller, Martin.

For the 2nd Epiphany Sunday 1725, Bach composed the cantata O God, what glut of care and pain. It forms part of the annual cycle of chorale cantatas. In the large-scale opening movement, a choral setting full of anguish with expansive orchestral sections, the bass presents the cantus firmus in segments, reinforced by one trombone. This is followed directly by the second chorale verse in a four-part setting in which, however, each chorale line is interrupted by a short recitative (each one sung by a different voice). The bass, who closes the recitative, also sings the following continuo aria which is rich in melismatic passages. The second aria is a duet expanded into a quartet setting by the addition of oboes d'amore and continuo; it leads into the closing chorale containing a wealth of transitions. Score and part available separately - see item CA.3100300.

SATB choir and organ

SKU: ST.Y222

Composed by Rhian Samuel. SATB and organ. Choral. Octavo. Stainer & Bell Ltd. #Y222. Published by Stainer & Bell Ltd. (ST.Y222).

ISBN 9790220221491.

A short choral nocturne for SATB and organ, Pan ddaw ust y nos is a setting of a poem by Nesta Wyn Jones. Welsh speakers will respond to the subtle imagery and verbal nuance of the poet's wordplay, as well as to the intense lyric moment of charged reminiscence captured both in her evocation of bygone summer evenings and in Rhian Samuel's simple, evocative music. Pan ddaw ust y nos was written for the London Welsh Chorale, conductor Kenneth Bowen, was premiered at St David's Cathedral, West Wales, on 24 September 2005. An English translation by the composer is also included.

SATB a cappella (Piano Accomp for Rehearsal) Choral (SATB a cappella)

SKU: HL.48024554

SATB a cappella. Composed by Paul Fincham. BH Secular Choral. Classical. Octavo. 16 pages. Boosey & Hawkes #M060135842. Published by Boosey & Hawkes (HL.48024554).

Composer's note: “Ring the bells was commissioned by the London Philharmonic Choir and its first performance was given by the choir at the Royal Albert Hall, London on 20 December 2017, conducted by Toby Purser. Lively outer sections contrast with a more contemplative middle section based around a chorale theme. The piece should be easily manageable by any good amateur choir.” - Paul Fincham -.

SATB vocal soli, SATB/SATB choir, 4 trombones, 2 violins, viola, cello/contrabass, organ - Level 2

SKU: CA.4012405

Chorale. Composed by Felix Bartholdy Mendelssohn. Edited by Roe-Min Kok. This edition: urtext. Hymns by Martin Luther: Herr Gott, dich loben wir; Stuttgart Urtext Edition: Mendelssohn. German title: Herr Gott, Dich Loben Wir. Choral. Sacred vocal music, Praise and thanks. Choral Score. Composed 1843. MWV A 20. Duration 8 minutes. Carus Verlag #CV 40.124/05. Published by Carus Verlag (CA.4012405).

ISBN 9790007103828. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The German setting of the Te Deum was comissioned for the celebration of the 1000th aniversary of the German Reich in the Berlin cathedral. In the entirely homorhythmic choral arrangement, Mendelssohn seeks variety of sound through colorful harmonies and contrast between the different groups (choir, organ, brass and strings). Score available separately - see item CA.4012400.

Composed by Bradley Ellingboe. Jo-Michael Scheibe Choral Series. Music Education. Octavo. 12 pages. Walton Music #WJMS1141. Published by Walton Music (GI.WJMS1141).