SKU: HL.253939
9.0x12.0 inches.
Allegretto for flute and piano by Jozef Swider is a work of a great artistic value that comprises a perfect didactic material, filling a gap in the Polish flute literature. Allegretto for flute and piano is a one-part composition of an ABA1 structure with a cadenza. A four-bar piano introduction developsinto the flute part intoning a dance and folk-style melody, which becomes fragmented in terms of rhythm and densified in its facture. The dialogue between the flute and the piano involves mutual motif complementation. The melody gathers momentum (numerous ascending and descending progressions, undulations, typical ties, trills), a dynamic gradation develops into the middle, more peaceful and cantilena-style, part. The culmination, initially outlined by the flute and continued by the piano, leads to the cadenza characterised by considerable performative freedom across motifs in parts A and B, exhibiting the colour and sound values ofthe instrument. The link A1 comprises a quasi-variation development of the first passage of the work; it is the most dynamic,energetic and diversified in terms of the applied sound registers (characteristic alloctava marking), articulation and agogics. Themarking piu vivo in bar 136, combined with irregular metric divisions and shifts in accents, intensified dynamics and expression adds spontaneity, ultimately leading to the work's finale. The application of the minor mode, the economy of expressive means and a changeable course of narration reflect introvert characteristics of the composer a man of outstanding humbleness and modesty, at the same time full of unrest, self-criticism and little faith towards himself, which is confirmed by recently found notes of his.
SKU: PR.114423510
ISBN 9781491135327. UPC: 680160687480.
My Cross (2021) was commissioned as a gift to Boulder resident Laurie Hathorn by her husband Peter Spear and flutist Christina Jennings who gave the premiere. The piece is an exploration in bel canto writing for an instrument I have been in love with since my first forays as a composer. The technical challenges for the soloist lie primarily in breath control and in maintaining a sustained, beautiful tone throughout. Any meaning behind this music will remain a private, long-suffered trial for the composer to overcome.My Cross (2021) was commissioned as a gift to Boulder resident Laurie Hathorn by her husband Peter Spear and flutist Christina Jennings who gave the premiere. The piece is an exploration in bel canto writing for an instrument I have been in love with since my first forays as a composer.The technical challenges for the soloist lie primarily in breath control and in maintaining a sustained, beautiful tone throughout. Any meaning behind this music will remain a private, long-suffered trial for the composer to overcome.
SKU: IS.FP4052EM
ISBN 9790365040520.
Belgian composer Jef Joseph Maes (1905 – 1996) often described himself as a modern romantic, and his 1948 Arabesque and Scherzo for flute and piano (written as a concours piece for the Royal Conservatoire Antwerp in Belgium) is a testament to that label. Quite aside from its appeal to flutists as a competition work - with its origins as a concours piece allowing the player to display both technical and musical prowess - the music itself holds touches of Korngold and early Hindemith in its lush melodies and moments of sultry film music. And, though Maes held no truck with most elements of modernism, his clever take on neo-romantic harmony and a healthy touch of humor keeps the piece sounding fresh and appealing. Constructed on the model of more famous Paris Conservatoire pieces - Gaubert's Nocturne et Allegro Scherzando, for example, or Enesco's Cantabile et Presto - the Arabesque and Scherzo revels in the two-movement format. The opening Arabesque allows the flutist to sing, with ornamentation and figurations highlighting the flute's ability to color octave-spanning melody with technique. The Scherzo alternates between action sequences and moments of reverie, but always with an ear towards vivid musicality and clear conversation between flute and piano.
SKU: YM.GTW01091432
ISBN 9784636914320.
25 songs arranged for solo flute and piano. Flute part with a book for piano accompaniment and Karaoke CD. 25Shou Chang Di Du Zou Qu ,Gang Qin Ban Zou . Han Chang Di Pu Ji Gang Qin Ban Zou Pu &Ban Zou CD. 1. Soshunfu(Ode to Early Spring); 2. Haru no Umi(Sea in Spring); 3. Oborozukiyo(A Night with a Hazy Moon); 4. Sakura Sakura; 5. Hana; 6. Kono Michi; 7. Natsu no Omoide(A Memory from Summer); 8. Hamabe no Uta(A Song at the Seaside); 9. Aka Tombo(Red Dragonfly); 10. Momiji; 11. Nanatsu no Ko; 12. Furusato(My Old Town); 13. Kojo no Tsuki(Moon over the Ruined Castle); 14. Chiisai Aki Mitsuketa(I've Found a Little Autumn); 15. Yuyake Koyake; 16. Kita no Kunikara(From Northern Country); 17. Nada SouSou(Down Come My Tears); 18. Jidai; 19. Kawa no nagare no Yo ni(As a River's Running); 21. Haru yo Koi(Come spring!); 22. Hana wa Saku(Flowers Will Bloom); 23. Sen no Kaze ni natte(A Thousand Winds); 24. Satoukibi Batake(In a Large Field of Sugarcane); 25. Miagete goran Yoru no Hoshi wo(Look up at the Night sky) 1. Zao Chun Fu ; 2. Chun Zhi Hai ; 3. Meng Long Yue Ye ; 4. Ying Hua ; 5. Hua ; 6. Zhe Tiao Lu ; 7. Xia Ri Hui Yi ; 8. Hai Bin Zhi Ge ; 9. Hong Qing Ting ; 10. Hong Xie ; 11. Qi Ge Hai Zi ; 12. Gu Xiang ; 13. Huang Cheng Zhi Yue ; 14. Zhao Dao Liao Xiao Xiao De Qiu Tian ; 15. Wan Xia Jian Dan ; 16. Bei Guo Zhi Lian ; 17. Lei Guang Shan Shan ; 18. Shi Dai ; 19. Chuan Liu Bu Xi ; 21. Hua Zheng Zai Kai ; 22. Feng Di ; 23. Hua Wei Qian Feng ; 24. Gan Zhe Tian ; 25. Yang Wang Xing Kong.
SKU: BT.1769-10-400-M
ISBN 9789043134354. 9x12 inches. International.
Die 1915 entstandene Sonate en trio für Flöte, Viola und Harfe wurde wegen ihrer ungewöhnlichen Besetzung bislang eher selten aufgeführt. Dem wollte Franco Cesarini mit dieser Bearbeitung, in welcher Viola- und Harfenstimme ineinem Klavierpart aufgegangen sind, abhelfen. Auf der beiliegenden CD ist eine vollständige Aufnahme jedes Stückes zu hören.Composée en 1915, la Sonate en trio pour Fl te, Alto et Harpe séduit par une ambiance sonore douce et mélancolique aux accents orientaux. Sa particularité réside dans son instrumentation singuliére - Fl te, Alto et Harpe. Pourfaciliter l'exécution de cette piéce, Franco Cesarini a rassemblé les voix d'Alto et de Harpe en une seule partie pour Piano. Sur le compact disc, vous trouverez deux versions de la Sonate : une version intégrale et une versionoù ne subsiste que l'accompagnement.
SKU: BT.1772-11-400-M
ISBN 9789043134590. 9x12 inches. International.
This collection contains works, selected and arranged by Franco Cesarini, that explore the wide spectrum of Russian romantic music. On one side are the followers of Russian nationalism, including composers from Glinka and Mussorgsky, to Cui and Glasunov. They provide a contrast to the more western influenced music of Tchaikovsky and Rubinstein. The book comes with a CD which includes demos of each piece and piano accompaniments to play along with when a pianist isn't available.De stukken in dit album verkennen het brede spectrum van de Russische romantische muziek. Aan de ene kant zijn er de aanhangers van het Russische nationalisme -van Glinka en Moessorgski tot Cui en Glazunov. Deze componisten hebbeneen heel andere invalshoek dan de meer door de westerse muziek be nvloede Tsjaikovski en Rubinstein. Op de meegeleverde cd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.Die sinfonische Literatur des 19. Jahrhunderts ist voll von großen, ausdrucksvollen Flötensoli, während Solo- oder Kammermusikwerke für Flöte seltener zu finden sind. Mit den hier ausgewählten Werken von Glinka, Mussorgski, Cui, Glasunov, Tschaikowsky und Rubinstein wird ein weites Spektrum russischer romantischer Musik abgedeckt. Auf der beiliegenden CD ist sowohl eine vollständige Aufnahme jedes Stückes als auch die Begleitung, zu der die Solostimme gespielt werden kann, zu hören.Russian Dreams contient des arrangements réalisés par Franco Cesarini, de quelques-unes des plus belles pages du vaste patrimoine de la musique romantique russe, offrant ainsi aux fl tistes expérimentés l‘opportunité de s‘ouvrir la musique romantique d‘un point de vue solistique. Sur le CD inclus, vous trouverez deux versions par pièce : une version intégrale et une version où ne subsiste que l‘accompagnement (version papier jointe au recueil). I brani di questo volume affrontano l'ampio spettro di musica romantica russa. Da una parte i fautori del nazionalismo russo tra i quali Glinka e Mussorgski, dall'altra compositori influenzati dalla musica occidentale quali Tschaikovsky. Il CD propone l'incisione completa di ogni brano, seguita da una traccia con il solo accompagnamento del piano per consentirvi di eseguire la parte solista.
SKU: FL.FX071603
AABA form of Latin music which gives meaning to the work of opposed nuances. On the pedagogical side, some unusual rhythms at this level are proposed.
SKU: CF.WF232
ISBN 9781491153772. UPC: 680160911271.
Known internationally for superior flute editions, Robert Stallman continues his considerable expansion of the flute repertoire with re-creations, or “new†works for flute by Bach, Mozart, Schubert, Beethoven, Chopin, Dvořák, and other great composers.Conceived originally as a work for solo piano, this arrangement of Dvořák’s Suite in A Major for flute and piano is based on both the piano and orchestra versions. It is one in a series of Stallman’s “new†works for flute. Dvořák composed the Suite in A Major in 1894, inspired by his happy and fruitful stay in the “New World†—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in E≤ Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.PrefaceConceived originally as a work for solo piano, the Suite in A Major was composed by Dvořák in 1894, during his famous two-year visit to the United States. He wrote the work in a mere ten days, and a year later made a full orchestration of it. The Suite was first performed in this second version in 1910 in Prague at the Rudolfinum. Dvořák, who died in 1904, never had a chance to hear a performance of this stirring orchestral realization.The Suite was inspired by the composer’s happy and fruitful stay in the “New Worldâ€, especially by his unforgettable summers spent in the quiet Czech-American village of Spillville, Iowa—a period that produced some of his greatest works, full of thematic freshness, raw energy and folk influences, both American and Old World Czech. The “New World†Symphony, Cello Concerto, “American†Quartet, String Quintet in Eb Major, the Violin Sonatina and this A Major Suite are all cut from the same musical cloth—textured with his personal impressions of the Wild West’s fascinating Indian and Afro-American music, its God-fearing and friendly people, its vast open spaces and its awe-inspiring natural beauty.Several of the Suite’s affecting melodies find echoes in these other, better known compositions of this American period. Wistful themes abound in all five movements, reflecting Dvořák’s transformative American experience as it found resonance in his own emotions. Contrasting with deeply felt, contemplative passages are Dvořák’s joyous and tempestuous expressions, which open the second, third and final movements.This arrangement for flute and piano is based on both the piano and orchestra versions. It is one in a series of my “new†works for flute by some of our greatest composers and I am delighted to add it to the collection. I predict that the A Major Suite will become a popular addition to our Romantic recital repertoire, much like the Dvořák Sonatina.—Robert StallmanMarblehead, Mass.June 1, 2018.
SKU: HL.49046942
ISBN 9783795718749. UPC: 196288087311. 9.0x12.0x0.224 inches.
The fact that classical music and jazz are not mutually exclusive is proven by the new volume in the popular series by Uwe Korn: Forthe tune book, 10 classical themes have been carefully arranged for flute and piano and made into jazz pieces for two. Great fun to play. Downloadable audio tracks included (code printed inside).
SKU: HL.48181612
UPC: 888680846206. 9x12 inches.
“André Jolivet (1905-1974) established his love for composition from a young age. This remained throughout his life, and he held the post of Professor of Composition from 1966-1970 at the Paris Conservatoire. Caprice Fantasy for Flute and Piano was published in 1954, and remains highly regarded. Jolivet, himself a cellist, wished to explore composition for all instruments, and therefore has a considerable number of works in all fields. The composer's style is also known for its spirituality, and the desire to associate the everyday with the magical, and the human with the universal. Jolivet draws on acoustics and atonality, as heard in his Caprice Fantasy. The piece requires advanced skills due to its use of complex rhythms and exploited tonality. For all advanced flautists, Jolivet provides an exciting, alternative piece for the instrument's repertoire.&rdquo.
SKU: M7.VHR-3423
ISBN 9783920470030.
The edition contains 30 Christmas carols. The piano part has an easy setting. A second flute part enables all the songs to be played in chamber music format as a piano trio or as a duet for two flutes. Inside the book you can find the part for flute 1 (20 pages) and flute 2 (12 pages).
SKU: BT.2004-14-400-M
ISBN 9789043137065. International.
German Romanticism includes selected works from some of the most important composers of the style, to whom—in terms of musical history—the Austrian Franz Schubert also belongs. Besides Carl Maria von Weber he represents the Early Romanticperiod, while Felix Mendelssohn Bartholdy and Robert Schumann belong to the High Romantic era. Richard Wagner, Carl Reinecke and Johannes Brahms represent the later 19th century.The enclosed CD provides a demonstration of each piece, followed by the piano accompaniment with which to play along.German Romanticism bevat meesterwerken van een aantal van de belangrijkste componisten in deze stijl, tot wie in muzikaal-historisch opzicht ook de Oostenrijker Franz Schubert behoorde. Evenals Carl Maria von Weber vertegenwoordigt hij devroegromantische periode, terwijl Felix Mendelssohn Bartholdy en Robert Schumann tot de hoogromantiek behoren. Richard Wagner, Carl Reinecke en Johannes Brahms componeerden hun werken later in de 19e eeuw.Op de meegeleverde cd staat van elk stuk een demoversie, gevolgd door een play-alongversie met alleen de pianobegeleiding.Internationale Ausgabe.
Deutschsprachige Ausgabe: Meisterwerke der deutschen Romantik (2008-14-400 M)German Romanticism (Chefs-d’œuvre du romantisme allemand) rassemble un choix de morceaux signés des plus grands compositeurs de ce style, parmi lesquels figure en termes d’histoire de la musique l’Autrichien Franz Schubert. Avec Carl Mariavon Weber, il représente les débuts du romantisme, tandis que Felix Mendelssohn et Robert Schumann appartiennent l’apogée de la période romantique. Richard Wagner, Carl Reinecke et Johannes Brahms représentent la fin du XIXe siècle.Sur le compact disc inclus, vous trouverez deux versions de chaque pièce : une version intégrale et une version où ne subsiste que laccompagnement.German Romanticism raccoglie opere di alcuni dei più importanti esponenti di questo stile, cui appartiene storicamente anche il compositore austriaco Franz Schubert. Accanto a Carl Maria von Weber, Schubert rappresenta il primo Romanticismo,mentre Felix Mendelssohn Bartholdy e Robert Schumann ne sono il cuore. Richard Wagner, Carl Reinecke e Johannes Brahms rappresentano l’ultima parte del 19° secolo.Il CD incluso propone lincisione completa di ogni brano, seguita da una traccia con il solo accompagnamento del piano per consentirvi di eseguire la parte solista.
SKU: PR.114424240
ISBN 9781491137581. UPC: 680160691036.
THE BONES OF MR. FORTUNE (FREE AT LAST!) is an 11-minute concerto-like work for solo flute accompanied by symphonic winds and percussion – perfect to play with band or with orchestra, as well as with the composer’s own piano reduction. The work features lengthy cadenzas, and exhilarating dance-like sections with the ensemble. Hailstork describes the historical inspiration: Abused in life and death, an enslaved man (Mr. Fortune) was owned by a surgeon who preserved his skeleton to study anatomy. The bones remained with the doctor’s family for generations, and were given a proper burial making national news in 2013, 215 years after Mr. Fortune’s death.Abused in life and death, an enslaved man known as Mr. Fortune was honored with an elaborate funeral more than 200 years after he died in Connecticut.Mr. Fortune was owned by Dr. Preserved Porter on a farm in Waterbury, Connecticut. When Fortune died in 1798, Porter, a bone surgeon, preserved his skeleton by having the bones boiled to study anatomy at a time when cadavers for medical study were disproportionately taken from slaves, servants and prisoners.One of Porter’s descendants gave the skeleton in 1933 to Mattatuck Museum in Waterbury, where it was displayed from the 1940s until 1970. The descendant referred to the slave as “Larry†and his name was forgotten at the time.A study by forensic anthropologists at the Quinnipiac University School of Medicine concluded that Fortune was about 5 feet 5 inches tall and died at around 55 years old. He suffered a number of painful ailments, including a fracture in his left hand, a severe ankle sprain and lower back pain. “He was an individual who was in considerable distress,†a forensic professor, Richard Gonzalez said.I was taken by the bizarre story of Mr. Fortune and decided to use it as the stimulus for this work.
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