SKU: HL.48182144
UPC: 888680906863. 9.0x12.0x0.063 inches.
“French composer Henri Büsser entered the Paris Conservatoire in 1889. He won the 1893 Prix de Rome and led a highly successful career as a composer, conductor, teacher and organist. His compositions for a variety of instruments are exceptional, Cantecor for Horn and Piano being no exception. As reflected in Cantecor, Büsser's compositional style was sophisticated, yet true to the 19th Century French tradition. Elements include chromaticism, exploitation of tonality, complex rhythms and significant tempo changes, among other aspects. For all advanced horn players, Büsser's Cantecor is essential for a varied repertoire.â€.
SKU: HL.50491498
Italian.
VOLUME I.
SKU: HL.50491780
SKU: M7.AHW-2150
English.
After studying trumpet and cornet with such accomplished musicians as Louis Davidson (Cleveland Symphony), Herbert L. Clark (Famous Cornetist), Oscar B. Short (Soloist- GoldmanSousa - US Navy Band) and Bartlett L. Lyons (Sousa Band) - this list is a veritable who's who in the brass field, isn't it? And after having witnessed many times the solid effects of visual education, I commenced thinking about the possibilities of teaching music by means of pictures. The Chinese, in their own terse concise way, simply say, 'A picture is worth a thousand words', so perhaps that is enough said about the philosophy behind this instructional endeavour. But even the best of pictures - I should say here that the cartoons in this book are the products of Clyde E. (Bud) Morris of Akron, Ohio, whose amazing ability to transcribe my teaching ideas in picture form is the making of this entire unique presentation - even the best of pictures needs interpretation and explanation Therefore, I have made a list of suggestions to the reader, which will enable him to benefit fully from the Talking Horn.
SKU: FG.55011-555-2
Playing from the Core is a new method for practicing the French horn. With an in-depth understanding of the traditions and history of French horn technique, Tommi Hyytinen brings new perspectives to instrumental practice by examining the interaction of mind and body and incorporating these insights into his method. The body is perhaps a musician's primary instrument, and it is important to become intimately acquainted with this instrument. A thorough understanding of the body makes many musical and technical challenges easier to overcome. Hyytinen also provides comprehensive advice on preparing for a performance and on overcoming stage fright. For instance, understanding the physiology of stress and performance-related nerves helps us better to understand nervousness as a natural state. By employing a range of physical and mental exercises, we learn to control nervous reactions and turn them into something that, rather than hindering, can in fact help and improve our performances. In addition to presenting a wealth of factual information and physical exercises, the book contains many informative illustrations, playing exercises, and an etude exploring different aspects of French horn technique. Through the presentation of information, exercises and examples, Playing from the Core brings students to a realisation that everyone can improve on the technical and musical challenges they face. Tommi Hyytinen is an experienced professional musician and teacher, and he instructs musicians in the holistic use of the body. The exercises presented in the book form part of his own daily practice routine and teaching material. Tommi thus manages to explain and show us the benefit of both body and mental exercises in preparation for musical performance. He shares all his wisdom so generously that I have no doubt that all performing artists, especially brass and wind players as well as singers will profit enormously from reading it. (Radovan Vlatkovic) https://tommihyytinen.fi/language/en/front-page/.
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