SKU: HL.14017985
ISBN 9781844497065. 9.0x12.0x0.116 inches.
For absolute beginners at their first lesson. This book includes a guide to the position of middle C and the notes in the treble and bass. In order to play the first few pieces in the, which are confined to the five-finger group in each hand, you only need to know how to find notes by position from middle C. Daily finger exercises are included at the beginning of the book, containing the various time-signatures and note values used in the album.
SKU: PE.EP67329AA
ISBN 9790300738345.
Set of Parts (for the Score, see EP67329A)This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer.
SKU: HL.49019305
ISBN 9790001180597. UPC: 841886018105. 9.0x12.0x0.068 inches.
Arrangements for the piano, transcriptions and opera paraphrases take up a large part in Franz Liszt's complete ouvre. He even arranged scenes from the music dramas of Richard Wagner. The transcription of 'Lied an den Abendstern' comes from the third act of the romantic opera Tannhauser und der Sangerkrieg auf Wartburg. In his transcription of 1849 Liszt kept exactly to Wagner's original but he divided the scene into 'Recitative' and 'Romance'. He transposed the piece to the keys of G sharp minor and A flat major, which sound warmer on the piano and which also allow for a more easy-to-play romantic piano setting. Liszt uses the cantilena of the violoncellos in Wagner's original as tonal highlight with octaves in the descant. A transcription that is beautiful to listen to for both pianist and audience and perfectly suitable for concert performances and recitals.
SKU: CA.5009414
ISBN 9790007223267. Key: A flat major. Language: all languages.
We consider Rheinberger's new Piano Concerto to be one of his most significant and inspired works, wrote a critic following the premiere in 1876 of this virtuoso Concerto op. 94, which enjoyed a spontaneous success in German centers of musical life. vocal score (version for two pianos) available: 50.094/03.
SKU: FG.55011-633-7
ISBN 9790550116337.
Victoria Yagling (1946-2011) was born in Russia and lived in Finland since 1990. Her long career as a cellist served as an excellent accompaniment to the composition she began at an early age. For 11 years she was a cello student of Mstislav Rostropovich at the Moscow Conservatory and Dmitry Kabalevsky and Tikhon Khrennikov taught her composition. Yagling won the first prize in the Gaspar Cassado Cello Competition and the following year the second prize in the Moscow Tchaikovsky Competition. Her solo engagements took her to countless countries. She has also taught at several international music courses and master classes and was often a jury member for international cello competitions. Yagling left a profilic oeuvre, and the three cello concertos are her main works. Her other orchestral works include Finnish Notebook, Lyrical Preludes and the Suite for Cello and String Orchestra. She has also composed solo works (e.g. the Suite for Cello Solo No. 1 chosen as an obligatory piece for the 7th Tchaikovsky Competition in Moscow in 1982), chamber works, including two string quartets, and vocal music. Her expressive, romantically orientated style is Russian in spirit and has grown out of the soil provided by Prokofiev and Shostakovich. Yagling was a skillful pianist, able to master works of such a level as Chopin's Etudes. The amount of her piano works surpasses five hours of music.
SKU: CA.1241313
Language: German. Text: Kretzschmar, Gunther. Text: Gunther Kretzschmar.
Score available separately - see item CA.1241300.
SKU: CA.1241314
SKU: C1.CN76
Performed by the 17-year old composer at the Concert Spirituel in Paris in 1783. Edition includes a more elaborated version of the second movement by the editor. Brilliant passage work in the whole. Orchestra calls for Violin 1, Violin 2, Viola, Cello/bass, movements 1 & 3 Horns 1 & 2 in C, Movement 2, Horn 1 in G; Movements 1 & 2, Oboes 1 & 2, Movement 2, Oboe 1.
SKU: CA.5009415
ISBN 9790007223274. Key: A flat major. Language: all languages.
SKU: CA.5009412
ISBN 9790007223243. Key: A flat major. Language: all languages.
SKU: CA.5009419
ISBN 9790007134594. Key: A flat major. Language: all languages.
SKU: CA.5009409
ISBN 9790007223229. Key: A flat major. Language: all languages.
SKU: CA.5009411
ISBN 9790007223236. Key: A flat major. Language: all languages.
SKU: TM.00019SET
Cello solo is in 3rd movement - in regular cello part. Pf Sol/pf; 2 copies required to play solo with piano accompaniment. Clothbound Score.
SKU: TM.00019SC
SKU: BU.EBR-532
ISBN 9790560154558. 9.45 x 13 inches.
Solo Piano III complète la trilogie des albums Solo Piano.Comme tout acte final, y figurent des complications et des conséquences auxquelles succède l’urgence de franchir la ligne d’arrivée. Et comme ses prédécesseurs, l’album s’achève sur un happy end en do majeur mais le chemin est ponctué de plus de dissonances, de tension et d'ambiguïté.Solo Piano (2004) est sorti à une époque plus innocente, où Chilly Gonzales faisait figure de pionnier dans l’évocation des genres classique et jazz sur le déclin, pour les pousser à cor et à cri dans le 21ème siècle. Cet album à la virtuosité fortuite a surpris tout le monde, y compris le génie musical autoproclamé.Solo Piano II (2012) est apparu tel un petit chef-d'oeuvre pop pour un monde connecté, une transition vers une nouvelle réalité. Devenu showman légendaire et collaborateur d’artistes renommés et estimés (Drake, Daft Punk, Feist) Chilly Gonzales y dévoilait une collection de morceaux accrocheurs et raffinés, visant à plaire, montrant qu’il était prêt pour le prime time.Ce second opus a assurément satisfait un public grandissant et toujours plus avide des miniatures imparfaitement parfaites de Gonzo.Solo Piano III surgit à un point d’inflexion plus problématique.Les collaborations se poursuivent (Room 29 avec Jarvis Cocker, Ibeyi, Toddla T...) mais Chilly Gonzales ne cherche plus à plaire. A présent, il laisse les fausses notes. Les mystérieux accords et les structures singulières deviennent addictifs et finissent par résonner de façon inéluctable. La première édition du Gonzervatory, école de musique éphémère vient de s’achever et le professeur est redevenu l’étudiant qu’il a toujours été et sera toujours, n’ayant aucune crainte de laisser la musique parler pour elle-même.La pureté musicale de Solo Piano III n'est pas un antidote à notre époque, elle reflète toute la beauté et la laideur qui nous entoure.Ce recueil de partitions rassemble une sélection de 9 pièces de l'album fidèlement transcrites. Ces transcriptions révéleront pour beaucoup une fine mécanique musicale souvent trompeuse ou même invisible à l'écoute. Leur édition a exigé de faire des choix, le premier étant de proposer aux pianistes des partitions aussi confortables que possible.En bonus, les partitions de 2 titres extraits de l'album Chambers, une respiration Solitaire et un happy end Cello ni majeur, ni mineur, mais en mode à 2 (Duo Piano / Violoncelle).
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