SKU: HL.14030032
ISBN 9788759851265. 8.25x11.75x0.177 inches.
Composed in 1917, Tanz-Idylle is part five of a set of six pieces for Violin and Piano by Sibelius. A delightful pastoral dance that presents a fascinating melodic challenge to the accomplished Violin player. The piece includes a separate Violin part and Piano score.
SKU: PE.EP73225
ISBN 9790577015675. 232 x 303mm inches. English.
Violinist Simon Fischer, renowned throughout the world for his highly praised string methods, now presents brilliant and idiomatic transcriptions for violin and piano of famous works from the classical repertoire. Perfect as encores or as part of a mixed recital, these arrangements of pieces by Dowland, Purcell, Rossini, Felix and Fanny Mendelssohn, Tchaikovsky, Chopin and Johann Strauss II will delight audiences and provide satisfying playing material for violinists.
SKU: HL.51481370
ISBN 9790201813707. UPC: 888680749972. 9.25x12.25x0.391 inches.
Just like many other violin virtuosos of the 19th century, Pablo de Sarasate also composed a series of pieces for violin and piano (or orchestra) for his own concert use. Highly virtuosic salon pieces with echoes of national folk music traditions from all over Europe are at the centre. Sarasate published his eight Spanish dances in four books between 1878 and 1882. They alternate between fiery passion and a yearning expressiveness, and are undoubtedly among his most successful compositions. In masterly fashion, Sarasate here mixes up Spanish folk tunes with arrangements of popular compositions of the time. As in the case of the Henle Urtext edition of Sarasate's Zigeunerweisen (HN 573), a violin wizard of our own time is responsible for the fingerings and bowings: Ingolf Turban.
About Henle Urtext
What I can expect from Henle Urtext editions:
SKU: PR.114419280
ISBN 9781491132357. UPC: 680160676125.
Inspired by Chinese tradition, this concerto-like dance suite includes: 1. Lion Dance, 2. YangKo, and 3. Muqam. Each movement draws from melodies and rhythms characteristic of various regions of China many centuries ago. CHINESE FOLK DANCE SUITE is available for violin with full orchestra, or as a recital work with piano.Supported by a major commissioning award from the Serge Koussevitzky Music Foundation in the Library of Congress, Chinese Folk Dance Suite is written for solo violin and orchestra; it was premiered by The Women’s Philharmonic with violin soloist Terrie Baune, conducted by Apo Hsu, on March 10, 2001, at Yerba Buena Center For the Arts Theater in San Francisco.Inspired by various Chinese traditional folk dances, the suite has three movements:I. Lion Dance. Traditionally, people dance with richly decorated hand-made lions, accompanied by percussion ensemble, to celebrate happy occasions and major festivals throughout the country. In this composition, I use Chinese drum and other percussion instruments in the background, to form a dynamic and rhythmic texture responding to the solo part, which imitates the tunes played on the suona (traditional Chinese trumpet). The pitch materials came from the traditional Guangdong tune “Dragon Boat Racing,†and the Chaozhou tune “Lion Playing Ball.â€II. YangKo. Originating in northern China, this is a major folk dance form in mass performance popularized in the country. In YangKo performance, people play rhythmic patterns on the drums hung around their waists while singing and dancing. In the second movement, I imagined a warm scene of YangKo dancing in distance. The solo violin plays a sweet and gracious melodic line while all members of the orchestra sing non-pitched syllables in different layers as the soft background, to imitate the percussion sound which produces the ever-going pulse.III. Muqam. This large-scale music and dance form, from the Uygur nationality in Xinjiang province, originated in the 15th century. My third movement use a 7/8 meter and the melodic style of Muqam music. The fiery dancing gesture culminates in the sustained climax section at the end of the work, after a colorful violin cadenza in both improvisational singing style and polyphonic writing with woven lines.
SKU: DY.DO-1525
ISBN 9782897963057.
J'aime les formes musicales concises telles que le Prélude et la Fugue, où il y a une idée claire et directe, suivie d'une autre plus complexe et développée.Conformément à cette idée, cette œuvre se compose de deux pièces distinctes, la première - Transfigured Life - vise à attirer l'auditeur avec son rythme rapide et dansant et sa partie de violon simple et mélodique. Il se «transfigure» via quelques courts intermèdes au piano solo en seulement deux notes alternées pour terminer - qui sont le cœur de l'idée originale, maintenant clarifiée en effaçant tout le reste.Le deuxième morceau - Still Life - conserve son sentiment de quiétude grâce à une ligne de piano simple qui laisse beaucoup d'espace à la partie contrastée (mais encore une fois simple) du violon. En tant que pièce absolue et non programmatique, le titre fait référence uniquement à la couleur et au rythme atmosphériques ; c'est à l'auditeur de voir la « nature morte » de son choix dans son esprit.Une note sur les performances :Malgré ma référence à des lignes « simples » et l'évitement déterminé par l'œuvre des grincements modernistes traditionnels, l'œuvre présente certains défis d'exécution en termes de phrasé et d'ensemble qui nécessitent des compétences et une musicalité considérables. L'œuvre a eu le privilège d'être récemment enregistrée par le violoniste Ezgi Sarıkcıoğlu et la pianiste Rossitza Stoycheva, et est disponible sur toutes les principales plateformes :https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953Envoyer des commentairesTransfigured Life - Still Life, Op. 165 (violin and piano) - David BraidI am keen on concise musical forms such as Prelude and Fugue, where there is one clear straightforward idea, followed by another that is more involved and developed. In keeping with that idea, this work consists of two distinct pieces, the first - Transfigured Life - aims to draw in the listener with its quick, dancing rhythm and simple, melodic violin part. It 'transfigures' via a few short solo piano interludes into just two alternating notes to end - which are the core of the original idea, now made clear by clearing everything else out of the way.The second piece - Still Life - retains its sense of stillness through an uncomplicated piano line that gives lots of space for the violin's contrasting (but again simple) part. As an absolute, not programmatic, piece the title refers to the atmospheric colour and pacing only; it's up to the listener to see 'Still life' of their choosing in their own mind.A note on performance: Despite my reference to 'simple' lines, and the work's determined avoidance of mainstream modernist squeak - the work has certain performance challenges of phrasing and ensemble that requires considerable skill and musicianship. The work has had the privilege of being recently recorded by violinist Ezgi Sarıkcıoğlu and pianist Rossitza Stoycheva, and is available on all major platforms:https://open.spotify.com/album/6p5YIe17ci0UMuo2RqZgjRhttps://music.apple.com/gb/album/transfigured-life-still-life-world-premiere-recording/1738035953.
SKU: HL.48181200
UPC: 888680866945. 9x12 inches.
Raymond Gallois Montbrun (1918-1994) published his Dream of Janceline for Alto Saxophone and Piano in 1947, just three years after he won the Grand Prix de Rome. Along with his Violin Concerto, Japan Symphony and Concertstück for Clarinet and Piano, Dreams of Janceline for Violin and Piano remains popular to this day. Dreams of Janceline for Violin is made up of twelve easy pieces in variety of styles, the seventh of these being The Nightingale's Polka. This movement addresses harmonics, a modulation and articulation, among other aspects. As suitable and varied pieces for the progression of beginner to intermediate level violinists, Gallois Montbrun's Dreams of Janceline cannot be missed.
SKU: HL.48180635
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 23 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 23 makes use of extended techniques including harmonics, bow techniques, aritculations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.48180634
UPC: 888680829070. 0.031 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the violin repertoire. The first solo from Viotti's Concerto No. 22 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 22 makes use of extended techniques, including harmonics, bow techniques, articulations, fast semiquavers, and double stops. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.48180636
UPC: 888680829056. 9x12 inches.
Parisian violinist, Georges Catherine (1872-1958) compiles an exciting collection for the Violin repertoire. The first solo from Viotti's Concerto No. 24 is clearly printed with a helpful key of unusual techniques. Viotti (1755-1824) was an Italian violin virtuoso. He composed a significant 29 concertos for the violin which remain popular in the advanced violinist's repertoire. The violin solo line of Concerto No. 24 makes use of extended techniques, including harmonics, bow techniques, articulations and hand positions. Catherine's series, First Solos Extracted from the Classic Concertos provides essential access to significant repertoire of the violin, preparing advanced violinists for the major concertos.
SKU: HL.48025138
ISBN 9781784546984. UPC: 196288093152. 9.0x12.0x0.321 inches.
The full range of traditional fiddle repertoire is now at your fingertips! Using these generous collections, you can create your own ceilidh, barn dance, jazz club or Sarajevo street-café. Some of this music is familiar, some more exotic, but all of it is absolutely authentic, faithfully arranged and, above all, hugely enjoyable. Each title in the series is available in two formats: the Violin Edition (with an optional easy violin part and guitar chords); or the Complete Edition, which also includes both keyboard and violin accompaniments. Either format is hugely flexible, which means themusic can be played as solos, duets or trios as well as with larger ensembles. Edward Huws Jones has travelled extensively researching fiddle-playing traditions. In each book he explains the background of the particular musical style, giving his own suggestions for a lively performance.
SKU: AP.1-ADV14770
UPC: 805095147704. English.
A new and exciting way for violin players to learn and practice basic jazz style. Easy Jazz Conception: Violin Book & CD set features 15 solo etudes based on blues and standard chord progressions, demonstrated by Mark Feldman on violin along with a world-class rhythm section: Mike LeDonne, piano; Peter Washington, bass; and Kenny Washington, drums. The recording features two separate versions of each etude: one with the soloist and rhythm section, and one with the rhythm section only. See and hear how the soloist phrases, play with or without the soloist on the CD, and learn basic jazz style first hand.
SKU: FG.55011-693-1
ISBN 9790550116931.
The volume G of the Colourstrings Violin ACB tutors by Geza Szilvay studies every position of the violin in a separate volume. It offers art-pedagogical material in order to read confidently in the positions, to master the shifting movements and to understand why and when to use a particular position. Colourstrings Violin ABC: Piano accompaniments for the books G3 & G4 (ISMN 9790550116931) includes the piano accompaniments of the performing pieces included in the following books: Colourstrings Violin ABC: Book G3 - Fourth position (9790550115965); Colourstrings Violin ABC: Book G4 - Fifth position (9790550115972).
SKU: HL.49045444
ISBN 9790001162005. UPC: 841886028746. 9.25x12.0x0.058 inches. German - English - French. (ed. Wolfgang Birtel, Benjamin Ramirez) Schott Student Edition Repertoire.
This Rondo, which originally was the third of four easy performance pieces in a cycle for violin and piano (Op. 22), is one of Rieding's most popular and frequently performed pieces in violin lessons for beginners. This edition is part of the new Schott Student Edition series which offers varied literature at five different levels of difficulty, from 1 (easy) to 5 (difficult), for instrumental lessons.
About Schott Student Edition
The Schott Student Edition gathers instrumental works for music lessons providing a unique and varied repertoire resource including standard teaching works, lesser known pieces which are perfectly suited to lessons as well as to student concerts and competitions.The repertoire is divided into levels 1-5, from very easy to difficult, and includes works from the Renaissance up to modern performance pieces. Each title is graded, from very easy works for beginners up to demanding pieces for more advanced students who are preparing for further study or examinations.Every work in the series has been carefully selected and edited by experienced music teachers. The editions also contain a wealth of information on the pieces as well as useful advice on studying, rehearsing and interpreting the works. The first titles to be published in the Schott Student Edition series contain works for violin, violoncello, flute, clarinet and recorder. Further editions are in preparation.
SKU: HL.49046626
UPC: 842819114628. 9.0x12.0x0.07 inches.
Samuel Coleridge-Taylor was paid three guineas for the publishing rights to his Suite de Pièces by Schott & Co. London on 24 December 1892 when the composer was just 17 years old. In the following year the work was published by Schott Music's German office in versions for both violin with piano and violin with organ. Coleridge-Taylor was born in London and brought up in Croydon. He learnt to play the violin, was recognized as a child prodigy and at 15 was awarded a scholarship to study at the Royal College of Music with Charles Villiers Stanford, where he was a contemporary of Holst and Vaughan Williams. Coleridge-Taylor described himself Anglo-African and, despite support from his colleagues, faced racism throughout his whole career. In spite of this prejudice and his tragically early death in 1912 aged just 37, he enjoyed great success during his lifetime and his music was performed at the Proms no less than 116 times between 1898 and 1939. In contrast, since 1940 his music has only been heard there on eleven occasions. Like many works, at some point in the past Suite de Pièces became out of print. Schott Music is very proud to present this new modern performing edition of the version for violin and piano. Errors and inconsistencies from the first edition have now been corrected.
SKU: AP.36-60710001
ISBN 9798888521878. UPC: 676737670276. English.
Percy Grainger's (1882-1961) love for music of the simple rural folk of the British Isles led to a series of forty-three pieces that he grouped into a series called British Folk-Music Settings, including Molly on the Shore, Irish Reel from British Folk Music Settings, No. 1. Grainger produced at least six versions of this folk tune arrangement of two contrasting Irish Reels (Temple Hill and Molly on the Shore, from The Complete Petrie Collection of Ancient Irish Music), starting with the original 1907 version for string quartet or string orchestra. That same year, Grainger also produced a version for violin solo and piano, which is also available from the publisher. This wholly unique version was freely arranged for violin and piano by famous early 20th century violinist Fritz Kreisler, offering players already familiar with Grainger's original rendition an opportunity to approach the music in a different way. Reprint edition.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: FG.55011-635-1
ISBN 9790550116351.
In 1929 Sibelius sent some small pieces to the New York publisher Carl Fischer for consideration. Included among these was the Suite for Violin and String Orchestra, to which he had assigned the opus number 117. The Suite for Violin and String Orchestra represents the culmination point in a series of works written for violin and orchestra which started with the serenades op. 69 and continued with the Six Humoresques opp. 87 & 89. Together these works bear witness to the composer's deep insight into the instrumental possibilities of the violin. In these works, more limited in formal scope than the Violin Concerto though they be, the voice of the solo violin - Sibelius' second mother-tongue - unites with the orchestral writing of a mature and experienced symphonist. The reduction and solo part are published together for the first time. ---.
SKU: FG.55011-719-8
ISBN 9790550117198.
Other Finnish works for violin contains twelve pieces for violin and piano. Though brief in duration, most of them were written for concert use, being rich and expressive and, in some cases, technically quite demanding. Others are delightful salon pieces. This volume was compiled by violinist Mirka Malmi and edited by her with pianist Tiina Karakorpi. Many of the women of Finnish origin who wrote music in the 19th and early 20th century were cosmopolitan by nature. They studied and found employment in the cultural metropolises of central Europe. Because of their gender, they generally had no opportunities for employment in national cultural institutions in Finland. Their music was mainly published outside Finland, and in most cases they enjoyed a broad network of connections, an expansive cultural sphere and a successful career.
SKU: HL.49030434
ISBN 9790220119873.
Apres un silence was originally written as a work for violin and piano. The piano part was subsequently orchestrated in such a way that the work may be performed with a chamber orchestra or with an ensemble of the same forces using strings. 'The violin's opening interval of a rising sixth is the gem from which everything is developed into one extended movement.' This will become a regular presence in the violin and piano repertoire.
SKU: BO.B.3673
It is a work for violin and piano inspired directly by Paganini's Capriccio No. 13, known as La risata del diavolo and one of the most renowned capriccios from the series of twenty-four composed by the celebrated Genovese violinist and composer. In my version for violin and piano, I have singled out the two essential features of the work: the third notes on a double string that emulate the devil's laughter, and the quick eighth notes that follow, all of it within a light and humorous chromaticism.Il diavolo begins with a slow and fragmented but suggestive violin cadenza. It then follows the Allegro deciso, built on the two features mentioned above. In the central part, yet another violin cadenza of a similar character but which recalls the devil's laughter more evidently. The Allegro deciso goes on up to a carefree and virtuosic finale.The work is dedicated to violinist Jesus Reina.
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