SKU: HL.49001700
ISBN 9790001023276. UPC: 884088153649. 8.5x11.75x0.392 inches.
SKU: CF.BF142
ISBN 9781491160145. UPC: 680160918744.
The 22 holiday classics contained in this collection have been carefully arranged for any combination of string trio. The melodies, both sacred and secular, cover many centuries and originate in Western Europe and the United States. Each work was selected for its quality, musical interest, and appropriateness in a chamber setting. All pieces in this collection have stood the test of time and are worthy of both study and performance. Arranged specifically for a chamber setting, the trios may be performed in a variety of venues from church services to holiday gatherings. This Compatible String Ensembles collection of Christmas Trios will set the mood in any environment.This Series is Available for:Violin BF142Viola BF143Cello BF144Bass BF145.The 22 Christmas tunes contained in this collection have been carefully arranged for any combination of string trio. The most standard instrumentation for voicing is violin, viola, and cello. However, three of the same instruments work well as do other groupings, given that the higher-pitched instrument plays the higher part. This three-part format follows a standard order: part 1 is melody, part 2 is harmony, and part 3 is a traditional bass line. Optional 8va markings are sometimes given to help the voicings sound better.The selections have been arranged in alphabetic order. The melodies, both sacred and secular, cover many centuries and originate in Western Europe and the United States. Each work is in the public domain and was selected for both its quality and musical interest.Arranged specifically for a chamber setting, the trios may be performed in a variety of venues from church services to holiday gatherings. Some repeats are marked in the music, but any selection may be repeated for the appropriate amount of music needed. Bowings have been added as suggestions, and some fingerings have been added to show the direction of shifts beyond first position.—Todd ParrishOrchestra Editor, Carl Fischer MusicJune 2021.
SKU: SU.50029360
Parts available on rental.Copyright 1989. Published by: Seesaw Music.
SKU: HL.14047784
ISBN 9788759837092. UPC: 888680952921. 11.75x16 inches. English.
L'Isola Della Citta for Violin, Cello, Piano and Orchestra (2104-15) by Bent Sørensen. Commissioned by the Danish Radio, Trondheim Symphony Orchestra and Trondheim Chamber Music Festival. Written for Trio con Brio, Copenhagen.
SKU: CF.BF118
ISBN 9781491149812. UPC: 680160907311. 9 x 12 inches.
Continuing on the success of the popular Compatible series,Compatible Duets for Strings, Volume II contains 29 duets in avariety of styles (classical, folk music, new original pieces) thatcan be played with any combination of two string instruments.Students can develop their chamber ensemble skills whileplaying with their friends, no matter what string instrumentthey play. Ranging from grade levels 2–3, Compatible Duetsfor Strings, Volume II is perfect for orchestra directors to buyfor use in the classroom, and its flexibility makes it a musthavefor any string player.Having students play in small chamber music groups is a very beneficial exercise to improvethe student’s overall musicianship. The simplest form of chamber music is the duet. It is anopportunity for the student to play with a teacher or to play with another student of similarabilities. Aspects of playing such as tone quality, intonation, technique and ensemble skillscan be developed during the process of studying duets.These duets are different in that they have many different performance options since all ofthe books in this series are compatible. As former long time music educators we alwayshad student that wanted to come to the music room during lunch or after school and theyjust wanted to play with their friends. That was not possible since there is very little duetmaterial available that is compatible with all of the string instruments. This book and thefirst volume in the series takes care of that. A student can now grab their friend no matterwhat instrument they play and have hours of fun playing duets together. Most importantthey will learn something in the process.The duets have been generally placed in the book in order of difficulty and cover a rangeof keys that are appropriate for this ability level. Special care was given to making surethat both of the duet parts were on a similar ability level and that each line was givenan opportunity to play a lead role at some point during the arrangement. Also, most ofthe musical markings are attached to both systems and the point size of the music wasconsidered for ease of reading.It is our hope that this collection will help to stimulate and enhance the musicianship of theperformers. It was a pleasure for me to have the opportunity to put together this collection.We hope it is a useful tool for you for years to come.
SKU: HL.48011745
UPC: 073999117455. 9.0x12.0x0.128 inches.
Piano Reduction.
SKU: HL.49009513
ISBN 9783795762926. UPC: 073999359138. 5.25x7.5x0.146 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: XC.SB2205
12 x 9 inches.
Take a Bow is the perfect next-step for the string orchestra! A great fit for full classroom instruction, small chamber groups, or private studio teaching; Take a Bow’s progressive approach is a winning combination for string teachers. Each piece has a line for melody and a line for harmony, making each work meaningful for individuals as well as groups – while giving teachers the flexibility to fit the needs of their ensembles. The series culminates with five string orchestra arrangements that not only add value to this collection, but complete a progressive journey for your students. Take a Bow at your next rehearsal!
SKU: GH.CG-5947P
SKU: HL.50600895
ISBN 9790080149249. 12.25x9.25x0.405 inches. Mate Bella.
Trance means an altered state of mind in which a person becomes capable of communicating with spirits by the means of a ritual. Echo like sounds have a significant role in the piece, they were achieved by aleatoric as well as metric materials. Our prehistoric ancestors experienced echo as a side effect of rituals they performed, basically they heard the echo of their own voices but they believed these sounds came from their ancestors. As 2013 was the 90th anniversary of Gyorgy Ligeti's birth, my piece pays respect to his musical heritage. In this regard the piece references Ligeti's artistic aesthetics and in some cases uses direct musical quotations.(Mate Bella, 2013)The work won first prize at the 2013 New Hungarian Music Forum In memoriam Gyorgy Ligeti composer's competition in chamber music category. It was premiered by Katalin Kokas and the Hungarian Radio Symphony Orchestra conducted by Gergely Vajda on 25 September 2013 in Budapest.
SKU: PR.414410220
UPC: 680160089222. 8.5 x 11 inches.
SKU: HL.49046391
ISBN 9781540086549. UPC: 842819108696.
The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history - so a sort of Durham of the mind, a stylized Durham; 'my' Durham, if you will, imagined into music. However, the defininginspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, withpeople's joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of day in the life of Durham, and that the Cathedral wouldbe its beginning, would be in its middle, and would be at its ending. The piece consists of six 'pictures' arranged into three parts - the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 2017.
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