Arranged by Denes Agay. Book. Published by Music Sales. (YK21103) These familiar melodies in easy arrangements include Fascination, Moscow Nights, waltzes by Strauss, and over 65 more favorite pieces; themes; and folk, popular, and standard songs. The variety is both appealing and educational.

(for Flute and Piano). By Various. Arranged by Louis Moyse. Woodwind Solo. Softcover with CD. 72 pages. Published by G. Schirmer

Recorder (NOTEN+CD) - easy

SKU: HL.49033176

Composed by Hans Magolt and Rainer Butz. Edited by Hans Magolt and Rainer Butz. This edition: Saddle stitching. Sheet music with CD. Edition Schott. Classical. Edition with CD. 24 pages. Schott Music #ED 9576-50. Published by Schott Music (HL.49033176).

ISBN 9783795756321. 7.5x11.0x0.138 inches. German. Karin Schliehe.

Hasn't every recorder player dreamed of playing the most celebrated classical melodies as a soloist? Here you will find the finest pieces in arrangements for one or two descant recorders, with a CD to play along with. On a musical journey of discovery you will encounter many famous compositions, from Eine kleine Nachtmusik and Beethoven's Ode to Joy to the Birdcatcher's song from the Magic Flute and La donna e mobile from Verdi's Rigoletto. So that you can really enjoy making music the arrangements have been recorded in two versions on the CD: with and without recorders.

By Amy Appleby. For Piano. Classical, Folk. Sheet Music. 194 pages. Published by Wise Publications.

Level 3 Piano - Early Intermediate

SKU: HL.645220

Level Three. Arranged by Wesley Schaum. Educational Piano. Recital, Supplementary. Softcover with CD. 24 pages. Duration 7200 seconds. Schaum Publications, Inc. #0363. Published by Schaum Publications, Inc. (HL.645220).

ISBN 9781495082122. UPC: 008148003631. 9.0x12.0 inches. Book/CD Pack.

This series offers students an appealing variety of styles in a single album. A brief paragraph of background information is provided for most pieces. All books include a CD with orchestrated accompaniments. Each piece has two tracks: one at performance tempo and one at practice tempo. An optional duet accompaniment, based on the orchestration, is included for all pieces at the early levels. The intent of the CD is to provide an incentive with a demonstration of the finished piece. The slower practice tempo assists the student in maintaining a steady beat, using the correct rhythm and gaining valuable ensemble experience while making practice more fun. This volume includes 13 classics, including: Anchors Aweigh * Easy Winners * He's Got the Whole World in His Hands * La Cucaracha * Lullaby (Brahms) * March from the Nutcracker * Oh! Susanna * Star-Spangled Banner * Toreador March from Carment * You're a Grand Old Flag * and more.

Piano - Grade 7-8

SKU: ST.C463

Composed by Federico Ruiz. Edited by Clara Rodriguez. Piano and keyboard music. Collection. Clifton Edition #C463. Published by Clifton Edition (ST.C463).

ISBN 9790570814633.

This volume contains contrasting works by Federico Ruiz spanning quite a large and rich period of his compositional output that goes from his early Micro-Suite (1971), to lilting, sweet and rhythmic Venezuelan waltzes passing by the mysterious, intimate, and intense Nocturno (1994) plus pieces originally composed for film, and theatre. Real eclecticism in styles, moods and atmospheres that show Ruizâ??s talents and scope.

The Nocturno is a deep, intriguing, substantial piece presenting a satisfying length which moves from different paths of the mind and the heart written in an abstract, chromatic idiom, that does not dissociate itself from the Venezuelan waltz and the joropo. One could perhaps say that there is a deconstruction of the latter. For the interpretation, the composer has suggested to me that it is allowed to have some flexibility in the tempo. Ruiz kindly dedicated it to me, and I have had the pleasure of performing it in many concerts.

Although all highly expressive, the Three Venezuelan Waltzes present in this collection as well as the piece titled Aliseo, are works that are close to the colourful Venezuelan folk tradition. Federico Ruiz had given me two of them when we first met: â??Tu Presenciaâ?? (1981) and â??Eloísaâ?? (1989) and then I attended a performance of the play â??Office Number Oneâ?? by Miguel Otero Silva with a fantastic actor, Elba Escobar in the role of Carmen Rosa and, I just fell in love and was very moved by the incidental music that I later discovered, by reading the programme, had been written by Federico Ruiz. Later that evening, I called him and asked to please make a piano score of the composition, so I could have the desired piece in my hands. That is how â??Carmen Rosaâ? waltz (1987) came to exist in a piano version.

â??Eloisaâ?? is another Venezuelan waltz with more jazzy harmonies where precision in the rhythm and elegant playing is also essential, as it is in most of his pieces.

â??Tu Presenciaâ?? was dedicated to his mother, Margarita. It is written with the structure of the Venezuelan waltz, which consists of a nostalgic subject that leads to a faster, happier middle section where the typical graceful rhythm is given by the left-hand accompaniment figure of a dotted crotchet followed by a quaver and a crotchet.

The craft and magic found in the five movements of the Micro-Suite is based on a dodecaphonic row by Ernst Krenek. They remind us of the idiom of the Second Viennese School. These real miniatures seem to tell short stories. The â??Preludioâ?? is full of humour. I imagine dancing figures given by the jumps all over the keyboard and extreme dynamics; the phrases give the impression of a conversation with many questions and answers. The â??Invenciónâ?? is a kaleidoscopic piece where the hands mirror each other. The â??Passacagliaâ?? is the longest movement, at just over a minute where the prime motif is repeated three times on the bass line. For its construction Federico Ruiz uses as well the retrograde and the retrograde inversion of the twelve-tone series. It must be played expressively with dynamic contrasts between pianissimo and louder events. The â??Scherzoâ?? has repetitive motifs of a minor third in both hands and the â??Finalâ?? displays virtuosic passages for the pianist.

Aliseo was originally written for the film â??Aire libreâ? (1995), by Luis Armando Roche. It contains elements of diverse types of Venezuelan joropo. In the film, the character of Aliseo Carvallo is played by the composer himself who performs this piece on a harpsichord to welcome scientists Alexander von Humboldt and Aimé Bonpland one day at the turn of the 1800â??s, as a sample of the new music from the South American land. It presents the refinement of the late European classical era in fusion with Venezuelan folk music.