Violin 2 (solos: SATB - choir: SATB - 1.3.0.0 - 1.0.0.0 - str - bc)

SKU: BR.OB-4526-16

24th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Wilhelm Rust. Choir; stapled. Orchester-Bibliothek (Orchestral Library). Cantata; Baroque. Part. 4 pages. Duration 16'. Breitkopf and Haertel #OB 4526-16. Published by Breitkopf and Haertel (BR.OB-4526-16).

ISBN 9790004313350. 9 x 12 inches.

STB vocal soli, SATB choir, 2 oboe d'amore, [horn], 2 violins, viola, basso continuo - Level 3

SKU: CA.3109519

Cantata for the 16th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Paul Horn. German title: Christus, der ist mein Leben. Sacred vocal music, Cantatas. Set of Orchestra Parts. Composed 1723. BWV 95. Duration 21 minutes. Carus Verlag #CV 31.095/19. Published by Carus Verlag (CA.3109519).

ISBN 9790007136468. Key: G major. Language: German/English.

Score and parts available separately - see item CA.3109500.

Chorus (with soloists) and orchestra (solos: TB - choir: SATB - 0.2rec.0.2ob da cac.0.0. - 2.0.0.0. - str - bc)

SKU: BR.CHB-4565-02

Feast of Epiphany. Composed by Johann Sebastian Bach. Choir; stapled. Chor-Bibliothek (Choral Library). Cantata; Baroque. Choral score. 12 pages. Duration 18'. Breitkopf and Haertel #ChB 4565-02. Published by Breitkopf and Haertel (BR.CHB-4565-02).

ISBN 9790004406526. 7.5 x 10.5 inches. German / English.

(Kantate zum 27. Sonntag nach Trinitatis). By Johann Sebastian Bach (1685-1750). Edited by Alfred Durr. For Oboe (2), Oboe-Dacc. Wind Parts. BWV 140

SAB vocal soli, SATB choir, 3 trumpets, timpani, 2 oboes/oboe d'amore, bassoon, 2 violins, viola, basso continuo

SKU: CA.3119761

Cantata for a wedding. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Violin 1. Sacred vocal music, Cantatas. Single Part, Violin 1. BWV 197. 12 pages. Duration 20 minutes. Carus Verlag #CV 31.197/61. Published by Carus Verlag (CA.3119761).

ISBN 9790007210526. Text language: German/English.

Gott ist unsre Zuversicht BWV 197 was probably written in the second half of the 1730s for a wedding, no further details of which are known. In the opening chorus in particular, it features quite a sizeable orchestra. The text of the cantata has one major theme - trust in God! In a magnificent lullaby (movement 3) all cares are sung to sleep. The other arias, with their exceptionally exquisite combinations of scorings, make the cantata into a quite special work, albeit one which is associated with a particular occasion. The wedding cantata BWV 197 draws on older material for some of its movements. Two movements are parodies on arias from the incomplete surviving Christmas cantata Ehre sei Gott in der Hohe, BWV 197a, including the lullaby O du angenehmes Paar, of which only the last quarter survives from the Christmas cantata - it is O du angenehmer Schatz there. By using the later version, Diethard Hellmann has been able to reconstruct the original version of this dreamlike beautiful movement; however, the complete Christmas cantata cannot be reconstructed from the sources. Score and part available separately - see item CA.3119700.

Orchestra SAB vocal soli, SATB choir, [2 flutes], 2 oboes, 2 horns, timpani, 2 violins, viola, basso continuo - Grade 3

SKU: CA.3107912

Cantata for Reformation Day. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Arranged by Paul Horn. German title: Gott, Der Herr, Ist Sonn Und Schild Rev. Innovative practice aids, Sacred vocal music, Cantatas, Psalms, German, Special days, Reformation day, Praise and thanks. Single Part, Violin 2. Composed circa 1725. BWV 79. 8 pages. Duration 17 minutes. Carus Verlag #CV 31.079/12. Published by Carus Verlag (CA.3107912).

ISBN 9790007045265. Key: G major. Language: German/English.

After the really well-known cantata Ein feste Burg ist unser Gott BWV 80, Bach's only other cantata for Reformation Day is Gott, der Herr, ist Sonn und Schild BWV 79. The central chorale movement Nun danket alle Gott has become extremely famous separately from the cantata. This movement is characterised by the catchy melody of the two horn parts with their interludes between the lines of the chorale. These in turn are taken from the freely-composed opening chorus, thus forming a surprising link between the movement for chorus and the chorale. The chorus and both the arias in the cantata were used later in a Latin parody in the so-called Lutheran Masses. Score and part available separately - see item CA.3107900.

SATB vocal soli, SATB choir, [3 trombones, cornet], 2 violins, 2 violas, basso continuo - Level 4

SKU: CA.3100409

Easter Sunday. Composed by Johann Sebastian Bach. Edited by Reinhold Kubik. Arranged by Reinhold Kubik. 1x 31.004/31 cornett, 1x 31.004/32 trumpet 1, 1x 31.004/33 trumpet 1, 1x 31.004/34 trombone 1, 1x 31.004/35 trombone 2, 1x 31.004/36 trombone 3. Hymns by Martin Luther: Christ lag in Todes Banden. German title: Christ lag in Todes Banden 6. Sacred vocal music, Cantatas, Easter and Eastertide. Set of Orchestra Parts. Composed circa 1707/08 (before 1714). BWV 4. 24 pages. Duration 22 minutes. Carus Verlag #CV 31.004/09. Published by Carus Verlag (CA.3100409).

ISBN 9790007041526. Key: E minor. Language: German/English. Text: Luther, Martin. Text: Martin Luther.

The cantata Christ lag in Todesbanden is among Bach's earliest preserved vocal compositions. The text is based Martin Luther's Easter chorale of the same name. Score and parts available separately - see item CA.3100400.

Composed by Georg Philipp Telemann (1681-1767). Edited by Gunter Graulich. Arranged by Paul Horn. This edition: urtext. Hymns by Martin Luther: Nun komm, der Heiden Heiland; Stuttgart Urtext Edition: Telemann-Archiv. German title: Nun komm, der Heiden Heiland. Cantatas, Advent. Complete orchestral parts. TVWV 11:1178. Duration 7 minutes. Published by Carus Verlag (CA.3949319).