SKU: SU.95010280
Instrumentation: 2,1 2,1 2,Eb,bcl 2; 4331; 4perc, pno/cel, stgs Duration: 18' Full Score & Parts: available on rental Composed: 1988 Published by: Subito Music Publishing A work that utilizes with persuasive eloquence a wide range of orchestral colors and compositional techniques. Zaimont lays out in clear display her formal concepts, contained masterfully by a centrifugal moving tonality that never lacks direction. -- The Greenville (SC) News.
SKU: KN.10143
UPC: 822795101430.
For student string orchestras this expressive tone poem beautifully portrays the changing moods of the sea with soaring melodies and lush, late-Romantic harmonies. The lyrical opening theme should be played with great sensitivity and warmth, while the dramatic closing theme should be played with energy and passion. Playing with clarity, precision and balance is particularly important in fugal passages. In the final analysis, Del Borgo says players shouldn't be afraid to wear their hearts on their sleeves.
SKU: BA.BA04483
ISBN 9790006448968. 27.6 x 19.7 cm inches.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BA.BA11303
ISBN 9790006565436. 27 x 19 cm inches. Language: German.
Georg Christoph Billers „Drei Motetten“ für vielstimmig gemischten Chor, Solo-Bariton (in „St. Thomas-Motette“ und „Hiobs Botschaft“) und Bassinstrument (ad lib.) zeugen vom vielschichtigen Kompositionsstil des ehemaligen Thomaskantors und sind in praktischen Einzelausgaben mit separater Bassstimme erhältlich.Als zweite der „Drei Motetten“ verweisen die „Botschaften Jesajas“ zunächst auf Johann Sebastian Bachs Motette „Fürchte dich nicht“ BWV 228. Die Motette für vier- bis sechsstimmigen gemischten Chor und Bassinstrument (ad libitum) ist gespickt von musikalischen Zitaten. Sogar Anklänge der Nationalhymne der DDR halten Einzug in Georg Christoph Billers Komposition. Schließlich ertönt im Schlussfugato das „Thema Regium“ aus dem „Musikalischen Opfer“ BWV 1079 von Johann Sebastian Bach.Informationen zu den Audio-Aufnahmen (siehe Multimedia)Botschaften Jesajas Leipziger Vocalensemble Leitung: Georg Christoph Biller Aufnahme: 10. Februar 2018 in der Thomaskirche Leipzig Tonmeister Stefan Antonin / Rondeau Production
SKU: BR.OB-4920-30
ISBN 9790004325001. 10 x 12.5 inches.
Apart from fulfilling its original function in the opera, the Overture to Euryanthe has long been a popular concert piece on its own. Carl Maria von Weber effectively evokes the dramatic conflicts of the action on stage. The festive upward surge at the beginning leads to mysterious forest whispers of the muted strings in the Largo section. This is followed by a short fugato section that opens onto the recapitulation of the works rousing themes and the hymnic-jubilant close.
SKU: HL.49018191
ISBN 9783702467562. UPC: 803452064756. 9.0x12.0x0.36 inches.
Diese Bearbeitung orientiert sich einer Instrumentalversion von Weill selbst von 1929. Eine ausschopfende Benutzung der Dynamik- und Klangfarbenpalette der Gitarren ware wunschenswert. Sie kommt dem temperamentvollen Charakter der Musik mit seinen Gratwanderungen zwischen Phrasierungen der U- und E-Musik, quasi-improvisierend-jazzigen Passagen, Fugato-Einsatzen, rhythmischen Tanzmusik-Grooves der 1920er Jahre sehr entgegen und verwandelt das Quartett mitsamt Becken in ein Miniaturorchester.
SKU: CA.5453003
ISBN 9790007094348. Language: Latin.
The names of Michael Haydn's masses are associated either with a specific commission or with the composition's dedicatee. Thus, Haydn composed the Missa in honorem Sti. Gotthardi, also known as the Admont Mass, for the Admont Abbey located in the region of Styria, Austria, where Gotthard Kuglmayr was the Abbot. The mass combines formal concentration with liturgical function. The songlike melody, the unity of the motivic material, and the balanced harmony of solemn and lyrical passages show how intensively Haydn concerned himself with the genre. Due to its length and its orchestration the mass can be considered a type of missa solemnis. Fugues and fugal movements are completely missing from the Missa Admontis as is any kind of contrapuntal (including imitative) composition. In so doing, Haydn assured that the required understanding of the liturgical text would be achieved. Score available separately - see item CA.5453000.
SKU: BR.OB-4920-15
ISBN 9790004324967. 10 x 12.5 inches.
SKU: CA.5425419
ISBN 9790007138431. Language: Latin.
Just by reason of its scoring the Missa Sancti Hieronymi occupies a special place not only among the settings of the Mass by Haydn, but also in the repertoire of church music at the Royal Court of Salzburg. Other than the Hieronymus Mass and the Proprium motet Timete Dominum MH 256, which is connected with it, there are no additional surviving works in the Salzburg repertoire with this type of instrumentation. The unusual instrumentation, the contrapuntal style in the fugal sections, as well as the melodic invention and harmonic elaboration show that this Mass is a masterpiece. Score and parts available separately - see item CA.5425400.
SKU: CA.5165203
ISBN 9790007294243. Key: D minor. Latin.
The English conductor and composer Howard Arman has presented us with a completed version of Mozartâ??s Requiem. â??Another one?â? you might ask, since this publication is only the latest in a long line reaching back to the traditional SüÃ?mayr version. Yet such is the enormous power of Mozartâ??s score that the challenge and appeal of completing it remain undiminished. After two decades of intensive study, Howard Armanâ??s additions to Mozartâ??s great original show the requisite care and respect while incorporating many new insights.Armanâ??s approach is particularly fruitful. Always aware of the appropriate limits to such re-creative work, he orients himself towards the typical characteristics of Mozartâ??s brilliant composing style: The masterly compositional technique, the search for innovative solutions to every problem, and even the terse treatment of the text with extremely suggestive harmonies. All of this leads to a number of new listening experiences. In the Tuba mirum, for example, we enjoy a warm, cohesive ensemble sound, supported by the bassoons, which depart from the bass line. The Confutatis presents a quite different picture: Even the basset horns are drawn down into the infernal depths. This effect is reinforced by the independence of the trombones; rather than simply following the choral parts, the instrumentâ??s unique sound is given an opportunity to shine. Armanâ??s Lacrimosa achieves a lively Mozartian feel by granting the voices considerable freedom rather than following a rigid pattern. And he concludes the movement with a fugal Amen, whereby the focus is not so much on the counterpoint itself, but rather â?? in the spirit of Mozart â?? on creating a sense of drama and illuminating the theme in all its possible facets. Mozartâ??s fragment ends with the Hostias, and so does Armanâ??s completion. For the four following movements (Sanctus to Communio) we have nothing from Mozart, and so here, where the master is silent, Arman finally returns to SüÃ?mayr, the man who was closest to Mozart at the time of his death and whose efforts to fill the blank manuscripts still garner our respect today.Armanâ??s version has already proven its practical value. The premiere with the Bavarian Radio Choir was enthusiastically received by audiences and press alike â?? and celebrated as offering a scholarly, entirely fresh perspective on Mozartâ??s masterpiece.- World premiere by the Bavarian Radio Choir- Enthusiastically received by audience and press.
SKU: HL.48185650
UPC: 888680843564. 9.0x12.0x0.166 inches.
Stle de...; En Vagie I; En Vague II; Largo et Fugato.
SKU: KJ.JB97F
UPC: 084027044339.
Composer Jack Stamp takes us on an excursion of unknown destination in Junket. A set of seamless variations is developed from the opening cascade of notes. All the hallmarks of Mr. Stamp's style are present: exciting rhythmic motifs, adventurous harmonies, fugato, stretto, and powerful climaxes.
About Kjos Concert Band Legacy
The Neil A. Kjos Music Company's legacy of producing superb literature for concert band spans its entire 80 year history. We're proud to honor that legacy by continuing to publish compositions of the utmost quality at all grade levels in the Kjos Concert Band Legacy series. Each composition is carefully selected and edited to provide the best in wind band literature by both celebrated and rising composers of today. Skillful engraving with logical page turns, measure numbers, rehearsal marks, essential cueing, and other useful indications ensure that the rehearsal process runs smoothly, so bands can focus on making great music.
SKU: RM.DART02954
ISBN 9790231029543.
SKU: AP.38497S
UPC: 038081436845. English.
Celebrate the spirit of Bohemia at your next festival or concert with this acclaimed masterpiece. This arrangement uses material from the Allegro section of the first movement in the original key of D. The fugal nature of this movement gives each section a chance to play melodic passages. Care has been taken to preserve the energy of the original while seamlessly transferring wind and brass parts into the string section. Advanced shifting is required, along with the ability to perform syncopation and spiccato.
SKU: MN.50-9114
UPC: 688670591143.
This arrangement adds an immediately appealing freshness to a familiar hymn tune FOUNDATION, while keeping its colonial American flavor. Each verse is set differently: the first in simple hymn-style, the second in the manner of a bold fugato, the third as a lilting canon, and the fourth as a repeat of the first with a soaring descant.
SKU: BR.OB-4920-16
ISBN 9790004324974. 10 x 12.5 inches.
SKU: BR.OB-4920-19
ISBN 9790004324981. 10 x 12.5 inches.
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