SKU: JK.00473
Joseph Smith--History 1:14-20, 25, James 1:5.
Original Restoration anthem by Mary Howlett Marble, thoughtfully relating sacred experiences from the life of Joseph Smith, arranged for mixed chorus and piano.Composer: Mary Howlett Marble Lyricist: Mary Howlett Marble Difficulty: Medium-easy to medium Performance time: 4:10Reference: Joseph Smith--History 1:14-20, 25, James 1:5.
SKU: SU.46100310
String Quartet and antiphonal howling children Composed: 1990 Published by: Distributed Composer.
SKU: HL.4008939
UPC: 196288281665.
“Jet Stream” is a composition for a small wind orchestra. The term “Jet Stream” refers to a high-speed wind that occurs in the lowermost layer of Earth's atmosphere. Different temperature regions on Earth's surface give rise to these strong winds, particularly in the border areas where warm and cold air masses separate. The horizontally flowing winds around the globe can reach speeds of up to 540 kilometers per hour, approximately fifteen kilometers above our heads. These rapid wind movements play a crucial role in shaping our planet's weather and climate. To symbolize the wind, a device known as a “Howling Tube” is employed in the percussion section. The composition “Jet Stream” aims to capture the intensity and energy of these high-altitude winds in a musically and technically accessible manner. Simultaneously, it serves as a reminder, through its dramatic musical language, to treat our environment with greater care. Due to its modest instrumentation, the piece is particularly suitable for wind ensembles, including school wind bands.
SKU: HL.14028036
ISBN 9788759810248. 12.0x16.5x0.537 inches.
This short orchestral piece is a tone poem based on a passage from one of Hans Christian Andersen's lesser known fairytales, THE WIND TELLS ABOUT WALDEMAR DAAE AND HIS DAUGHTERS, a mighty allegory about the transitoriness of Life, about Vanity and Pride and the inevitable victory of Death (alias the wind), whose scything ravaging is sublimely depicted by Andersen in these few, truly breathtaking lines: And Winter rushed, Winter and Summer they rushed, and they rush, like I rush, like the howling snow, the flurrying apple blossom, the scurrying foliage; rush! rush! The people too!.
SKU: SU.27170060
Floe edge: the line where ice attached to a land mass meets free-floating sea ice. Full of haunting effects, howling overtones, and synesthetically icy music, this piece hangs in the frozen air and then builds to a lush climax before returning to its icy beginnings. A seamless blend of experimental, textural, microtonal compositional styles and heartfelt, romantic harmonies and melodies. Alto Flute, Clarinet/Bass Clarinet, Percussion, Violin, Violoncello & Piano Composed: 2020 Published by: Nauticus Publishing Also availavle: Set of Parts (cat. #27170061).
SKU: BA.BA04033
ISBN 9790006443406. 33.1 x 26 cm inches. Text Language: Italian. Giacomo Rossi.
This was Handel’s first opera for London, first performed at the theatre in the Haymarket in February 1711. It was strong in both music (including recomposed versions of some movements that Handel had previously written for his operas in Italy) and staging: a contemporary described the opera as ‘filled with Thunder and Lightening, Illuminations and Fireworks’.
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MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: HL.14030961
ISBN 9788759857458. English.
Score of the Danish Composer's Concerto for Piano and Orchestra written in 1996. Bent Sorensen writes: 'The title of this piano concerto came, as usual, very early to me, when my thoughts about the work had started to circulate, but before 'real' music was written down. I held on to the Italian title, even though its association with Vivaldi had no influence on my music, and even when German, French, English, and Danish titles covering almost the same content -'Nachtmusik', 'Nocturne', 'By Night', 'Om Natten', were just about to get the upper hand. The piano concerto has, then, in my opinion, something to do with night, but to describe this further is at least as difficult to me as it is to defend the final Italian title against those which were rejected. The Piano Concerto is in two movements. The first, swarming, is perhaps the mystery of the night, and the second perhaps the dreams of the night; with this, however, I have already given the concerto a more programmatic content than I can defend. Each movement ends with a cadenza and perhaps the last of those - the ending of the work that is - is inspired by a sequence from Bruce Chatwin's wonderful book 'The Viceroy of Ouidah': Or the Amazons howling. 'No, No, No. It was not the leopard that killed him. Not the buffalo that killed him. It was night. Night that killed him!'.
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