| Overture No. 2 for the Opera 'Leonore' Choral, Orchestra [Study Score / Miniature] G. Henle
For the Opera 'Leonore' (1807) Study Score. Composed by Ludwig van Beethoven ...(+)
For the Opera 'Leonore'
(1807) Study Score. Composed
by Ludwig van Beethoven
(1770-1827). Edited by Helga
Luhning. Henle Study Scores.
Classical, Opera. Softcover.
56 pages. G. Henle #HN9045.
Published by G. Henle
$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Comedy Overture Concert band [Score and Parts] G and M Brand Music Publishers
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarine...(+)
Concert band (Piccolo, 1st Flute, 2nd Flute, 1st Oboe, 2nd Oboe*, 1st Bb Clarinet, 2nd Bb Clarinet, 3rd Bb Clarinet, Eb Alto Clarinet*, Bb Bass Clarinet, 1st Bassoon, 2nd Bassoon*, 1st Eb Alto Saxophone, 2nd Eb Alto Saxophone, Bb Tenor Saxophone, Eb Baritone Saxophone*) - grade 5 SKU: CN.R10004 Composed by John Ireland. Band Music. Score and parts. Duration 10:30. Published by G & M Brand Music Publishers (CN.R10004). A slow introduction gives way to the chirpy theme which is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. Restlessness leads to a tranquillo presented by the flute and clarinet, weaving a flowing counterpoint around the melody until the original slow introduction returns. A triumphant recapitulation of the main theme brings this wonderful piece to an end.
Originally composed for Brass Band in 1934 Comedy Overture is, despite its name, a serious piece of writing. The term Overture does not imply that there is anything else to follow; it is used in the 19th century sense of Concert Overture (like Mendelssohn's Fingal's Cave - in other words, a miniature Tone Poem). The 1930's was a period of Ireland's mature writing - yielding the Piano Concerto (1930), the Legend for piano and orchestra (1933), and the choral work These Things Shall Be (1936-1937). We are fortunate therefore to have both Comedy Overture and A Downland Suite (1932) written for band medium at this time. As with Maritime Overture (written in 1944 for military band) Ireland approaches his material symphonically. The opening three notes state immediately the two seminal intervals of a semitone and a third. These are brooding and dark in Bb minor. It is these intervals which make up much of the thematic content of Comedy, sometimes appearing in inverted form, and sometimes in major forms as well. The concept that some musical intervals are consonant , some dissonant, and some perfect is perhaps useful in understanding the nature of the tension and resolution of this work. The third is inherently unstable, and by bar 4, the interval is expanded to a fourth - with an ascending sem-quaver triplet - and then expanded to a fifth. The instability of the third pushes it towards a perfect resolution in the fourth or the fifth. The slow introduction is built entirely around these intervals in Bb minor and leads through an oboe cadenza, to an Allegro moderato brillante in Bb major. Once again, the semi-tone (inverted) and a third (major) comprise the main, chirpy, theme-inspired by a London bus-conductor's cry of Piccadilly. (Much of the material in Comedy was re-conceived by Ireland for orchestra and published two years later under the title A London Overture.) The expansion of the interval of a third through a fourth, fifth, sixth, and seventh now takes place quickly before our very ears at the outset of this quicker section. Immediately the theme is developed, inverted, and accents displaced across the bar line to give a 3/2 feel against the written meter. But this restlessness leads to a tranquillo built around an arpeggio figure and presented by flute and clarinet. Ireland weaves his flowing counterpoint around this melody until the original slow introduction returns leading to a stretto effect as the rising bass motifs become more urgent, requesting a resolution of the tension of that original semitone and minor third. Yet resolution is withheld at this point as the music becomes almost becalmed in a further, unrelated tranquillo section marked pianissimo. It is almost as if another side of Ireland's nature is briefly allowed to shine through the stern counterpoint and disciplined structure. This leads to virtually a full recapitulation of the chirpy brilliante, with small additional touches of counterpoint, followed by the first tranquillo section-this time in the tonic of Bb major. But the instability of the third re-asserts itself, this time demanding a resolution. And a triumphant resolution it receives, for it finally becomes fully fledged and reiterates the octave in a closing vivace. The opening tension has at last resolved itself into the most perfect interval of all. $130.00 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| A Song for Chris Cello, Piano Novello & Co Ltd.
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. M...(+)
(Cello and Piano). Composed by Edward Gregson. For Cello, Piano Accompaniment. Music Sales America. 52 pages. Novello and Co Ltd. #NOV958089. Published by Novello and Co Ltd.
$22.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Still, Still, Still String Orchestra [Score and Parts] - Easy Grand Mesa Music
Edited by J. Cameron Law. Arranged by Randall D. Strandridge. For string o...(+)
Edited by J. Cameron Law.
Arranged by Randall D.
Strandridge. For string
orchestra. Grade 2+. Score and
set of parts. Duration 2
minutes, 30 seconds. Published
by Grand Mesa Music
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Balmages : Voices in the Shadows String Orchestra [Score and Parts] - Intermediate FJH
Composed by Brian Balmages. For string orchestra. FJH String Orchestra. Grade 3....(+)
Composed by Brian Balmages. For string orchestra. FJH String Orchestra. Grade 3. Score and parts. Duration 4 minutes, 30 seconds. Published by The FJH Music Company Inc
$50.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Resolution String Orchestra [Score] - Beginner Carl Fischer
(For Beginning String Orchestra). By Sean O'Loughlin. String orchestra. For Stri...(+)
(For Beginning String Orchestra). By Sean O'Loughlin. String orchestra. For String Orchestra. This edition: full score. Carl Fischer Beginning String Orchestra Series. Classical. Grade 1. Full Score. Standard notation. 8 pages. Published by Carl Fischer (. Full Score. classical.
$6.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| John Mclaughlin and the Mahavishnu Orchestra Band Scores [Score] Alfred Publishing
Music by John Mclaughlin, Mahavishnu Orchestra. Full score. 152 pages. Published...(+)
Music by John Mclaughlin, Mahavishnu Orchestra. Full score. 152 pages. Published by Alfred Publishing.
(2)$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Resolution String Orchestra [Score and Parts] - Beginner Carl Fischer
By Sean O'Loughlin. String ensemble. For String Orchestra. Carl Fischer Beginnin...(+)
By Sean O'Loughlin. String ensemble. For String Orchestra. Carl Fischer Beginning String Orchestra Series. Grade 1. Score and Parts. Standard notation. 8 pages. Published by Carl Fischer
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Expressions, score and parts String Orchestra [Score and Parts] Carl Fischer
Composed by Bill Calhoun. For string orchestra (violin I, violin II, violin ...(+)
Composed by Bill Calhoun. For
string orchestra (violin I,
violin II, violin III (viola
T.C.), viola, cello, bass,
piano). Score and parts.
Duration 2 minutes, 11
seconds. Published by Carl
Fischer
$48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Regrets and Resolutions Flute and Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. ...(+)
For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 28 pages. Duration 8 minutes, 30 seconds. Theodore Presser Company #114-40487. Published by Theodore Presser Company
$21.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rehearsing the High School Orchestra GIA Publications
SKU: GI.G-10494 Composed by Sandy Goldie. Music Education. 104 pages. GIA...(+)
SKU: GI.G-10494 Composed by Sandy Goldie. Music Education. 104 pages. GIA Publications #10494. Published by GIA Publications (GI.G-10494). ISBN 9781574635195. This book contains collective insights from some of the most inspirational high school orchestra directors in the United States. They reveal their ideas on rehearsal philosophy, rehearsal preparation, warm-up strategies, favorite repertoire, tone/bow control, intonation, articulation, expression, online instruction, recruiting and building community. Each of their stories is as unique as the individual strategies and approaches they share. You will surely be inspired by their ideas, approaches, and strategies presented in Rehearsing the High School Orchestra. I know the most joy in my life has come from my violin. (Albert Einstein) —Gail Barnes, University of South Carolina, Columbia, South Carolina Success is not final, failure is not fatal, it is the courage to continue that counts. (Winston Churchill) —David Eccles, The Lovett School, Atlanta, Georgia I want every student who comes through my door to enjoy and see the value of music. —Creston Herron, Klein High School, Klein, Texas Without music, life would be a mistake. (Friedrich Nietzsche) —Cathie Hudnall, Norcross High School, Norcross, Georgia To make a resolution and act accordingly is to live with hope. There may be difficulties and hardships, but not disappointment or despair if you follow the path steadily. Do not rest in your efforts, without stopping, without haste, carefully taking a step at a time forward will surely get you there. (Shinichi Suzuki) —Scott Laird, North Carolina School of Science and Mathematics, Durham, North Carolina Orchestra class teaches so much more than how to play a stringed instrument. We learn valuable life skills in ‘O.R.C.H.E.S.T.R.A’—Opportunity, Responsibility, Concentration, Honesty, Effort, Self-Discipline, Trust, Respect, and Attitude. —Charles Laux, Alpharetta High School, Alpharetta, Georgia I teach excellence and the commitment it takes to be excellent. Music is the discipline that I use to teach this. While music is a beautiful artform, the subject matter is never more important than the subject itself. —Kirt Mosier, Youth Symphony of Kansas City, Kansas City, Missouri You are the music while the music lasts. (T. S. Eliot) —Kirk Moss, University of Northwestern—St. Paul, Roseville, Minnesota The job of teaching is less about feeding information to students, and more about making them hungry. —Christopher Selby, School of the Arts, Charleston, South Carolina High achievement always takes place within the framework of high expectations. (Charles Kettering) —Laura Mulligan Thomas, Charlottesville High School, Charlottesville, Virginia. $19.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| On the Beaten Path Jazz Drums [Sheet music + CD] Alfred Publishing
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lacko...(+)
(The Drummer's Guide to the Genre and the Legends Who Defined It). By Rich Lackowski and John O'Reilly, Jr.. For Drumset. Artist/Personality; Book; CD; Method/Instruction; Percussion - Drum Set Method or Collection. On the Beaten Path. Jazz. 108 pages. Published by Alfred Music Publishing
$19.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| A Love Supreme Big band [Score and Parts] - Advanced Jazz Lines Publications
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsali...(+)
Recorded by the Lincoln Center Jazz Orchestra. Arranged by Wynton Marsalis. Jazz, Swing. Score and parts. Published by Jazz Lines Publications (JL.JLP-7420).
$150.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| 2 Flutes in 3 Scenes 2 Flutes, Piano Theodore Presser Co.
(For 2 Flutes and Piano). By Gary Schocker. For 2 Flutes, Piano. Standard notati...(+)
(For 2 Flutes and Piano). By Gary Schocker. For 2 Flutes, Piano. Standard notation
$21.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ollie and Me Flute and Piano [Reduction] Theodore Presser Co.
For Flute and Piano. Composed by Gary Schocker. Solo part with piano redu...(+)
For Flute and Piano. Composed by Gary Schocker. Solo part with piano reduction. With Standard notation. 10 pages. Duration 4 minutes. Theodore Presser Company #114-41363. Published by Theodore Presser Company (PR.114413630).
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra [Score and Parts] - Easy Carus Verlag
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3 SKU: CA.1025009 Composed by Henry Purcell. Edited by Julia Rosemeyer. Set of Orchestra Parts. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025009. Published by Carus Verlag (CA.1025009). ISBN 9790007329815. Key: D major. English. âHail! bright Cecilia, hail to thee. Great patroness of us and harmony!â â this exclamation opens the final chorus of Henry Purcellâs eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.
A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Ceciliaâs Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexanderâs Feast, HWV 75 (Carus 55.075), and his Ode for St. Ceciliaâs Day, HWV 76 (Carus 55.076).
Purcellâs magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the âOrpheus Britannicusâ, as Purcell was admiringly called by contemporaries.
- Festive, rousing ode to music - Highlight of the choral ode genre in the 17th century . Score and parts available separately - see item CA.1025000. $45.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Five Tachanunim for Cembalo Harpsichord [Score] OR-TAV Music Publications
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for ha...(+)
Harpsichord SKU: OT.21125 Composed by Daniel Akiva. 5 short pieces for harpsichord/cembalo. Classical. Score. OR-TAV Music Publications #21125. Published by OR-TAV Music Publications (OT.21125). ISBN 9789655051117. 8.27 x 11.69 inches. The five short movements for solo cembalo are brief, personal prayers that depict how the subject manages a range of feelings and emotions. The miniatures each represent a different emotional state: reflection, searching, meditation, agitation, and resolution. Each is a small-scale representation of a grand, wide-ranging prayer of supplication. As a composer, performer, and researcher of early music, writing for cembalo allows me not only to express my special connection to the instrument and the period in which it flourished, but also to present its contemporary dimensions as a rich and versatile instrument. The piece was composed at the request of Hagai Yodan, who performs it with great skill. Daniel Akiva is a composer, performer, and educator whose performances on guitar and lute have won great acclaim. Mr. Akiva graduated from the Rubin Academy of Music in Jerusalem in 1981, where he studied classical guitar with Haim Asulin and composition with Haim Alexander. In 1987 he completed his studies at the Geneva Conservatorium in Switzerland where he studied lute with Jonathon Rubin and composition with Jean Ballisa. For many years, he headed the Music Department at the WIZO High School for the Arts in Haifa, which he founded in 1986, and served as the Artistic Director of the Guitar Gems Festival from 2006-2019. As part of his work at WIZO High School, he has developed a method for teaching free improvisation that has been incorporated into the music program at the school. Mr. Akiva has appeared in concert as a guitarist and lutist and given master classes in Israel, Europe, Russia, the United States, and Latin America. Daniel Akiva’s compositional output includes works for solo instruments, chamber ensembles, choir, voice and guitar, piano, and chamber orchestra. His works have been recorded on twelve CDs, the latest of which, Malchut, was issued by OR-TAV in 2014. A native of Haifa whose family has lived in Israel for over five hundred years, he was steeped in the Sephardic (Jewish-Spanish) tradition from his youth. Much of his compositional output has been devoted to a dialogue with the music of the Sephardic Jews. Daniel Akiva has also maintained a creative dialogue over many years with the poets and writers Amnon Shamash, Rivka Miriam, and Avner Peretz. $11.19 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Voices in the Shadows String Orchestra [Score] - Easy FJH
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6346S Score Only. C...(+)
Orchestra String Orchestra - Grade 3 SKU: FJ.ST6346S Score Only. Composed by Brian Balmages. Series; String Orchestra. FJH String Orchestra. Score. Duration 4:30. The FJH Music Company Inc #98-ST6346S. Published by The FJH Music Company Inc (FJ.ST6346S). English. Exploring mature harmonies while a single note lingers throughout the entire work, this powerful piece will leave you breathless. Orchestrated for strings and piano, the music moves through a series of sections that become increasingly intense, all while the note G sounds nonstop from the first measure until the final chord. The haunting sound of voices (members of the ensemble) eventually fade into a soft hum before the music reaches is final chord and ultimate resolution. Simply stunning. About FJH String Orchestra More emphasis on bow technique and independence of lines. For the accomplished middle, high school, college, or professional group. Grade 3 and up $5.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Moonlight Shadows String Orchestra [Score and Parts] - Easy Carl Fischer
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'...(+)
Orchestra String Orchestra - Grade 2-2.5 SKU: CF.YAS1 Composed by Sean O'Loughlin. Carl Fischer Young String Orchestra Series. Classical. Score and Parts. With Standard notation. 8+8+5+2+5+5+2+8 pages. Carl Fischer Music #YAS1. Published by Carl Fischer Music (CF.YAS1). ISBN 9780825840630. UPC: 798408040635. 8.5 X 11 inches. Key: G major. Moonlight Shadows is a passionate and colorful piece for strings that explores the expressive power of the string orchestra. Sean O'Loughlin uses a lush harmonic palette and variety of texture (including a short pizzicato section), to create an important and soulful addition to the repertoire for younger string ensembles. Duration: 2'30. Moonlight Shadows is a work for string orchestra that reflects my great love for the music of Samuel Barber. His compositions from the 1930s and 1940s were characterized by plush harmonies, flowing melodies and engaging suspensions. These elements are what I focused on in the composition of Moonlight Shadows.The material represents my mood and feelings when I look at a big, bright moon. The shadows it casts create an eerie feeling, while at the same time providing a deep, rich tapestry for the earth at night.The harmony features many major seventh-chords with half-step suspensions. These suspensions function as common tones to the next chord and create the tension of the piece. They also move, in order to provide resolution to the piece which allows the listener to rest. With this in mind, these suspensions should be brought out during performance.Moonlight Shadows is an emotional piece that allows the young musician the opportunity to play with much expression. About Carl Fischer Young String Orchestra Series This series of Grade 2/Grade 2.5 pieces is designed for second and third year ensembles. The pieces in this series are characterized by: --Occasionally extending to third position --Keys carefully considered for appropriate difficulty --Addition of separate 2nd violin and viola parts --Viola T.C. part included --Increase in independence of parts over beginning levels $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, Mixted choir and accompaniment satb (soli), SATB (choir), Orchestra [Score] - Easy Carus Verlag
Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Gr...(+)
Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc - Grade 3 SKU: CA.1025000 Composed by Henry Purcell. Edited by Julia Rosemeyer. Carus digital: Extra digital products. Full Score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025000. Published by Carus Verlag (CA.1025000). ISBN 9790007251826. Key: D major. English. â??Hail! bright Cecilia, hail to thee. Great patroness of us and harmony!â? â?? this exclamation opens the final chorus of Henry Purcellâ??s eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time. A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Ceciliaâ??s Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexanderâ??s Feast, HWV 75 (Carus 55.075), and his Ode for St. Ceciliaâ??s Day, HWV 76 (Carus 55.076).Purcellâ??s magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the â??Orpheus Britannicusâ?, as Purcell was admiringly called by contemporaries.- Festive, rousing ode to music- Highlight of the choral ode genre in the 17th century $78.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Easy Carus Verlag
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3 SKU: CA.1025003 Composed by Henry Purcell. Edited by Julia Rosemeyer. Vocal score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025003. Published by Carus Verlag (CA.1025003). ISBN 9790007251833. Key: D major. English. âHail! bright Cecilia, hail to thee. Great patroness of us and harmony!â â this exclamation opens the final chorus of Henry Purcellâs eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.
A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Ceciliaâs Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexanderâs Feast, HWV 75 (Carus 55.075), and his Ode for St. Ceciliaâs Day, HWV 76 (Carus 55.076).
Purcellâs magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the âOrpheus Britannicusâ, as Purcell was admiringly called by contemporaries.
- Festive, rousing ode to music - Highlight of the choral ode genre in the 17th century . Score available separately - see item CA.1025000. $22.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Easy Carus Verlag
Organ (Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, ...(+)
Organ (Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3 SKU: CA.1025049 Composed by Henry Purcell. Edited by Julia Rosemeyer. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025049. Published by Carus Verlag (CA.1025049). ISBN 9790007329808. Key: D major. English. âHail! bright Cecilia, hail to thee. Great patroness of us and harmony!â â this exclamation opens the final chorus of Henry Purcellâs eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.
A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Ceciliaâs Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexanderâs Feast, HWV 75 (Carus 55.075), and his Ode for St. Ceciliaâs Day, HWV 76 (Carus 55.076).
Purcellâs magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the âOrpheus Britannicusâ, as Purcell was admiringly called by contemporaries.
- Festive, rousing ode to music - Highlight of the choral ode genre in the 17th century . Score and part available separately - see item CA.1025000. $28.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hail! Bright Cecilia. Ode on St. Cecilia's Day 1692 Soli, Mixted choir and accompaniment Soli, mixted choir, orchestra - Easy Carus Verlag
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - ...(+)
(Soli SAATBB, Coro SATB (auch SSAATB), 2 Bfl, 2 Ob, 2 Tr, Timp, 2 Vl, Va, Bc) - Grade 3 SKU: CA.1025005 Composed by Henry Purcell. Edited by Julia Rosemeyer. Choral Score. Composed 1692. Z 328. Duration 55 minutes. Carus Verlag #1025005. Published by Carus Verlag (CA.1025005). ISBN 9790007251840. Key: D major. English. âHail! bright Cecilia, hail to thee. Great patroness of us and harmony!â â this exclamation opens the final chorus of Henry Purcellâs eponymous Ode to St. Cecilia from 1692. A paean to the power of music, the work is one of the undoubted masterpieces of English choral odes of that time.
A resolution of the Musical Society of London in 1683 launched the great tradition of annual celebrations for St. Ceciliaâs Day (November 22), featuring a church service followed by performances of specially composed music. Over the years, Purcell wrote several odes for the occasion, of which this example from 1692 is one of the most popular. Four decades later, Handel would also contribute to the celebrations with his Alexanderâs Feast, HWV 75 (Carus 55.075), and his Ode for St. Ceciliaâs Day, HWV 76 (Carus 55.076).
Purcellâs magnificent music, which features a huge range of tonal color and form, offers delightful parts for a variety of solo, ensemble, and choral settings. With its richly expressive palette, the Ode to St. Cecilia is an extremely rewarding work by the âOrpheus Britannicusâ, as Purcell was admiringly called by contemporaries.
- Festive, rousing ode to music - Highlight of the choral ode genre in the 17th century . Score available separately - see item CA.1025000. $16.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Nostalgia Orchestra [Score] - Easy Belwin
Orchestra - Grade 3 SKU: AP.48069S Composed by Rossano Galante. Full Orch...(+)
Orchestra - Grade 3 SKU: AP.48069S Composed by Rossano Galante. Full Orchestra; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Belwin Concert Full Orchestra. Score. 20 pages. Duration 5:00. Belwin Music #00-48069S. Published by Belwin Music (AP.48069S). ISBN 9781470661939. UPC: 038081554327. English. Nostaglia, by Rossano Galante, literally means a sentimental longing or wistful affection for the past, typically for a period or place with happy personal associations. This orchestral setting is lyrical, joyous, and ultimately hopeful, taking the listener to a place of harmonic bliss. A strong full orchestra work for festival or the concert stage, the composition incorporates two melodic themes that build to a climactic resolution that utilizes the full ensemble. This title is available in MakeMusic Cloud. (5:00). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
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