SKU: GI.G-10094
UPC: 785147009412. English, Spanish. Text Source: English tr. Order of Christian Funerals, Spanish tr. Exequias Cristianas
“Saints of God / Santos de Dios†unites the Spanish and English texts of the “Song of Farewell†and “In paradisum†musically, linguistically, and liturgically for bilingual funerals. This setting uses short call-and-response phrases to support congregation participation in the two languages.
SKU: HP.8286HB
UPC: 763628282868. 2 Corinthians 1:3, Deuteronomy 31:6, Isaiah 50:10, Isaiah 6:1-8, Lamentations 3:23, Psalms 10:18, Psalms 104:1-35, Psalms 115:9, Psalms 119:114, Psalms 144:2, Psalms 145:9, Psalms 18:2, Psalms 28:7, Psalms 3:3, Psalms 33:21, Psalms 5.
A festive prelude This festive prelude in the Joel Raney series of piano/organ duets, with SATB choir entering at the conclusion for an optional choral introit, uses the tunes: LYONS and ITALIAN HYMN - both based on the theme of Christ the King. Both keyboard parts and a reproducible page of the text for the choir are included. An optional 3-6 octave handbell part and a full conductor's score are available separately.
SKU: SU.50024590
Copyright 2004. Published by: Seesaw Music.
SKU: HL.14078414
SKU: HL.134767
Author: Chyrzynski.
SKU: GI.G-7020
UPC: 785147702009. English, Spanish. Translation: Mary Louise Bringle. Text by Juan Damián.
The milonga is a song-dance developed around 1870 by the cultures co-existing in Buenos Aires at the time. This piece, with a Mary Louise Bringle translation, explores the mystery of God: “I think I know, but barely grasp it . . .†and calls for greater faith. The music is slow, rhythmic, richly harmonic, and mesmerizing.
SKU: AP.49551S
ISBN 9781470649111. UPC: 038081569895. English.
Of all of Gordon Jacob's major contributions to the British wind band repertoire, the William Byrd Suite (written in 1923) stands as his most-often programmed work. Though originally based on six movements from William Byrd's Fitzwilliam Virginal Book, this setting for developing band incorporates two contrasting movements including The Earle of Oxford's Marche and Wolsey's Wilde. Like Jacob's wind band work, the music is not a mere transcription from the original keyboard collection, but rather stylized with his own inventive musical spirit for modern concert band. A wealth of material here that opens doors to teachable moments as musical textures---dynamic contrasts, articulations, scoring options---are continually changing. Bravo! (2:33).
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