SKU: GI.G-8411INST
English. Text Source: Psalm 96:1–2a, 2b–3, 11–12, 13, The Revised Grail Psalms, ref.: Lectionary for Mass Scripture: Psalm 96:1–2a, 2b–3, 11–12, 13.
SKU: GI.G-7242INST
UPC: 785147724292. English. Text Source: Inspired by Psalm 133. Text by Tony Alonso.
SKU: HL.49031385
ISBN 9790001048170. German.
SKU: HL.49031387
ISBN 9790001048194. German.
SKU: HL.49004596
ISBN 9790001048156. German.
SKU: HL.49031388
ISBN 9790001048200. German.
SKU: HL.49031386
ISBN 9790001048187. German.
SKU: CA.1004519
ISBN 9790007140953. Language: German.
Score and parts available separately - see item CA.1004500.
SKU: CA.1004515
ISBN 9790007017224. Language: German.
Score available separately - see item CA.1004500.
SKU: CA.3117409
ISBN 9790007209636. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and parts available separately - see item CA.3117400.
SKU: CA.3117412
ISBN 9790007209650. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score and part available separately - see item CA.3117400.
SKU: CA.3117411
ISBN 9790007209643. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117413
ISBN 9790007209667. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: SU.80101179
This work is a setting of Psalm 80 (Restore Us, O God) as paraphrased in 1673 by John Milton. The text is used frequently in the season of Advent (on the First Sunday), or would also be appropriate for Good Shepherd Sunday in the Season of Easter. The majestic work was commissioned for performance on a day when new tapestries and paraments were dedicated for use in a parish and the music is knit together with a commanding viola part (with alternates for violin or cello). The instrumental part is available as a free PDF download from the Zimbel website (http://www.zimbel.com/). 20 pages Published by: Zimbel Press Minimum order quantity: 8 copies. Perusal copies are available by contacting perusalrequest@subitomusic.com (include the organization name with your request). To order quantities fewer than 8, please write to sales@subitomusic.com.
SKU: CA.3115611
ISBN 9790007208776. Text language: German/English.
Ich steh mit einem Fuss im Grabe (I stand with my open grave before me) BWV 156 is one of the few surviving cantatas of Johann Sebastian Bach that is based on texts from the so-called Picander cycle. As in several other cantatas that use texts from this poet, Bach opens the work with a sinfonia, most likely taken from an earlier concerto that didn't survive and is later reused as the slow movement of the famous harpsichord concerto in F minor BWV 1056. In the first aria, the poet combines his text with a well-known chorale, a technique that is often found in Bach's cantatas, particularly those from the pre-Leipzig period. The cantata is comprised of six short movements; the choir is used only in the final chorale. Score and part available separately - see item CA.3115600.
SKU: CA.3115612
ISBN 9790007208783. Text language: German/English.
SKU: CA.3117414
ISBN 9790007209674. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117416
ISBN 9790007209698. Text language: German/English. Text: Henrici (Picander), Christian Friedrich.
SKU: CA.3117405
ISBN 9790007186111. Language: German/English. Text: Henrici (Picander), Christian Friedrich.
The cantata Ich liebe den Hochsten von ganzem Gemute (I love the Almighty with all of my spirit) BWV 174 was composed for Whit Monday 1729. It probably belongs to Bach's fourth cycle of cantatas, known as the Picander cycle. Most of the cantata is taken up by the introductory Sinfonia. This is a reworking of the first movement of the famous third Brandenburg Concerto BWV 1048. Bach took the movement almost unaltered and simply added wind parts to strengthen the sound to the nine string parts (three violins, three violas, three violoncelli) and basso continuo - two corni da caccia and two oboes, reinforced by two violins, an oboe da caccia (taille) and a viola. The following movements (aria, recitative, aria) form a distinct contrast with their chamber music scoring (two oboes or one or two string parts with basso continuo). A simple four-part chorale concludes the cantata. Score available separately - see item CA.3117400.
SKU: HP.A609O
UPC: 763628249670. By Anne Herring.
Easter anthem by Anne Herring The hand-written Orchestration contains a Conductor's Score and parts for: Flute, Oboe,Clarinet, Trumpet 1 & 2, Trumpet 3, Horn 1 & 2, Horn 3, Trombone 1 & 2, Tuba, Percussion (orchestra bells, timpani), Rhythm, Harp, Violin 1, Violin 2,Viola, Cello. . . The hand-written Orchestration contains a Conductor's Score and parts for: Flute, Oboe,Clarinet, Trumpet 1 & 2, Trumpet 3, Horn 1 & 2, Horn 3, Trombone 1 & 2, Tuba, Percussion (orchestra bells, timpani), Rhythm, Harp, Violin 1, Violin 2,Viola, Cello and Bass.
© 2000 - 2024 Home - New realises - Composers Legal notice - Full version