SKU: CF.CM9652
ISBN 9781491157244. UPC: 680160915804. 6.875 x 10.5 inches. Key: D minor. Hebrew, Hebrew. Israeli Folk song.
Earlene Rentz has arranged this traditional Israeli dance song quoting the Round Toembai. Sure to be the piece the audience will find themselves humming for days to come! Also available for Two-Part Treble Voices (CM9192), SSA Voices (CM9477), Three-Part Mixed Voices (CM9210) and Tenor-Bass Voices (CM9639).ARTZA ALINU This song was a favorite of the Israeli pioneers who returned to live in the land of Israel. As they planted crops and brought the land back to cultivation, they sang and danced in the hope that the land of Israel would be rebuilt. Pronunciation Guide and general translation: Artza alinu We have gone up to our land, AHR-tzah ah-LEE-noo K'var *charashnu v'gam zaranu There we have plowed and sown, Kih-VAHR *hah-RAHSH-noo vih-GAHM zah-RAH-noo Aval **od **lo katzarnu but we still have not reaped. Ah-VAHL ohd loh kaht-ZAHR-noo *The ch is pronounced using a guttural sound (not a hard k), and uses air to begin the sound. Actually, the sound is somewhere in between an h and a k. **These words use the long o sound (i. e., like the English ode and low). TOEMBAI Toembai - There is no translation for toembai. This is a dance tune, sung in a round at celebrations. Pronounced: TOOM-bah ee (bai is actually the long I sound).ARTZA ALINUThis song was a favorite of the Israeli pioneers who returned to live in the land of Israel. As they planted crops and brought the land back to cultivation, they sang and danced in the hope that the land of Israel would be rebuilt.Pronunciation Guide and general translation:Artza alinu We have gone up to our land,AHR-tzah ah-LEE-nooK’var *charashnu v’gam zaranu There we have plowed and sown,Kih-VAHR *hah-RAHSH-noo vih-GAHM zah-RAH-nooAval **od **lo katzarnu but we still have not reaped. Ah-VAHL ohd loh kaht-ZAHR-noo*The “ch†is pronounced using a guttural sound (not a hard “kâ€),and uses air to begin the sound. Actually, the sound is somewhere in between an “h†and a “k.â€**These words use the long “o†sound (i. e., like the English “ode†and “lowâ€).TOEMBAIToembai – There is no translation for “toembai.†This is a dance tune, sung in a round at celebrations. Pronounced: TOOM-bah ee (“bai†is actually the long “I†sound).
SKU: GI.G-10297
UPC: 785147029717. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass. Misal Romano, tercera edición
A versatile Mass setting for use throughout the liturgical year, Mass of the Sun of Justice / Misa Sol de Justicia is fully bilingual, singable entirely in English or in Spanish, or any pastoral combination of both languages. At its core, this setting is built on assembly-minded melodies. Much of the choral writing is two-part, albeit spelled out in four voices, whereby the basses frequently double the soprano melody, and the alto and tenor lines essentially share a single harmony in their respective ranges, splitting only at cadence points for a fuller effect. Optional descants and divisi further expand the voicing possibilities. The additional instrumentation is particularly spirited, further enhancing these sung texts for solemn occasions. “Sun of justice†is a term used to reference Christ with respect to his second coming, as found in the ancient “O†antiphons. This title appears in the Lectionary among the Alleluia options for the common of the Blessed Virgin Mary, and is, in fact, assigned to the feast of Our Lady of Guadalupe, celebrated within the Advent season. As such, the music is “Advent-like†in nature—joyful and filled with hope. ~~~~~ Una Misa versátil para usar durante todo el año litúrgico, Mass of the Son of Justice / Misa Sol de Justicia es completamente bilingüe, se puede cantar completamente en inglés o en español, o en cualquier combinación pastoral de ambos idiomas. En esencia, este arreglo se basa en melodÃas para la asamblea. Gran parte de la escritura coral es de dos partes, aunque escrito para cuatro voces, por lo que los bajos con frecuencia duplican la melodÃa de soprano, y las lÃneas de alto y tenor comparten esencialmente una sola armonÃa en sus respectivos rangos, dividiéndose solo en los puntos de cadencia para una melodÃa más completa. Los discante y divisi opcionales amplÃan aún más las posibilidades de sonorización. La instrumentación adicional es particularmente animada, mejorando aún más estos textos cantados para ocasiones solemnes. Sol de justicia es un término que se usa para referirse a Cristo con respecto a su segunda venida, como se encuentra en las antÃfonas O antiguas. Este tÃtulo aparece en el Leccionario entre las opciones de Aleluya para el común de la SantÃsima Virgen MarÃa y, de hecho, está asignado a la fiesta de Nuestra Señora de Guadalupe, celebrada dentro del tiempo de Adviento. Como tal, la música es en esencia de adviento—alegre y llena de esperanza. ~~~~~ Preview select songs from this mass setting in the video below:.
SKU: GI.G-10284
UPC: 785147039600. English. Text Source: From Songs of Innocence, William Blake, 1757–1827, alt. Text by William Blake.
SKU: OU.9780193528000
ISBN 9780193528000. 10 x 7 inches.
For SATB and piano or organ or orchestra Thornett's setting of this Epiphany text, also known as 'Brightest and best', makes effective use of arching melodies and a variety of choral textures. The piece builds to a dramatic final verse with a soprano/tenor descant, before a gentle ending.
SKU: BT.SCHEE3006-13
International.
SKU: GI.G-8556
UPC: 785147855606. English. Text Source: Tr. 'Es ist ein' Ros' entsprungen,' 1599.
This translation of “Es ist ein’ Ros’ entsprungen†(more commonly translated as “Lo, How a Rose E’er Bloomingâ€) includes the medieval imagery of Christ as the flower that “springeth from earth.†The doxology portion also makes reference to “Mary, God’s own Mother,†making the piece of worthy consideration for repertoire on January 1. The melody is passed between tenors and sopranos, while the remaining voices take up a wordless choral accompaniment.
SKU: GI.G-8815
UPC: 785147881506. English, Latin. Text Source: Romans 11:29, Latin Vulgate. Scripture: Romans 11:29.
I composed this setting in my last weeks of study at Westminster Choir College. The Latin text (Sine paenitentia enim sunt dona et vocatio Dei) translates roughly to “Truly, without regret are the gifts and callings of God.†This piece serves not only as an outward affirmation for all to embrace and use their God-given talents, but also as an inward mantra for myself, as I move into an uncertain period in my life after completing my undergraduate studies. Many of the colors and textures found within this piece were influenced by my experience singing with the Westminster Williamson Voices for two years. While the “sine paenitentia†text may allow shades of doubt to creep in, all uncertainty and fear is dispelled upon singing “sunt dona et vocatio Dei.†—Cortlandt Matthews Here is an amazing performance by The Westminster Williamson Voices at the Choral Insititute at Oxford. Ryan Manni, Conductor.
SKU: GI.G-8882
UPC: 785147888208. English. Text Source: 'Ein' feste Burg ist unser Gott,' based on Psalm 46; Translation: Frederick Henry Hedge. Text by Martin Luther. Scripture: Psalm 46.
Phillip K. Jones II has created what he describes as a contemporary gospelized hymn arrangement of the classic chorale ein' feste burg. Soprano and tenor soloists complement the SATB choral parts and the magnificent gospel-style keyboard part. Requires a reasonably proficient pianist.
SKU: GH.CG-7585
ISBN 9790070042093. Text: Biblical.
For sopran, tenor, blandad kor SATB och piano. Text fran Psaltaren 51:12.
SKU: GI.G-10270
English. Text Source: Ja Jahannes, 1942-2015. Text by Ja Jahannes.
Soprano or Tenor Solo.
SKU: CF.CMF1
ISBN 9780825857768. UPC: 798408057763. 6.75 X 10.5 inches. Text: Keith Hibbs; Claire Cloninger; Cherry Tadlock; Ron Harris. Claire Cloninger, Ron Harris, Cherry Tadlock, Keith Hibbs.
This collection offers both seasonal and general worship anthems from one of America’s premiere church writers. The anthems in this collection are perfectly suited for praise and worship and are sure to become an integral part of church choir programs. Seven anthems total, Hallquist has skillfully written these beautiful pieces with care and thoughtfulness; a style that has been one of his trademarks throughout the years. A must-have for every church choir! Faithful to the Vision (Anniversary/Dedication), I Often Dance (General Praise/Worship), In Times Like These (Encouragement/Easter Resurrection), Let Us Worship and Bow Down (Call to Worship), On a Hillside in Bethlehem (Christmas), They Could Not (Easter) and We Are His Love (Missions/Ministry).
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