SKU: AP.48928
UPC: 038081562520. English. Words by Deborah Craig-Claar; music from March of the Toys by Victor Herbert.
Presenting Victor Herbert's instantly recognizable March of the Toys with all-new hilarious lyrics! This festive feature reads like a wacky to-do list of holiday preparations with non-stop punchlines from the choir and a couple cameo soloists. Your fullest sounds, brightest faces, and biggest personalities are on full display with this theatrical celebration of the season. Get ready to giggle when handheld percussion instruments and sound effects (played by choristers) introduce a parade of unwanted out-of-town guests. It's a crazy cast of characters and Christmas chaos straight out of a comedic holiday movie. Mark Hayes provides a showy piano reduction and a grand orchestration (on the SoundTrax or SoundPax) from fanfare to finish. Visit to download free staging suggestions: alfred.com/countdownstaging.
About Alfred Choral Designs
The Alfred Choral Designs Series provides student and adult choirs with a variety of secular choral music that is useful, practical, educationally appropriate, and a pleasure to sing. To that end, the Choral Designs series features original works, folk song settings, spiritual arrangements, choral masterworks, and holiday selections suitable for use in concerts, festivals, and contests.
SKU: XC.SAB1902
UPC: 812598030693. 6.75 x 10.5 inches.
I wanted to do a fun Latin version of the Christmas favorite Deck the Hall. When I realized Fa-La-La rhymed with Cha-Cha-Cha, I knew that was the kick off point for the arrangement! Now sing and dance your way through this fun song. (How often do you get to sing a Cha-Cha?!).
SKU: GI.G-9730
UPC: 785147973003. English, Spanish. Text Source: Revised Order of Mass 2010, Lectionary for Mass
Over the past few years, as I have experienced the radical cultural transformation of Roman Catholic communities in the United States, I decided that I wanted to create something in response and support. Mass of Creation went through multiple revisions—into a Protestant version, a revised (2010) text version and a bilingual version. At each transition, the music struggled (I believe) to make the text “sing†as it had with the original version. With the Mass of Reconciliation / Misa de Reconciliación, I began with the premise that the text would be created to be sung throughout either in English or Spanish. My hope was that faith communities that had Masses in both languages might learn the mass setting in their own language and, when they came together for major feast days (Christmas Eve/Day, Easter Vigil/Day, and other celebrations) they could each sing with confidence and passion a setting in their own language.
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