SKU: BT.DHP-0930474-015
This hymn was commissioned by â??Antwerpen 93â?. And this city, on the banks of the river Schelde has been nominated â??Cultural Capital of Europeâ? for 1993. The work-group â??animatieâ? took the initiative and commissioned a hymn, which -as the finale to a grand open-air event on 27th March- was premièred by hundreds of musicians from all over Europe. Philippe Langlet (France) was the conductor at this majestic occasion.Musically speaking the piece can no doubt be labeled easy. Indeed it is meant to represent a hymn, playable by all in different instrumental combinations. Consequently a variable instrumentation was chosen and a type of music, which by native is easily accessible anduncomplicated.The conductor is free -in the instrumentation- to score this piece according to his own taste. It is perhaps advisable to use the sharp brass in the forte parts, in order to make the range in the sound of the orchestra as colouful as possible. The percussion parts are not absolutely essential, so that the hymn can also be performed without percussion.
SKU: AP.1-ADV40008
UPC: 805095400083. English.
Jingle Bells is a Christmas hit known all over the world, so why not play it in some diverse global styles? This was Konrad Koselleck's initial thought when he began working on this arrangement. The opening takes us straight into a Disney movie, then some Irish flutes invite you to take a sleigh ride somewhere up north in Lapland. Down by the river Volga, a Russian hero sings a ballad and a complete Rimsky-Korsakov orchestra answers. A harp invites you for a French waltz a la Ravel . . . or is it Strauss? Thereafter a Bavarian polka sets the right tempo to finish the song, sounding like a Big Band with a boulevard of Hollywood strings before Rudolf leaves us with a last farewell. Arranged for full orchestra.
SKU: AP.1-ADV40007
UPC: 805095400076. English.
Jingle Bells is a Christmas hit known all over the world, so why not play it in some diverse global styles? This was Konrad Koselleck's initial thought when he began working on this arrangement. The opening takes us straight into a Disney movie, then some Irish flutes invite you to take a sleigh ride somewhere up north in Lapland. Down by the river Volga a Russian hero sings a ballad and a complete Rimsky-Korsakov orchestra answers. A harp invites you for a French waltz a la Ravel . . . or is it Strauss? Thereafter a Bavarian polka sets the right tempo to finish the song, sounding like a Big Band with a boulevard of Hollywood strings before Rudolf leaves us with a last farewell. Just have fun.
SKU: FL.FX070673
This piece allows bringing forward a Horn player, invited or from the orchestra itself. Its rhythmical contrasts make This piece particularly appropriate to begin or end a concert.
SKU: CL.012-1958-00
Highly descriptive contest music in two movements. Entrance of the Gods’’ is a study in contrasts with bold, powerful tutti phrases followed by soft, lyrical woodwinds and low brass passages. Tribal Dance’’ features many rhythmic woodwind lines accented by sharp brass accents and a variety of percussion sounds.
About Bach Series arranged by Alfred Reed
Masterful settings for concert band by the venerable Alfred Reed, these works have been scored to achieve richness and beauty without detracting from the textural construction created by Bach himself. Marvelous educational and program material!
SKU: CL.012-1731-00
A soft motif repeats on other intervals in many voices leading to a rhythmic development section with sharp brass accents and quick woodwind runs. A beautiful melodic trumpet solo begins the next lyrical section which returns to a full recapitulation of the contrapuntal material.
SKU: CL.012-1731-01
SKU: AP.12-0571530117
ISBN 9780571530113. English. Orchestrated by Colin Matthews.
This work was commissioned by the Hallé Concerts Society, and written for full orchestra. Instrumentation: 2.afl.2.ca.2.bcl.2.cbsn - 4331 - perc(3): xyl/cast/tgl/tamb/SD/TD - 2 harp - strings. (3:00).
SKU: AP.12-0571530125
ISBN 9780571530120. English. Orchestrated by Colin Matthews.
This work was commissioned by the Hallé Concerts Society and was written for full orchestra. Instrumentation: 2.afl.2.ca.2.bcl.2.cbsn - 4331 - perc(3): glsp/tgl/susp.cym/siz.cym/BD - 2 harp - cel - strings. (3:00).
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