SKU: JK.20030
Energetic doublebass solo with piano accompaniment of Three Aztec Dances.Includes three movements:1. Warriors2. Dance of the Cureloms3. Village DanceComposer: A. Laurence Lyon.
SKU: PR.114418110
ISBN 9781491111994. UPC: 680160640423.
The film noir genre of 1940s cinema typically includes a strong but flawed male lead (often a detective), a beautiful woman who coerces the male into committing murder or is a killer herself (a “femme fataleâ€), and a twisting plot line that involves one or more homicides. These movies typically are shot in black and white, with emphasis on shadows and light, alcohol and cigarettes, trench coats and fedoras. Most of the story lines do not have happy endings. Inspired by this genre, NOIR VIGNETTES consists of four movements, each depicting an aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette. String bass parts are provided both for standard orchestral tuning and for solo tuning.In the mid-1940s, film critics in France noticed a trend emerging in movies from the United States, which they coined film noir (which translates to “black filmâ€). These movies were dark, moody, and pessimistic, reflecting the agitation and anxiety present in society following World War II. Several characteristics are commonly found in many of these movies, including a strong but flawed male lead (often a detective), a beautiful woman who either coerces the male lead into committing murder for her or is a killer herself (a “femme fataleâ€), and a twisting, turning plot line that involves one or more homicides. Additionally, there are several visual elements that these movies share: many are shot in black and white, with great emphasis on the use of shadows and light; alcohol and cigarettes are heavily consumed by men and women alike; and men typically wear trench coats and fedoras. Most of the story lines do not have happy endings. Examples of film noir include Orson Welles’ The Lady from Shanghai, Billy Wilder’s Double Indemnity, and John Huston’s The Maltese Falcon.NOIR VIGNETTES for Double Bass and Piano consists of four movements, each depicting a different aspect of film noir: Murder at Midnight, Loaded Gun, Femme Fatale, and Last Cigarette.This piece was commissioned by the University of Illinois Research Board on behalf of double bassist Michael Cameron.-Stacy Garrop.
SKU: AP.36-52740015
ISBN 9781621568582. UPC: 746241297211. English.
Covering grades 1 through 4, these pieces will challenge the young bassist and build technical skill. Pieces included: 1. Beach Spring 2. A Stately Dance 3. Habanera 4. Scheherezade 5. Theme from Jupiter 6. Revelry 7. In the Hall of the Mountain King 8. Rhapsody.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.49047264
ISBN 9783795731076. UPC: 196288176510. 9.0x12.0x0.205 inches.
The Easy Concert Pieces series features easy to moderately difficult works for double bass with piano accompaniment. Ordered by difficulty in three volumes, the pieces are suitable for auditions, competitions or exams. The series contains original works by Bottesini, Dragonetti, Gretchaninoff, Hindemith, Laska, Regner, Reinagle, Teppo Hauta-aho and others as well as orchestral excerpts by Beethoven, Dvorak, Haydn, Mahler and arrangements of famous classical masterpieces. All pieces are included on the accompanying audio, as a full version and as a piano accompaniment. Volume 2 (easy to intermediate) contains pieces up to the 3rd position. As some new double bass tutors have a different approach in introducing position changes, volume 2 offers several pieces which reach the 2nd position, some pieces using only 1st and 3rd positions and some more difficult pieces which encompass all positions from half to third position.
Two short and delightful movements in a lighter style, composed for Double Bass with Piano Accompaniment by Bryan Kelly. Based upon characters from Shakespeare's The Tempest, this piece is ideal for concerts, offeringa wonderful enrichment to the advancing Double Bassist's repertoire.The solo Double Bass part is also included on a separate insert
SKU: BO.B.3611
On May 17th (1852) Ramon Carnicer composed the Capriccio for bass with piano accompaniment expressly to be performed at first sight reading by the applicants to obtain a teacher's place of this instrument at The Real Conservatorio de Musica y Declamacion Maria Cristina (nowadays Real Conservatorio Superior de Musica de Madrid). He worked there as a teacher of composition since 1830 until his death.This revised edition by Jordi Soler keeps the original indications of the bass voice in the script of the piano part.This edition includes two versions: the orchestral key (D Major) and soloist key (E Major).
SKU: HL.49046908
UPC: 196288082071.
The Easy Concert Pieces series contains easy to moderately difficult works for double bass with piano accompaniment. Arranged according to the level of difficulty in three volumes, there are representative pieces for all epochs that are suitable for auditions, competitions or examinations. In addition, the Easy Concert Pieces serve as a motivating supplement in the classroom. All pieces are included in the booklets for download, as a full version and as playback (piano accompaniment). Volume 1 (ED 22551) contains pieces in the half and first position. Pieces for each individual position as well as pieces with change of position are offered in each epoch. Light bowing styles such as portato, staccato and legato as well as pizzicato are worked on, as well as simple dynamic gradations from piano to forte, crescendo and decrescendo and light phrasing. The selected pieces have varied characters with catchy melodies, different meters and various simple rhythms.
SKU: PR.144407040
ISBN 9781491112274. UPC: 680160655502.
LAMENT was originally composed in 1999 for solo piano, in memory of Judith Arron, whose visionary goals for Carnegie Hall were matched by her abilities to achieve them. The performance challenges in LAMENT are musical rather than technical: finding and projecting the line from beginning to end; using rubato for expressive and formal purposes; shaping phrases; achieving variety of color; and employing these dimensions to create a spontaneous and personal rendering. Two piano parts are included to provide for solo tuning as well as concert pitch performance.
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