SKU: BT.DHP-1196124-404
ISBN 9789043157346. Italian.
Ascolta, leggi & suona rappresenta oggi il testo di riferimento dedicato all’insegnamento della musica per ottoni e legni. Questo fantastico metodo, costituito da libro e CD, include canzoni, indovinelli musicali e giochiche permetteranno all'allievo principiante di progredire nella conoscenza della musica, fornendogli al contempo utilissime informazioni sul suo strumento e numerosi brani da suonare divertendosi. I tre volumi che compongonol’opera sono i primi della collana e sono affiancati da testi contenenti materiale supplementare per i differenti livelli del corso.
Incontra l’opera offre utile materiale complementare a tutti e tre i volumi della serieAscolta, leggi & suona e include arie famose, cori e ouvertures, proposti secondo un ordine di difficolt crescente. Una selezione delle più belle melodie mai scritte per l’opera, corredate da un quadro storico esplicativo.L’allievo potr esercitarsi da solo, utilizzando le tracce registrate disponibili online, scaricabili o ascoltabili in streaming. Questa edizione contiene l’accompagnamento pianistico, arrangiato sapientemente a un moderatolivello di difficolt .
SKU: M7.APUE-516315
ISBN 9781875516315.
These musical gems offer a diverse array of musical styles, ensuring a rich and engaging journey into the world of flute music. From lyrical melodies to lively dances, each piece has been crafted to nurture both technique and expressive playing, exploring the beauty and versatility of the flute. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for each work. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Miniatures. You can also find the link and further information at www.allegromusicpublishing.com/flutemusic Lyrical Flute Miniatures will delight students, flute teachers, and audiences alike, a valuable addition to your Flute repertoire!
SKU: LM.25308
ISBN 9790230953085.
ATTAIGNANT : La Magdalena - BACH : Menuet en Sol (flute et piano) - Menuet en Sol (2 flutes) - CAGNARD : Scherzando (flute et piano ou 3 flutes) - ESPEJO : Andantino - FRESCOBALDI : Canzona - GRIEG : Princesse - HAENDEL : Bourree - MOZART : Duettino (2 flutes et piano) - RACHMANINOFF : Melodie - TANAKA : Au printemps (2 flutes) - Du Ja et du Pan (2 flutes) - URBAIN : Elegie - WERNER : Feuille d'album.
SKU: BT.DHP-1185891-404
ISBN 9789043154512. English.
Nowadays Look, Listen & Learn sets the bar for brass and woodwind teaching. These exciting method book/CD packs for beginners contain songs, music puzzles and games to increase the pupils’ understanding of music, information about their instrument, and lots of fun pieces to play. The three volumes of the method that form the basis of this series are enhanced by several books with supplementary material designed to correspond with the progress of the method.
In My First Opera, famous arias, choruses, and overtures have been arranged in increasing order of difficulty so that they can be used in conjunction with all three volumes of the Look, Listen& Learn method series. Some of the loveliest melodies ever written for opera have been collected together with accompanying historical commentary. Pupils can accompany themselves using the piano recordings, which are available online to stream or download. The edition also includes printed music for piano accompaniments, expertly arranged at a moderate level of difficulty.
SKU: PR.144407230
ISBN 9781491131442. UPC: 680160677528. 9 x 12 inches.
CANCIÓN DE CUNA is the Spanish word for Lullaby. This poignant 7-minute work was commissioned by flutist Cindy Anne Broz in remembrance of her mother; Zyman responded with a lullaby of gentle beauty and a strong folkloristic Mexican feeling, inspired by the lullabies he heard as a child. Suitable for recitals, memorials, and many other settings.
SKU: BT.DHP-1196135-404
ISBN 9789043157452. Spanish.
Hoy en d a, Escuchar, leer & tocar es el manual de referencia en la enseñanza de los instrumentos de viento metal y viento madera. Estos magn ficos paquetes de libros y CD de metodolog a para principiantes contienencanciones, acertijos musicales y juegos para aumentar la comprensión de la música por parte de los alumnos, información sobre los instrumentos y muchas piezas divertidas para tocar. Los tres volúmenes del método que constituyenlos primeros de la serie, están acompañados por otros libros que contienen material complementario acordes al nivel correspondiente.
En el Libro de ópera, arias famosas, coros y oberturas se organizan en orden crecientede dificultad y se pueden utilizar junto con los tres volúmenes de la serie Escuchar, leer & tocar. Están recopiladas algunas de las melod as más hermosas jamás escritas para ópera, acompañadas de comentarios históricos queayudan a entender el contexto de las obras. La presente edición incluye partituras de acompañamiento de piano de moderada dificultad, grabadas y disponibles para ser utilizadas tanto on line como para ser descargadas.
SKU: HL.14012400
ISBN 9788774550723.
James Galway In Scandinavia - Popular Songs and Ballads from Denmark, Norway and Sweden for Flute and Piano/Guitar Selected and edited by James Galway and Toke Lund Christiansen. Piano arrangements by Torben Kjær.
SKU: PR.114422710
ISBN 9781491136072. UPC: 680160688227.
DUO’s succinct movement titles (I. Here, II. Open, III. Stark, IV. Ardent) tease at revealing the grand and heartfelt inspiration for exuberant romanticism in this sonata-like work of symphonic proportions and depth. Charles Gibb is both an accomplished pianist and an award-winning flutist, who has written of this compelling major addition to the literature: “This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.†Gibb’s DUO is sure to become a favorite major work for flute recitalists.This work is a journey. What journey and whose journey does not matter. It is my journey, it is your journey. It is the journey of those who came before us, and of those who will come after us. I wrote this hoping that we can find each other along the road, so we can realize that we don’t need to go on the journey alone.“Here†begins with three notes that shape the rhythmic and harmonic content of the entire work. Melodies and harmonies including the tonic, dominant, and leading tone can be found in each of the four movements. The first moments of this movement introduce the melody, offering itself unencumbered and uninhibited. It shows itself as it is. The melodies soar, the harmonies become voiced more intricately, and the opening theme repeats in full grandeur. The momentum slows down, and the movement ends with a sense of completion, yet remains unbalanced.A striking piano gesture launches “Open,†the idea of instability reflected with the flowing flute trills and unclear meter patterns in the piano. The sensation of an unsteady grace in 5/8 time arrives with a piano ostinato. The melody is expressive, yet insecure and unbalanced due to changing meters. After a grand pause, the movement transitions to 4/4 time with the flute switching between duplet and triplet flourishes. After a rapid descent in the flute, the opening gesture returns, changed and abruptly interrupted.The third movement, “Stark,†is very static, beginning plainly but markedly. The falling fifth calls out continually throughout the movement, searching, lost. Melodies appear in pieces, some smooth and flowing, others rather disjunct. The piece climaxes with a line of mournfulness, yet revealing a deeper strength through intense projection of tone in the high register. However, the static harmonies return, this time unsteady all the way to its foundation. This destabilization repeats, and then quietly recedes.“Ardent†is the longest of the movements and spans a wide range of musical emotion. Part of the movement is fast paced, energetic, and balances order and disarray. However, once the chaos dies down, a gentle, expressive theme comes in. The theme itself is very resolute; it is order appearing from the pandemonium. Conflict returns, and order and chaos become less distinguishable from one another, and soon fuse together. However, order returns with new meaning, synthesized with previous musical content, creating a truer, deeper sense of awareness or understanding. A moment of ambiguity arises, but the flute persists, supported by the sensitive but firm figuration in the piano, and resoundingly comes to a close, unburdened and at ease.
SKU: PR.114418900
ISBN 9781491129517. UPC: 680160668632.
A welcome addition to the bass flute repertoire, Dorff’s 14-minute sonata is designed as two pairs of slow-fast movements. While composed as a complete 4-movement sonata, either half may be performed alone as a 7-minute recital work. The movement titles are: I. Sprawling, burbling; II. Sparkling, glistening; III. Under Winter; and IV. Spring Spirits.When Peter Sheridan commissioned me to write a piece for bass flute and piano, his only requests were a sonata-like multi-movement work, and some kind of reference to New York, where we both grew up. Just the thought of a bass flute, with its broad and mighty airstream, already reminded me of the mighty Hudson River: from the dense woods of upstate New York, through the beautiful landscapes of New Paltz and Poughkeepsie, down through the celebrated Manhattan waterway.As I daydreamed how to build a sonata inspired by the Hudson, I thought of its deep primal nature carved by the Ice Age, and the life within the river and on its shores long before humans arrived. I thought of how the river’s magnetism drew Native Americans who honored and built their lives around it. I thought of beautiful trees and wildlife, the annual cycles of ecosystems, and the natural symbiosis between the river itself, the life within, and the life on land spawned by the river’s resources.I wondered what if Thoreau had sat by the Hudson rather than by Walden Pond; I wondered what if Hesse had set Siddhartha in the Hudson Valley with this river as his metaphor for the flow of life and time.I wondered whether the sonata should flow from north to south, or have chronological references. I wondered if I should allude to the many poets and painters who have drawn inspiration from the mighty Hudson. Every thought led to the river’s essence, its own spirit and life — flowing through raw nature, from skinny trickles to mightiness spawning cities; supporting subtle life, and becoming a central commons for human societies.The subtitle Spirit of the Hudson brings it all together.* * *The sonata is built in 4 movements, with formal inspiration from the Baroque: A slow Mvt. 1 “Sprawling, burbling†leads directly to the rapid Mvt. 2 “Sparkling, glistening,†followed by another slow-fast pair: Mvt. 3 “Under Winter†which leads directly into Mvt. 4 “Spring Spirits.†In addition to performances of the complete sonata, either pair of movements may be performed on its own for a shorter concert segment.SONATA (SPIRIT OF THE HUDSON) was premiered at the International Low Flutes Festival in April 2018 by its commissioner, bass flutist Peter Sheridan, with Hyeeun Hahm as pianist.
SKU: BT.SY-2943
German.
A selection of motivating pieces for flute and piano. The book relates to the progression of the popular flute method Flöte spielen (Playing the flute) vol. C, but can be used with any other flute method as well. Piano and flute are at about thesame level. With play-along CD. The faster pieces are recorded in a slower practice version additionally, and the CD contains a software which can play all the tracks at a slower tempo.Flöte spielen macht Spaß - und ganz besonders im Zusammenspiel mit anderen. Man kann damit gar nicht früh genug beginnen!
Diese Sammlung abwechslungsreicher und motivierender Spielstücke ist auf Flöte spielen Band C abgestimmt, kann aber natürlich auch parallel zu anderen, ähnlich aufgebauten Schulen verwendet werden. Die Klavierbegleitungen sind weitgehend inähnlichem Schwierigkeitsgrad wie die Flötenstimme gehalten, um das Musizieren Gleichaltriger zu ermöglichen. Die Mitspiel-CD enthält die Klavierbegleitungen und langsamere Übungsversionen.
SKU: BT.SY-2944
A selection of motivating pieces for flute and piano. The book relates to the progression of the popular flute method Flöte spielen (Playing the flute) vol. D, but can be used with any other flute method as well. Piano and flute are at about thesame level. With play-along CD. The faster pieces are recorded in a slower practice version additionally, and the CD contains a software which can play all the tracks at a slower tempoFlöte spielen macht Spaß - und ganz besonders im Zusammenspiel mit anderen. Man kann damit gar nicht früh genug beginnen!
Diese Sammlung abwechslungsreicher und motivierender Spielstücke ist auf Flöte spielen Band D abgestimmt, kann aber natürlich auch parallel zu anderen, ähnlich aufgebauten Schulen verwendet werden. Die Klavierbegleitungen sind weitgehend inähnlichem Schwierigkeitsgrad wie die Flötenstimme gehalten, um das Musizieren Gleichaltriger zu ermöglichen. Die Mitspiel-CD enthält die Klavierbegleitungen und langsamere Übungsversionen.
SKU: BT.AMP-379-400
ISBN 9789043135771. 9x12 inches. English-German-French-Dutch.
Part of the ANGLO MUSIC PLAY-ALONG Series, Philip Sparkes 15 INTERMEDIATE CLASSICAL SOLOS is aimed at the young instrumentalist who can play about an octave and a half and follows on from Sparkes 15 EASY CLASSICAL SOLOS. Specifically tailored tosuit the individual instrument, this book introduces the developing player to the world of the classics by using simple yet attractive melodies that fit their limited range.
The carefully selected pieces include music from the 17th to the 19th century and cover a wide variety of styles, from Handel to Tchaikovsky and from Clementi to Brahms.
The book will provide invaluable additional material to complement any teaching method and includes both piano accompaniment and a demo/play-along CD.
Genau auf jedes Instrument zugeschnitten, ermöglichen die sorgfältig ausgewählten Melodien noch mehr Spielerfahrung mit klassischer Musik. Die Stücke umfassen verschiedene Stilrichtungen und Komponisten wie z.B. Händel, Tschaikowsky, Clementi undBrahms.
Jeder Band bietet wertvolles Ergänzungsmaterial, das zu jeder Instrumentalschule passt und enthält sowohl Klavier- als auch CD-Begleitungen.
SKU: HL.48185301
UPC: 888680858612. 9x12 inches.
“If I were... by Serge Lancen is a set of easy works for Flute and Piano. Each piece was written as if the author were impersonating a famous composer and this book includes those inspired by Schubert, Chopin and Grieg. Written for upper beginners / intermediate level players, these works can all be interpreted separately. - N. 10 ”“If I were Schubert”“ has a slow tempo, starts Allegro Moderato and lasts 1''10 - N.11 ”“If I were Chopin”“ is slower than the first piece, in Moderato and uses Chopin''s musical style,. Ithas an introduction and twodistinctive parts - N.12 ”“If I were Grieg”“ is starts with the piano at a tempo 84. The introduction is followed by a main theme which is repeated before an harmonious close If I were... can also be found with pieces inspired by Offenbach, Beethoven or Albeniz among others. Serge Lancen is a French musician and composer. He wrote numerous pieces including chamber music, orchestral works, for solo instruments and for voice. He won many radio prizes and received a Prix de Rome.&rdquo.
SKU: PR.114417610
ISBN 9781491107904. UPC: 680160636051. 9x12 inches.
SONATA CHO-CHO-SAN(Based on themes from Puccini’s Madama Butterfly)In the spirit of the great 19th-century opera fantasies for woodwinds, Michael Webster has created a concert trio on the many great arias from Puccini's Madama Butterfly. However, as its name implies, Sonata Cho-Cho-San is not the typical virtuosic operatic potpourri. Rather, it follows the plot, resembling a sonata mirroring Puccini's use of recurring and developing themes. Webster makes the most of the winds as versatile performers - equally suited to deliver Puccini's beautiful vocal writing, and to ornament and embroider the poignant themes in symphonic style. For advanced performers._______________________________________Text from the scanned back cover:Born in 1944, Michael Webster made his New York recital debutat Town Hall in 1968 with his eminent father, Beveridge Webster, as pianist. In the same year, he won the Young Concert Artists International Competition and succeeded his teacher, Stanley Hasty, as Principal Clarinet in the Rochester Philharmonic, a position he held for twenty years. Webster has performed with the Chamber Music Society of Lincoln Center, the 92nd Street Y, with the Tokyo, Cleveland, Muir, Ying, Enso, and Dover String Quartets, and with the festivals of Marlboro, Santa Fe, Norfolk, Chamber Music Northwest, Angel Fire, Steamboat Springs, Park City, Sitka, Kapalua, Bowdoin, Orcas Island, Skaneateles, La Musica di Asolo, Stratford, Victoria, and Domaine Forget.As soloist he has appeared with many orchestras, including the Philadelphia Orchestra under Aaron Copland and the Boston Pops under John Williams. His travels have taken him as performer and teacher to most of the 50 states, as well as Canada, Mexico,Puerto Rico, Central and South America, Europe, Japan, China, Australia, and New Zealand. Webster was Acting Principal Clarinet of the San Francisco Symphony, and has served on the clarinet and/or conducting faculties of New England Conservatory, Boston University, University of Michigan, and the Eastman School, from which he earned his three degrees. Currently he is Professor of Music at Rice University’s Shepherd School of Music and Artistic Director of the Houston Youth Symphony, which has won multiple first prizes in national performance competitions.With his wife, flutist Leone Buyse, and pianist Robert Moeling, he plays in the Webster Trio, which has recorded his arrangements on Tour de France and World Wide Webster for Crystal Records. Otherarrangements were recorded for Nami and Camerata Tokyo in Japan with pianist Chizuko Sawa. Webster has also recorded for Albany, Arabesque, Beaumont, Bridge, Centaur, CRI, and New World. He has played at many ClarinetFests for the International Clarinet Association and written a column entitled “TeachingClarinet†in The Clarinet Magazine since 1998. Michael Webster is a Buffet artist-clinician, performing on Buffet clarinets exclusively.
SKU: FG.55011-746-4
ISBN 9790550117464.
Einar Englund’s (1916-1999) Flute Concerto (1985) is beyond dispute one of his greatest works. Its finest attributes are its rich melodic invention, colourful instrumentation and immediate message. Add to these its rewarding solo part, and the result is truly one of his best concertos – and works. He himself did not hesitate to regard it as such. It was premiered in Helsinki on September 16, 1985, having been completed at Ljugarn on the Swedish island of Gotland at the end of June. The Finnish Radio Symphony Orchestra was conducted by Leif Segerstam, and the soloist was the concerto’s dedicatee, Mikael Helasvuo. The Flute Concerto opens with a Ritornello in which the flute's playful, dance-like passages make sharp contrast with the orchestra's heroic stance. In the mellow Canzona which follows, the flute plays rhapsodically over repetitive orchestral figures. The work's action-packed finale hints at parody in its military march-like opening, but also gives rein to the lyricism already familiar from the second movement. This product includes the solo flute part and the piano reduction. The orchestral study score (composer’s manuscript) is available for sale (product number 9790550117471). The performance material is available for hire from the publisher. Duration: c. 23’ Instrumentation of the orchestra: 3(III=picc)222–4330–14–harpsichord(+celesta)–hp–str.
SKU: FL.FX071113
This piece is written for students in their second year of flute practice. Built on a structure of 3 3-beat measures followed by 1 4-beats measure, it make the players to behave as acrobats. The piano part can be played by a student from 3 years of piano practice. It can then be used for a flute + piano audition.
SKU: M7.APUE-516285
ISBN 9781875516285.
Welcome to Lyrical Flute Encores, the eagerly anticipated companion volume to Lyrical Flute Legends. In this book, we continue to explore the rich and diverse world of contemporary flute music, with a variety of styles that will delight intermediate level flute players. This collection of newly commissioned works showcases the creativity and innovation of some of today's most exciting composers, each bringing their unique perspective to the lyrical and expressive qualities of the flute. From haunting melodies to playful rhythms, the music in this collection is sure to inspire and captivate flutists and audiences alike. There are biographies of all the composers at the end of the flute part, as well as notes and helpful performance suggestions for the works. Free Flute and Piano recordings, and Piano backing tracks for every piece can be found on YouTube at 'theyoungfluteplayer' (no spaces) channel, see the playlist for Lyrical Flute Encores.
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