SKU: GI.G-5781
ISBN 9781579991371. English. Translation: CEV. Text by John O'Brien.
An ecumenical program of stories, activities, songs for children 8–12 years old (grades 3–7). Ten original songs related to unit themes of book, notation in book, recording on CD (sold separately). CD also contains backing tracks for performance. When We Listen - We’ve Got the Power - Good Things - We Will Bring Your Peace - I Will Bless You, Lord - Welcome to God’s House - Do to Others - Happy Are All of My Children - We Will Make a Place Ready - Nothing Can Take Us Away.
SKU: HL.50607050
UPC: 196288292401. 9.0x12.0x0.073 inches.
Deux Airs populaires cubains (Dos aires populares cubanos) and Deux Thèmes populaires cubains (Dos temas populares cubanos) were written in the 1960s and published by Ãditions Max Eschig in 1972 and 1978. These two pieces belong to the genre of arrangements of popular songs for solo instruments that was a widespread presence in the plucked-string repertoire from the sixteenth century on. In these two cycles, Leo Brouwer reworks Cuban popular music with his usual instrumental originality. In the first cycle, Brouwer did not alter any of the melodic or structural elements of the original songs, only embellishing these with introductions, harmony, and some structure. In the second cycle however, the original dance was composed by Brouwer himself, imitating Cuban popular music characterised by both Spanish and African influences. Rather than being based on actual folk repertoire, it draws its inspiration from it and attempts to recreate its sonic ambiance. Zigante interventions, made on the scores published during the 1970s, consist of the correction of a few errors and restoring some of the original repeat signs as conceived by Brouwer. Any fingering indicationswere added by Leo Brouwer himself.
SKU: HL.49019327
ISBN 9783795747558. UPC: 841886018204. 9.0x12.0x0.2 inches.
This volume contains everything needed for guitar lessons: 58 easy original guitar pieces by Aguado, Mertz, Diabelli, Carulli, Sor or Carcassi, but also easy-to-play arrangements of classical music from the fields of orchestral music, chamber music or opera. Among them are themes from Vivaldi's Four Seasons, from Handel's Music for the Royal Fireworks, Mozart's Magic Flute, Beethoven's Symphony No. 9 or Verdi's Chorus of the Hebrew Slaves. It is this volume's concern to make classical masterpieces of concert literature accessible to children by means of such rather easy arrangements and make them enjoy classical music. All pieces are recorded on the accompanying CD to make it easier for the pupils to study and master the works.
SKU: M7.DUX-810
ISBN 9783868493764. German.
Unzählige Schüler haben das Gitarrenspiel mit Martin Kuhnles Lagerfeuer-Gitarre schon mit Spaß und Leichtigkeit erlernt. Nun erscheint dieser Klassiker in komplett überarbeiteter und stark erweiterter Neufassung. Wie bewährt führt das Buch Schritt für Schritt bzw. Song für Song zu den wichtigsten Akkorden und Schlagmustern. Dabei wird bewusst auf das Notenspiel verzichtet. Mit den ersten zwei Akkorden spielt man bereits 'Get Back', mit einem Akkord mehr 'Ein Bett im Kornfeld' und so weiter. Mit insgesamt 75 unverzichtbaren Songs von den Rolling Stones bis Adele und von den Toten Hosen bis Max Giesinger besitzt man die ultimative Sammlung nicht nur fürs Lagerfeuer. Zu allen Songs und Lernthemen gibt es wertvolle Tipps und zusätzlich Einführungsvideos, die einfach per QR-Code zu erreichen sind. Zusätzlich sind berühmte Intros und Melodien als Tabulatur angegeben, so dass du auch diese leicht nachspielen kannst. Alle Songs stehen über eine Spotify Playlist im Original zum Anhören bereit. Da du fast alle Songs in der Originaltonart lernst, kannst du daher direkt mitspielen. Die perfekte Mischung aus Lehrbuch und Songbook!
SKU: UT.CH-111
ISBN 9790215316317. 9 x 12 inches.
The three original pieces for guitar Notturno, Napolitana (popolar songs) and Roma (March for guitar), together with three transcriptions, are included in a manuscript of 36 pages, noting in the frontispiece “Transcriptions and compositions of F. Balilla Pratella sent as a tribute to M.R. Brondi (1920)”.These compositions follow a traditional language, and, in the tonality and the alternating themes, are an expression of Pratella’s folkloric vein, with cantabile and melancholy melodies, with the exception of the march, that show some echoes of the nineteenth century guitar masters’ way of composing.There is a characteristic use of the quartine with no alternated thumb forefinger tremolo, that immediately recalls the plectrum orchestra so much used by Pratella in his youth.The discovery of these pieces – which happened accidentally and saved them from certain destruction – contributes to enhance that period of great guitarist turmoil preceding Segovia, establishing itself at the beginning of twentieth century in Italy with three compositions from an author that, along with the Bonaccorsi and Colacicchi, anticipated that current – already initiated by the Fara, Gabriel, Caravaglios – which was, in the following decades, to go by the name of ethnomusicology.
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