SKU: BT.DHP-1084638-400
ISBN 9789043130998. 9x12 inches. German.
This new volume helps fill the need for functional trumpet and organ music that can be used in a church service or mass. The pieces follow the format of the traditional mass and are suitable for use in churches of any denomination. This publication comes with a play-along CD featuring complete performances together with organ accompaniments and an organ accompaniment part. Er is veel vraag naar functionele muziek voor trompet en orgel als invulling van kerkdienst of mis - deze geslaagde compositie van Jacob de Haan is het antwoord op die vraag. Missa Brevis is uitermate geschikt voor uitvoeringin zowel katholieke als protestantse kerkdiensten. De uitgave wordt geleverd met een piano/orgelpartij en een meespeel- en voorbeeld-cd, waarop Frits Damrow de trompetpartij speelt.Missa Brevis, eine Messe für Blasorchester und Chor ad libitum, kann in diversen variablen Spielstärken aufgeführt werden. Zahlreiche mögliche Instrumentenkombinationen und darüber hinaus diverse mögliche Kombinationen mit groÃ?en oder kleineren Chören, lassen eine Vielzahl von verschiedenen Aufführungen zu. Darüber hinaus ergeben sich durch die Orgelbegleitung weitere Aufführungsvarianten. Eine Aufstellung aller verschiedenen Besetzungsmöglichkeiten wird vom Komponisten mitgeliefert. Die Entscheidung für eine reine Instrumental- oder eine der kombinierten Varianten liegt ganz im künstlerischen oder praktischen Ermessen des Dirigenten. Die wunderschöne Musik aus der Feder vonJacob de Haan garantiert in jedem Fall einen gelungenen Auftritt! Les oeuvres sacrées pour trompette et orgue pouvant être interprétées, la fois lors dâ??un culte ou dâ??une messe, font réellement défaut. Les différentes parties de Missa Brevis (Kyrie, Gloria, Credo, Sanctus, Benedictus et Agnus Die) conviennent autant la liturgie catholique quâ?? la liturgie protestante. Une excellente source dâ??inspiration. I pezzi sacri per strumento e organo possono essere suonati durante il rito religioso o la messa. Le differenti parti di Missa Brevis (Kyrie, Gloria, Credo, Sanctus, Benedictus, Agnus Dei) si adattano sia alla liturgia cattolica che protestante. Il CD incluso propone la registrazione dellâ??accompagnamento allâ??organo come anche una versione dimostrativa di ogni brano, per dar modo allâ??interprete di coglierne la giusta interpretazione. Missa Brevis è unâ??eccellente fonte dâ??ispirazione. Le parti dellâ??organo sono incluse nella pubblicazione.
SKU: BR.DV-32027
ISBN 9790200425192. 9 x 12 inches.
Bicinia - unaccompanied duos - have been known to us from the fifteenth century onwards. So quite early on it was customary tu practise this type of musical exercise, which later, especially during the Romantic period, achieved great popularity as the duo or duett. Equal numbers of this sort of instrumental duo were composed for nearly all wind and string instruments. On the other hand, only a small amount of compositions for two trumpets have come down to us. In order to play any music which progresses beyond pure fanfare on a natural (valueless) trumpet, it is necessary to make use of the clarion register (the top third of the natural harmonic). And if such a melody is to be accompanied by a second part, only the few natural notes lying below it are left, or else this high register itself, which calls for great virtuosity on the part of the trumpeter. As well as this, we must remember the fact that trumpet-playing was only allowed for the trumpeters of a royal court, army, staff, or for the field-trumpeter of a prince, plus a few council, city, and church musicians, who were bound by strict guild and corporation rules. Thus in spite of the preference for its festive sound, the spread and handing down of trumpet music was almost reduced to nothing under these circumstances. As well as this, pride of place and profession rivalry and envy amongst musicians contributed in large part. In England the situation was somewhat freer. Here pretty little trumpet duos originated, including, amongst others, those written by Handel for his master-trumpeter Valentin Snow and the Royal Sergeant-trumpeters of the Shore family. An especially happy exception was the diocese of Olmiitz. Here there was a capable group of musicians of the chapel royal with the brilliantly talented group of trumpeters and the field-trumpeter Pavel Vajvanovsky, who also composed himself. These trumpeters in the service of his prince-bishop played many sacred and secular pieces, all for several instruments. It was for them also that Heinrich Ignaz Franz Biber wrote the 12 double trumpet sonatas we present here. On the other hand, the representatives of the authorities in Germany ensured strict observation of all edicts and regulations. Even the celebrated Bach-trumpeter and towm-piper Gottfried Reiche was never allowed to be portrayed with a proper trumpet due to the priveleges of court and field trumpeters. In order to represent him as one of the greatest masters of his time and art, however, the painter placed an instrument similar to a corno-di-caccia in his hand, together with a sheet with a small piece for virtuoso clarion. When we try in spite of these difficulties and adverse circumstances to gather a collection of musically valuable and characteristic examples of popular pieces for two trumpets from the seventeenth and eighteenth centuries, it is in the first, place in order to acquaint modern trumpeters with something of the wealth of music, which can also be well played on a modern trumpet with valves. The originally used trumpets correspond to modern ones in the keys of C and D, but this does not mean that many of the pieces cannot be transposed to a more comfortable register. On top of this, we have tried to give a picture of the baroque court and field trumpeter, as well as of the mysterious clarion trumpeter, with the help of musically popular material. The origin of most of the pieces used is no longer clearly discernable. In most cases we possess second- or third-hand copies which have been handed down, and show signs of frequent use. A few cases where modernization of the second part obviously did not take place until the invention of stops, have been re-shaped into their supposed original form. A series of further dynamic details were left, and marked as optional suggestions in brackets. Kurt Janetzkyz.T. mit Pauken und B.c.
SKU: BT.EMBZ14479
Hungarian-English-German-French.
There is not much study material available for trumpet students at elementary music school level. The authors of this volume have set out to fill this gap, selecting partly original studies, partly studies written for other wind instruments and transcribing those most suitable for the trumpet. The pieces are arranged in ascending order of difficulty. Eine wertvolle Sammlung für Anfänger und leicht Fortgeschrittene auf der Trompete. Éva und Péter Perényi sammelten 248 Etüden verschiedener Komponisten, darunter originale Kompositionen für Trompete und Stücke, die von den Autoren bearbeitet wurden. Alle Etüden sind nach ansteigendem Schwierigkeitsgrad sortiert.
SKU: AP.47778
ISBN 9781470641573. UPC: 038081547770. English.
Teach trumpet with the Suzuki Trumpet School. The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Trumpet School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki violin teacher to develop their potential as a musician and as a person. This Book and Performance/Accompaniment CD is integral for Suzuki trumpet lessons. Volume 1 features: Engravings in a 9 x 12 format * Introduction and general information regarding the trumpet * Preparatory exercises * Tonalizations * Pieces * Musical terms and signs * Musical notation guide * Fingering chart * Photos * CD with recordings by Caleb Hudson accompanied by Michael Schneider, as well as piano accompaniments recorded without the trumpet part. Titles: Let's Begin (Traditional) * French Tune (Traditional) * Stroll Along (Traditional) * Come and Play (Traditional) * Mary Had a Little Lamb (Traditional) * Twinkle, Twinkle, Little Star (Folk Song / Suzuki) * Lightly Row (Folk Song) * Old MacDonald (Traditional) * Go Tell Aunt Rhody (Folk Song) * Are You Sleeping, Brother John? (Traditional) * Long, Long, Ago (Bayly) * May Song (Folk Song) * French Folk Song (Folk Song) * Ode to Joy (Beethoven) * Amazing Grace (Traditional) * Allegretto (Diabelli) * It Jingles So Softly (Mozart) * Minuet (Roman) * O Come, Little Children (Folk Song) * Perpetual Motion (Suzuki) * Prelude (Charpentier) * Clog Da.
About Suzuki Method
The Suzuki Method is based on the principle that all children possess ability and that this ability can be developed and enhanced through a nurturing environment. All children learn to speak their own language with relative ease and if the same natural learning process is applied in teaching other skills, these can be acquired as successfully. Suzuki referred to the process as the Mother Tongue Method and to the whole system of pedagogy as Talent Education. The important elements of the Suzuki approach to instrumental teaching include the following:an early start (aged 3-4 is normal in most countries); the importance of listening to music; learning to play before learning to read; -the involvement of the parent; a nurturing and positive learning environment; a high standard of teaching by trained teachers; the importance of producing a good sound in a balanced and natural way; core repertoire, used by Suzuki students across the world; social interaction with other children. Suzuki students from all over the world can communicate through the language of music.
SKU: AP.47779
ISBN 9781470641580. UPC: 038081547756. English.
Teach trumpet with the Suzuki Trumpet School. The Suzuki Method of Talent Education is based on Shinichi Suzuki's view that every child is born with ability, and that people are the product of their environment. According to Shinichi Suzuki, a world-renowned violinist and teacher, the greatest joy an adult can know comes from developing a child's potential so he/she can express all that is harmonious and best in human beings. Students are taught using the mother-tongue approach. Each series of books for a particular instrument in the Suzuki Method is considered a Suzuki music school, such as the Suzuki Trumpet School. Suzuki lessons are generally given in a private studio setting with additional group lessons. The student listens to the recordings and works with their Suzuki teacher to develop their potential as a musician and as a person. This book is integral for Suzuki trumpet lessons. Volume 1 features: Engravings in a 9 x 12 format * Introduction and general information regarding the trumpet * First exercises on the trumpet * Pieces and tonalizations * Glossary of terms and signs * Musical notation guide * Fingering chart * Photos. Titles: Let's Begin (Traditional) * French Tune (Traditional) * Stroll Along (Traditional) * Come and Play (Traditional) * Mary Had a Little Lamb (Traditional) * Twinkle, Twinkle, Little Star (Folk Song / Suzuki) * Lightly Row (Folk Song) * Old MacDonald (Traditional) * Go Tell Aunt Rhody (Folk Song) * Are You Sleeping, Brother John? (Traditional) * Long, Long, Ago (Bayly) * May Song (Folk Song) * French Folk Song (Folk Song) * Ode to Joy (Beethoven) * Amazing Grace (Traditional) * Allegretto (Diabelli) * It Jingles So Softly (Mozart) * Minuet (Roman) * O Come, Little Children (Folk Song) * Perpetual Motion (Suzuki) * Prelude (Charpentier) * Clog Dance (Traditional) * Song of the Wind (Folk Song) * Allegro (Suzuki). This title is available in MakeMusic Cloud.
SKU: SP.TS021
ISBN 9781585603992. UPC: 649571100216.
Unlike many collections which feature obscure titles, Exceptional Classics for Trumpet, arranged by Tony Santorella and Jonathon Robbins features a broad assortment of well-known classics originally written for piano. This best selling title contains works from a variety of major composers, which by its nature, provides examples of music written from several different eras. This eliminates the need for multiple teaching materials and is a great resource for teaching young horn players early, easy, original classics. Exceptional Classics for Trumpet published by Santorella Publications is a required text for many state audition lists and is suggested by music educators associated with the highly regarded NYSSMA organization. The accompanying CD is an acoustic piano accompaniment and extremely helpful towards learning these important masterpiece themes. Little Cradle Song, Schumann - Russian Folk Song, Beethoven - Tell Me, Fair Ladies from The Marriage of Figaro, Mozart - The Organ Grinder, Tchaikovsky - Allegro, Mozart - Minuet, Bach - Minuet, Haydn - Russian Song, Tchaikovsky - Serenade, Mozart - Gavotte, Bach - German Dances, Haydn - Andante from The Surprise Symphony No. 94, Haydn - Waltz, Beethoven - German Dance, Schubert - Ecossaise, Beethoven - Canon In D, Pachelbel - Ode to Joy from Symphony No. 9, Beethoven - Two Minuets, Bach - Jesu, Joy of Man's Desiring, Bach - Andante, Mozart - Aria, Bach - Serenade from Eine Kleine Nachtmusik, Mozart - Norse Song, Schumann - Old French Song, Tchaikovsky - Turkish March from The Ruins of Athens, Beethoven - The Wild Horseman, Schumann - Two Minuets from The Notebook of Anna Magdalena Bach, Bach.
SKU: BT.DHP-1155652-401
ISBN 9789043147477. English-German-French-Dutch.
The first grand parade at Winter’s end, led by the trumpets...
The composer Pascal Proust has many years’ experience as a musician and music teacher. His output includes several hundred compositions for the most diverse instrumentations. He wrote Spring Parade for trumpet players at the level ofapproximately one year’s study and paid special attention to an easy-to-follow, attractive musical style. As a result, Spring Parade is an ideal performance or competition work for young musicians.De eerste grote parade aan het eind van de winter, aangevoerd door de trompetten...
De componist Pascal Proust kan bogen op een jarenlange ervaring als muzikant en muziekdocent. Zijn oeuvre omvat honderden composities voor de meest diverse instrumentaties. Hij schreef Spring Parade voor trompettisten die ongeveer een jaar leshebben gehad, waarbij hij speciaal aandacht heeft besteed aan een makkelijk te volgen, aantrekkelijke muziekstijl. Daardoor is Spring Parade een ideaal voordrachts- of wedstrijdstuk voor jonge muzikanten.Die erste große Parade am Ende des Winters, angeführt von den Trompeten…
Der Komponist Pascal Proust kann aus seiner langjährigen Erfahrung als Musiker und Musikpädagoge schöpfen; sein Oeuvre umfasst mehrere hundert Kompositionen für verschiedenste Besetzungen. Er schrieb Spring Parade für Trompeter mit ungefähreinem Jahr Unterrichtserfahrung und legte besonderes Augenmerk auf einenleicht verständlichen, attraktiven musikalischen Stil. Dadurch eignet sich Spring Parade ideal als Vortrags- und Wettbewerbsstück für junge Musiker.Première grande parade au sortir de l’hiver, jeunes trompettistes en tête…
Le compositeur Pascal Proust puise volonté dans son immense expérience de musicien et professeur de musique ; son catalogue d’oeuvres englobe plusieurs centaines de compositions pour divers instruments. Il a notamment écrit Spring Paradepour trompettistes ayant environ une année de pratique, dans un style musical accessible et coloré. De ce fait, Spring Parade est la pièce idéale pour tout examen ou audition de jeunes musiciens.
SKU: BR.BG-1233
ISBN 9790004122334. 9 x 12 inches.
Composed in 1976 on a suggestion by the in Germany living American trumpet-virtuoso Marrs, who premiered the piece. It is a short piece with relatively high requirements concerning changes of timbre (especially by means of different kinds of mutes). At the end the piece alludes to a Bohemian folksong from the area of recruit songs. (Marek Kopelent)World premiere: 1978.
