SKU: HL.49001700
ISBN 9790001023276. UPC: 884088153649. 8.5x11.75x0.392 inches.
SKU: SU.50029360
Parts available on rental.Copyright 1989. Published by: Seesaw Music.
SKU: HL.14047784
ISBN 9788759837092. UPC: 888680952921. 11.75x16 inches. English.
L'Isola Della Citta for Violin, Cello, Piano and Orchestra (2104-15) by Bent Sørensen. Commissioned by the Danish Radio, Trondheim Symphony Orchestra and Trondheim Chamber Music Festival. Written for Trio con Brio, Copenhagen.
SKU: HL.48011745
UPC: 073999117455. 9.0x12.0x0.128 inches.
Piano Reduction.
SKU: HL.49009513
ISBN 9783795762926. UPC: 073999359138. 5.25x7.5x0.146 inches.
With more than 1,200 titles from the orchestral and choral repertoire, from chamber music and musical theatre, Edition Eulenburg is the world's largest series of scores, covering large part of music history from the Baroque to the Classical era and looking back on a long tradition.
SKU: XC.SB2205
12 x 9 inches.
Take a Bow is the perfect next-step for the string orchestra! A great fit for full classroom instruction, small chamber groups, or private studio teaching; Take a Bow’s progressive approach is a winning combination for string teachers. Each piece has a line for melody and a line for harmony, making each work meaningful for individuals as well as groups – while giving teachers the flexibility to fit the needs of their ensembles. The series culminates with five string orchestra arrangements that not only add value to this collection, but complete a progressive journey for your students. Take a Bow at your next rehearsal!
SKU: GH.CG-5947P
SKU: HL.50600895
ISBN 9790080149249. 12.25x9.25x0.405 inches. Mate Bella.
Trance means an altered state of mind in which a person becomes capable of communicating with spirits by the means of a ritual. Echo like sounds have a significant role in the piece, they were achieved by aleatoric as well as metric materials. Our prehistoric ancestors experienced echo as a side effect of rituals they performed, basically they heard the echo of their own voices but they believed these sounds came from their ancestors. As 2013 was the 90th anniversary of Gyorgy Ligeti's birth, my piece pays respect to his musical heritage. In this regard the piece references Ligeti's artistic aesthetics and in some cases uses direct musical quotations.(Mate Bella, 2013)The work won first prize at the 2013 New Hungarian Music Forum In memoriam Gyorgy Ligeti composer's competition in chamber music category. It was premiered by Katalin Kokas and the Hungarian Radio Symphony Orchestra conducted by Gergely Vajda on 25 September 2013 in Budapest.
SKU: PR.414410220
UPC: 680160089222. 8.5 x 11 inches.
SKU: HL.49046391
ISBN 9781540086549. UPC: 842819108696.
The general inspiration for the music was an idea of Durham, garnered from two or three short visits and a reading of a short history - so a sort of Durham of the mind, a stylized Durham; 'my' Durham, if you will, imagined into music. However, the defininginspiration for the piece was the Cathedral. My first visit to Durham in 2001 saw me standing open-mouthed on Palace Green, and then in silent awe as I walked into that formidable magnificence inside. Most of the themes came from the days immediately following my first experience of this extraordinary, inspiring building. The feeling that the very stones and pillars themselves are imbued with centuries of prayer, withpeople's joy, grief, despair, even anger; gratitude and hope. As the tunes and chords and sounds started to organize themselves in my mind and onto manuscript paper, I realized that I was writing a sort of day in the life of Durham, and that the Cathedral wouldbe its beginning, would be in its middle, and would be at its ending. The piece consists of six 'pictures' arranged into three parts - the morning, afternoon and evening of this imaginary Durham city. Jon Lord, 2017.
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