SKU: VD.ED13959
ISBN 9790202029596. 12 x 9 inches.
SKU: VD.ED13960
ISBN 9790202029602. 12 x 9 inches.
SKU: BR.DV-8475B
ISBN 9790200482614. 9 x 12 inches.
CD:Karl Suske und Yuka Kobayashi (violin), Hans-Christian Bartel (viola), Christian Giger (violoncello)Accent Music 91197
SKU: JK.01984
Presenting the newest addition to the popular Hymn-Alongs series: Christmas Hymn-Alongs! The Hymn-Alongs series includes over 20 different instrumental books. They are simple enough for developing musicians to master, yet beautiful and fun for those advancing in music. The accompaniment book features beautiful, yet simple arrangments for piano, guitar (chord symbols), and voice. The many instrumental books can be played together in any combination. All instrument books include a melody part; treble instruments have a duet part, and bass instruments also include a bass part. View all Christmas Hymn-Alongs products HERE. Songs included in Christmas Hymn-Alongs:Angels We Have Heard on HighAway in a MangerHark! The Herald Angels SingI Heard the Bells on Christmas DayIt Came upon the Midnight ClearJoy to the WorldO Come, O Come, EmmanuelO Little Town of BethlehemOh, Come, All Ye FaithfulO Holy NightSilent NightThe First NoelWe Three KingsWhat Child Is This? Composer: VariousArranger: Brent JorgensenDifficulty: Easy hymn along, hymnalongs, hymnalong, hymn alongs.
SKU: BT.SLB-02032701
230 X 305 inches. French-English-Italian.
Henri Casadesus was passionate about early instruments, as we know from a number of photographs showing him with viola d’amore, the subject of a manual he wrote entitled Tecnique de la viole d’amour. The Concerto en Ut mineur was first published in 1947 by Mica Salabert. The first edition gives the so-called “original†part for solo violocello together with the score which, according to the preface, has been adapted for viola or cello or violin by Casadesus. However, stylistic analysis of the piece, together with some musicological research carried out after the appearance of the first edition reveals that the “original†version for violoncello, on which the adaptation was supposed to be based, cannot be attributed to Johann Christian Bach, but is rather a work imitating his style written two centuries later. In spite of this, Concerto en Ut mineur encountered considerable success and continues to be studied and performed by both violinists and violoncellists today.Henri Gustave Casadesus nourrissait une profonde passion pour les instruments anciens, qu’illustrent notamment plusieurs photographies qui le représentent avec la viole d’amour, un instrument pour lequel il écrivit le traité Technique de la viole d’amour. Le Concerto en ut mineur fut publié pour la première fois en 1947 par Mica Salabert. Dans la première édition imprimée du Concerto en ut mineur, la partie du violoncelle soliste était qualifiée d’« originale » tandis que la partition, d’après la préface citée, est la version d’Henri Casadesus, réadaptée pour alto, violon ou violoncelle. Toutefois, d’après l’analyse du style de la pièce et des recherches musicologiques successives jamais contestées du reste par la famille Casadesus il apparaît que la version « originale » pour violoncelle, de laquelle découlerait l’adaptation, n’est pas attribuable non plus Johann Christian Bach, mais aurait été composée selon sa manière deux siècles après. En dépit de cela, ce concerto a connu une bonne fortune et est encore étudié et interprété aujourd’hui par les altistes et les violoncellistes.
SKU: CA.3840403
ISBN 9790007096472. Key: D major. Language: all languages.
Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score available separately - see item CA.3840400.
SKU: BR.DV-4261
Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller
ISBN 9790200440119. 9 x 12 inches.
The Leipziger Ausgabe der Werke von Felix Mendelssohn Bartholdy pursues the goal of making accessible to the public in an adequately scholarly form all of Mendelssohn's accessible compositions, letters and writings, along with all other documents of his artistic oeuvre. A considerable number of Mendelssohn's works are still waiting to be published; many others have been published in an unsatisfactory manner.Though the new Mendelssohn Complete Edition follows the ten volumes of the Leipziger Mendelssohn Ausgabe (LMA) published by the Deutscher Verlag fur Musik (DVfM) in Leipzig since 1961, it sees itself as a fundamentally new conception which reflects the present-day standard of scholarly editions.The first volumes of the new Complete Edition were presented in Leipzig on 3 November 1997 at Mendelssohn Festtage in Leipzig.SON 411 - 413 have been awarded the German Music Edition Prize 2006.Editorial Board: Christian Martin Schmidt (chairman), Peter Ward Jones, Friedhelm Krummacher, R. Larry Todd, Ralf Wehner; research associates: Ralf Wehner, Clemens Harasim, Birgit Muller Price reduction for a subscription.
SKU: BR.MR-32069
ISBN 9790004489499. 9 x 12 inches.
Johannes Brahms wrote the Academic Festival Overture op. 80 in Bad Ischl in the summer of 1880 as a token of thanks for the honorary doctorate that had been bestowed upon him the previous year by the University of Breslau. In keeping with the event, the work contains various folkloric and student songs which Brahms borrowed from the well-known Commers-Buch fur den deutschen Studenten, a book containing material for the annual students' social gatherings. The overture's first performance was held in Breslau on 4 January 1881 under the direction of the composer. The present arrangement for string quartet by Christian Beyer compliments the already available overtures by Mozart, which Beyer also arranged for this instrumentation.
SKU: BR.EB-9244
ISBN 9790004185445. 9 x 12 inches.
It was the practice of Khoomii (throat singing) - following several workshops with Michael Ormiston - that first attracted me to Tuvan music. Composing this Songbook, the first in a series commissioned by the Ligeti Quartet, I took the chance to reflect on compositional questions around transcription and arrangement of existing music, and frequently found myself asking: where is the boundary between the source material and the new substance? Of course the relationship varies from piece to piece, and moment to moment: sometimes we seem to glimpse the pure source, but most of the time there are differing degrees of distance, working towards or away from it. This new version for string orchestra corresponds closely to the original quartet version, with an additional part for double basses.The traditional Tuvan songs that I have transcribed and recomposed are all known to me from the Ay Kherel CD The Music of Tuva: Throat Singing and Instruments from Central Asia (2004, Arc Music). According to the notes from that CD, this is what the songs are about:1. Dyngylday: If you have come on a horse in blue, it doesn't mean that you are the best. My heart tells me something else: my sweetheart doesn't have such a beautiful horse, but he is my darling.An alternative interpretation from Alash Ensemble (alashensemble.com): The word dyngylday is a nonsense term with no translation. The song makes good-humored fun of somebody for being a good-for-nothing.2. Eki Attar (The Best Steeds): The horse is the basis of our life. It is a magic creature. Even its step is full of music and rhythm. You may not be a horse rider, but when you hear this song you will always remember horses.3. Kuda Yry: This wedding song glorifies the strength of the groom and the beauty of his Horse.4. Ezir-Kara ('Black Eagle'): This was the name of a horse, who became a legend through his remarkable strength and speed.It is not just overtones that abound here: there are galloping rhythms aplenty, and though I am no horse rider I tried to keep the horses galloping in my imagination while composing these pieces.Christian Mason (with quotes from Ay Kherel and Alash Ensemble)World premiere of the original version: London/UK, May 10, 2016, World premiere of the string orchestra version: Clermont-Ferrand/France, October 8, 2020.
SKU: HL.49019672
ISBN 9790001190497. 9.25x12.0x0.286 inches. English - German.
'Hamlet-Echos' comes from the full-length opera 'Hamlet' in which Christian Jost interprets Shakespeare's tragedy as 'story of a surreal journey inward'. By having Hamlet sing in a female voice, Jost emphasizes the universal validity of this statement. The intentional bilingualism stands for Hamlet's inner dialogue in which the viola part joins commentating.
SKU: HL.48183448
UPC: 888680865542. 9.0x12.0x0.064 inches.
Christian Aubin: Passacaglia de l'Addio (Viola & Piano).
SKU: BR.EB-9243
ISBN 9790004185438. 9 x 12 inches.
SKU: BR.EB-9270
ISBN 9790004185704. 9 x 12 inches.
I fell in love with the remarkable singing of the Tenores di Bitti on hearing their recordings as a student. Their uniquely intense vocal timbre, their harmony, which seemed pure and rough at once, and the sense that this music was, at root, not so much about performance as simply being together in the world, in a community of spirit. At the time, I had no intention of using this music to my own creative ends, but now, here we are: Sardinian Songbook is the second in a cycle of works for the Ligeti Quartet, all based on transcriptions of music from different throat-singing traditions. Like string quartets, the tenores usually sing in groups of four voices, but being free from instruments they stand very close together enabling the resonances of their voices to blend and interact in a special way. The quartet, of course, can only sit so close before their bows clash, so I have chosen instead to reflect this physical closeness inversely, by getting the players to stand increasingly far from one another as the piece progresses. In so doing, the initial state of sonic blend gives way to hocketing lines, opening up the sense of space.Christian Mason, 2018 The four movements may be played separately or as a collection. If played together the following order should be observed (see table of contents).World premiere: Sheffield/UK, Firth Hall, April 14, 2018, Commissioned by Ligeti Quartet.
SKU: HL.14033404
ISBN 9788759874769. Danish.
The Wings Of Night for Trombone and String Quartet was composed by Bent Sorensen in 1998, as a commission from the Warsaw Autumn for Christian Lindberg and the Silesian String Quartet. Programme note: I do not yet know what to write about this short piece which I have just finished. But like my Piano Concerto LA NOTTE, it seems to take place at night-time - or perhaps it is only because I wrote the piece by night. In short, the title is from Shakespeare's 'Romeo and Juliet'.Juliet sings to the night - the night of love: 'Come, night, come Romeo, come, thou day in night, For thou wilt lie upon the wings of night, Whither than new snow upon a raven's back.THE WINGS OFNIGHT was composed as a commission from the Warsaw Autumn for Christian Lindberg and the Silesian String Quartet. (Bent Sorensen).
SKU: JK.02037
UPC: 093285020375.
A Truly Classic Christmas consists of twelve tasteful Baroque Christmas settings for string quartet, as played by the Piranesi String Quartet. These arrangements are masterfully crafted for advanced players and will liven any Christmas event.Instrumental books are each sold separately.Violin 1 - #02035Violin 2 - #02036Viola - #02037Cello - #02038Songs Included:It Came Upon the Midnight ClearHark! The Herald Angels SingDeck the HallsO TannenbaumAngels We Have Heard on HighGod Rest Ye, Merry GentlemenO Little Town of BethlehemWe Wish You a Merry ChristmasThe Twelve Days of ChristmasWe Three KingsJoy to the WorldOh, Come, All Ye Faithful Composer: VariousArranger: David FickDifficulty: AdvancedReference: Luke 2.
SKU: CA.3840414
ISBN 9790007215224. Key: D major. Language: all languages.
Johann Christian Bach was - as his father before him - only very seldom satisfied with the compositions that he put down on paper. Thus did this concerto too undergo many corrections/revisions by the composer and today consists of three movements of similar length. Although they were initially handed down separately at different locations, the motivic relationship as well as the melodic and figurative references among themselves clearly reveals the common identity of the three movements. Not only the final rondo is characterized by highly virtuoso passages, but both the slow, second movement as well as the introductory movement testify to youngest Bach son's compositional greatness, whose works later generations unjustly let almost fall into desuetude. Score and part available separately - see item CA.3840400.
SKU: BR.EB-9271
ISBN 9790004185711. 0 x 0 inches.
SKU: BA.BA10208-79
ISBN 9790006491827. 32.5 x 25.5 cm inches.
Congratulatory Cantata for the Birthday of Duke Christian of Saxony-Weissenfels and of Duke Ernst August of Saxony-Weimar.
About Barenreiter Urtext Orchestral Parts
Why musicians love to play from Bärenreiter Urtext Orchestral Parts
- Urtext editions as close as possible to the composer’s intentions - With alternate versions in full score and parts - Orchestral parts in an enlarged format of 25.5cm x 32.5cm - With cues, rehearsal letters, and page turns where players need them - Clearly presented divisi passages so that players know exactly what they have to play - High-quality paper with a slight yellow tinge which does not glare under lights and is thick enough that reverse pages do not shine through
SKU: BR.EOS-522-19
ISBN 9790004785386. 8.5 x 11.5 inches.
The Sinfonia in E-flat major was probably written by Johann Christian Bach in his first decade in London, around 1765-70. Because of its small instrumentation and ease of performance, this E-flat major symphony enjoyed great popularity even during Bach's lifetime.
SKU: HL.48025327
UPC: 196288175476.
The piece is part of the ballet Wild Swans, choreographed by Meryl Tankard at the Sydney Opera House in 2002, based on the fairy tale The Wild Swans by Hans Christian Andersen. Originally scored for soprano and orchestra, Eliza Aria introduces Princess Elisa and expresses her pure soul, innocence and belief in the goodness of the world: Without saying a word, she must weave stinging nettles into cloth to save her enchanted brothers. The short, enchanting vocalise is perhaps Elena Kats-Chernin's best-known creation and went around the world as music in a promotional video on YouTube. It is now available in numerous versions for `ifferent instruments and instrumentations.
SKU: VD.ED26346
ISBN 9790202013465. 12 x 9 inches.
SKU: HL.49047064
ISBN 9781705183441. UPC: 841886029514. 9.0x12.0x0.172 inches.
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