Vocal and Piano

SKU: HL.14024674

Composed by Mary Plumstead. Music Sales America. Classical. Book [Softcover]. Music Sales #NOV262029. Published by Music Sales (HL.14024674).

By Turlough O Carolan ; Donal O'sullivan. For Harp. Irish, Folk, Celtic. 380 pages. Published by Ossian Publications.

By Richard Voss. For Recorder (Alto). Solos. Celtic/Irish. Level: Beginning-Intermediate. Book. Size 8.5x11. 33 pages. Published by Mel Bay Publications, Inc.

By Various. For Melody/Lyrics/Chords. Waltons Irish Music Books. Softcover. 64 pages. Hal Leonard #WM1311. Published by Hal Leonard

Composed by Timothy P. Cooper. Choral. Sacred Anthem, Lent. Octavo. Sacred Music Press #10/5367S. Published by Sacred Music Press

Solo soprano voice, 2 violins, viola, cello (Soprano solo, Violins (2), Viola, Violoncello)

SKU: BA.BA07446-22

Musik fur Solostimme und Streicher. Instrumentalstimmen. Composed by Manfred Trojahn. Stapled. Set of parts. Composed 1996. Duration 4 minutes. Baerenreiter Verlag #BA07446_22. Published by Baerenreiter Verlag (BA.BA07446-22).

ISBN 9790006505661. 33.5 x 22.5 cm inches. Johann Wolfgang von Goethe.

This composition uses the Lied Nahe des Geliebten (Goethe) by Franz Schubert; World Premiere 01/02/1997, Saarbrucken.

Chamber Music trombone

SKU: CF.W2687

For Trombone. Composed by Jean-Baptiste Arban. Edited by Alan Raph. SWS. Collection - Performance. With Standard notation. 32 pages. Carl Fischer Music #W2687. Published by Carl Fischer Music (CF.W2687).

ISBN 9781491150955. UPC: 680160908455. 9x12 inches.

This new edition of Jean Baptiste Arban's Fourteen Characteristic Studies for Trombone, edited by Alan Raph, was specifically written to provide the student with suitable material with which to test his powers of endurance, according to Arban himself.
The following fourteen studies have been specifically written to provide the student withsuitable material with which to test his powers of endurance. In taking up these studies, he willdoubtless be fatigued, especially at the outset, by those numbers requiring an unusual length ofbreath. However, through careful study and experience he will learn to overcome the difficultiesand will acquire the resources which will enable him to master this particular phase of playingwith ease. As a means to this end, attention is drawn to cantabile passages in particular, whichshould be played with the utmost expression, yet at the same time with as much modified toneas possible. On the cornet, as with the voice, clear tones may be obtained by widening thelips and veiled tones by contracting them. This happy circumstance allows the performer anopportunity to rest while still continuing to play, and at the same time enables him to introduceeffective contrasts into the execution. It should be noted that by little artifices of this kind, andby skillfully conserving his resources, the player will reach the end of the longest and mostfatiguing pieces, not only without difficulty, but even with a reserve of strength and power,which, when brought to bear on the final measures of a performance, never fails to impress anaudience.At this point my task as professor (using the written instead of the spoken word) willend. There are things which appear clear enough when stated verbally but which when writtendown on paper cause confusion, seem obscure, and even sometimes appear trivial.There are other things of such an elevated and subtle nature that neither speech norword can clearly explain them. They are felt, they are conceived, but they are not to be explained;and yet these things constitute the elevated style, the grand ecole, which it is my ambition toestablish for the cornet, just as they already exist for singing and for the various kinds of otherinstruments.Those of my readers who are ambitious and who want to attain this high level ofperfection, should above all things, always try to hear good music well interpreted. Theymust seek out, among singers and instrumentalists, the most illustrious models, and by doingthis purify their taste, develop their sentiments, and bring themselves as near as possible tothat which is beautiful. Perhaps then the innate spark which may someday be destined todemonstrate their own talent, will reveal itself and render them worthy of being, in their turn,cited and imitated in the future.

SKU: M7.MH-15105-50

Zuhause - Musikgarten 1 inkl. CD. Composed by Lorna Lutz Heyge. This edition: Saddle-wire stitching. Sheet music with CD. Songbook. 48 pages. Matthias Hohner #MH 15105-50. Published by Matthias Hohner (M7.MH-15105-50).

ISBN 9783937315324. German. Cornelia Kandler.

Musikgarten 1 - Wir machen Musik wendet sich an Musiklehrer, Erzieher und Eltern, die die musikalische Veranlagung von Kindern im Alter von 18 Monaten bis 3 Jahren weiterentwickeln möchten. Das Konzept geht auf den wachsenden Erlebnisraum der Kinder ein und möchte spielerisches Musizieren zu einem festen Bestandteil im Familienleben etablieren. Denn erst wenn das Kleinkind aktives Musizieren in seiner Umwelt erlebt, wird es Freude am eigenen Musizieren entfalten. Die Ausgabe in übersichtlichem Layout bietet nun 2 Lehrerhandbücher und 4 Liederhefte mit CDs. Lehrerhandbuch 1 enthält neben einer didaktischen Grundlegung einen ausführlichen Materialteil mit Kniereitern, Fingerspielen, Schaukelliedern, Tanzliedern, Wechselliedern etc. sowie Anregungen zum Hören und zum Instrumentalspiel. Alle Aktivitäten befinden sich auch auf Karteikarten. Dem Lehrerband 1 liegt eine CD mit Echospielen bei. Die Liederhefte mit CDs ermöglichen es, den Musikgarten 'mit nach Hause zu nehmen'.

17 Estonian Wedding Songs. By Veljo Tormis. (SATB A Cappella). Boosey and Hawkes Secular Choral. Size 8.2x11.75 inches. 30 pages. Published by Boosey & Hawkes.

For hammered dulcimer, fiddle, mandolin. This edition: Revised expanded edition. Published by Kitchen Musician Books.

TTBB Choir (TTBB Choir)

SKU: HL.50512624

Composed by Plumstead. Lengnick Publishing. Classical. Book Only. Alfred Lengnick & Co #AL0325. Published by Alfred Lengnick & Co (HL.50512624).