SKU: BT.DHP-1125252-010
9x12 inches. English-German-French-Dutch.
The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 4, track 5, track 6In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar onder volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar onder editienummer: DHP 1125252. Download audiofragmenten hier: track 4, track 5, track 6The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 4, track 5,track 6En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 4, track 5, track 6The Book of Urizen è una composizione per banda, soprano solo e voce recitante maschile che utilizza collage sonori dalla connotazione religiosa. Jacob de Haan ha attinto alla sua immensa ispirazione ne The Book of Urizen, un affascinante poema dello scrittore e filosofo mistico inglese William Blake (1757-1827). Ai due primi movimenti The Vision e The Creation, si aggiunge ora il terzo affresco: The Web. Per questo movimento sono disponibili anche le parti per il coro. Soprano e voce narrante utilizzano un microfono e il coro può, se desiderato, anch’esso fare utilizzo di microfoni.Per ulteriori informazioni sulle prime due parti, visitateil sito www.dehaske.com.
SKU: BT.DHP-1125252-140
The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 4, track 5, track 6In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar onder volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar onder editienummer: DHP 1125252. Download audiofragmenten hier: track 4, track 5, track 6The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des groÃ?en englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 4, track 5,track 6En 1794, lâ??écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre dâ??Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre dâ??Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 4, track 5, track 6The Book of Urizen è una composizione per banda, soprano solo e voce recitante maschile che utilizza collage sonori dalla connotazione religiosa. Jacob de Haan ha attinto alla sua immensa ispirazione ne The Book of Urizen, un affascinante poema dello scrittore e filosofo mistico inglese William Blake (1757-1827). Ai due primi movimenti The Vision e The Creation, si aggiunge ora il terzo affresco: The Web. Per questo movimento sono disponibili anche le parti per il coro. Soprano e voce narrante utilizzano un microfono e il coro può, se desiderato, anchâ??esso fare utilizzo di microfoni.Per ulteriori informazioni sulle prime due parti, visitateil sito www.dehaske.com.
SKU: BO.B.1495
SKU: BO.B.1496
SKU: BT.DHP-0981169-401
ISBN 9789043101592. International.
De boogie woogie - rechtstreeks voortgekomen uit de blues en gospel - is te herkennen aan een stuwend ritme. Aan de hand van eenvoudige stukken, waarin de nodige aandacht wordt besteed aan het linkerhandspel, kan de beginnende pianistzich aan de boogie woogie wagen.Mit den einfachen und doch gut klingenden Stücken in The Boogie 1 & 2 kann sich jeder Pianist an den Boogie wagen. Die einzelnen Stücke werden zuerst in einer Ãœbung für die linke Hand vorbereitet. 10 pièces simples et motivantes par volume pour découvrir le Boogie-Woogie. Les exercices préparatoires l’interprétation des pièces insistent sur le travail de la main gauche qui est capital dans ce style puisque le balancement du “Boogie-Woogieâ€, forme variante du jazz, repose entièrement sur la ligne de basse ! Questa pubblicazione raccoglie diversi boogie scritti appositamente per giovani pianisti che vogliano affiancare allo studio della musica classica anche generi frizzanti e “sempre verdi†come appunto il boogie!
SKU: BA.BA04033
ISBN 9790006443406. 33.1 x 26 cm inches. Text Language: Italian. Giacomo Rossi.
This was Handel’s first opera for London, first performed at the theatre in the Haymarket in February 1711. It was strong in both music (including recomposed versions of some movements that Handel had previously written for his operas in Italy) and staging: a contemporary described the opera as ‘filled with Thunder and Lightening, Illuminations and Fireworks’.
About Barenreiter Urtext
What can I expect from a Barenreiter Urtext edition?
MUSICOLOGICALLY SOUND - A reliable musical text based on all available sources - A description of the sources - Information on the genesis and history of the work - Valuable notes on performance practice - Includes an introduction with critical commentary explaining source discrepancies and editorial decisions ... AND PRACTICAL - Page-turns, fold-out pages, and cues where you need them - A well-presented layout and a user-friendly format - Excellent print quality - Superior paper and binding
SKU: BT.EMBZ14502
English-German-Hungarian.
This volume contains Liszt's earliest pieces written in a Hungarian style. The complete set of Magyar dallok / Ungarische National-Melodien [Hungarian songs] consisting of 11 items is published here for the first time in a scholarly edition. The composer began to write them resulting from his first return visit to Pest in 1839. The music of these pieces was partly re-used by Liszt at the beginning of the 1850s in his deservedly popular 15 Hungarian Rhapsodies. The Carnival at Pest was inspired by his second tour of Hungary in 1846 it was later re-worked as the 9th Hungarian Rhapsody. The present volume also contains the so far unknown very first version of the 1st HungarianRhapsody, and in addition two large fragments from the 1840s plus a number of album leaves. A detailed preface in Hungarian, English, and German, including new research results, numerous manuscript facsimiles, and critical notes, makes this volume of the New Liszt Edition an important publication of immense scholarly value. Along with the cloth-bound Complete Edition, a paperback version for practical use has also been published. This edition's contents are identical to those of the hardcover edition with the exception that the critical notes are not included. Dieser Band enthält Liszts früheste im ungarischen Stil komponierte Werke. Die gesamte Reihe der Magyar dallok / Ungarische National-Melodien besteht aus 11 Stücken und wurde hier zum ersten Mal in einer wissenschaftlichen Ausgabe veröffentlicht. Der Komponist begann sie in Folge seiner ersten Wiederkehr zu Pest 1839 zu schreiben. Die Musik dieser Stücke wurde teilweise von Liszt Anfang der 1850er Jahre in seinen verdientermaßen populären 15 Ungarischen Rhapsodien wiederverwendet. Der Pester Karneval wurde inspiriert von Liszts zweiter Ungarn-Tournee 1846: er wurde später neubearbeitet als 9. Ungarische Rhapsodie. Der vorliegende Band enthält ebenfalls die bisher unbekannte ersteFassung der 1. Ungarischen Rhapsodie, ferner zwei große Fragmente aus den 1840er Jahren sowie etliche Albumblätter.
SKU: BT.DHP-1043551-140
The Book of Urizen is Jacob de Haan his first Symphony for concert band, solo soprano, and a male narrator in which sound collages of expressions are used. The piece is inspired by the compelling visionary poem of the samename (which the poet illustrated himself) by the Englishman William Blake (1757-1827). The Vision, first movement and The Creation, second movement of The Book of Urizen are available by following editionnumber: DHP 1043551. The Web, the third movement of The Book of Urizen is available by the following edition number: DHP 1125252. Download the audio samples here: track 1, track 2, track 3In The Book of Urizen - Jacob de Haan zijn eerste symfonie voor harmonieorkest, zangstem (sopraan) en een mannelijke spreekstem - wordt gebruik gemaakt van geluidscollages. De compositie is ge nspireerd op het gelijknamigegedicht van William Blake (1757-1827). The Vision, het eerste deel en The Creation, het tweede deel van The Book of Urizen zijn beschikbaar via volgend editienummer: DHP 1043551. The Web, het derdedeel van The Book of Urizen is verkrijgbaar via editienummer: DHP 1125252. Download audiofragmenten hier: track 1, track 2, track 3The Book of Urizen ist Jacob de Haan seine erste Symphonie für Blasorchester, Gesang (Sopran) und (männliche) Sprechstimme, in welcher Botschaften durch Geräuschcollagen wiedergegeben werden. Als Inspirationsquelle dienteder gleichnamige Gedichtzyklus des großen englischen Dichters und Malers William Blake (1757-1827). The Vision, erster Satz und The Creation, zweiter Satz von The Book of Urizen sind unter der folgendenEditionsnummer erhältlich: DHP 1043551. The Web, der dritte Satz von The Book of Urizen , ist unter der folgenden Editionsnummer erhältlich: DHP 1125252. Laden Sie hier die Audiosamples herunter: track 1, track 2,track 3En 1794, l’écrivain, peintre, graveur, enlumineur, visionnaire et philosophe mystique anglais William Blake (1757-1827) dénonce dans The Book of Urizen (Le Livre d’Urizen), la loi de fer du monde moderne. Dans The Book ofUrizen - la première symphonie de Jacob de Haan pour Orchestre d’Harmonie, Soprano et un récitant - des collages sonores sont utilisés. The Vision, la première partie et The Creation, la deuxième partie de TheBook of Urizen sont disponibles sous le numéro d'éditionsuivant: DHP 1043551. The Web, la troisième partie de The Book of Urizen est disponible sous le numéro d'édition suivant: DHP 1125252. Télécharger lesextraits audio ici: track 1, track 2, track 3The Book of Urizen is a work for concert band, solo soprano, and a male narrator in which sound collages of religious expressions are used. The piece is inspired by the compelling visionary poem of the same name (which the poet illustratedhimself) by the Englishman William Blake (1757-1827), who occupies a unique position in western literature and the visual arts. He was not just a poet and a writer, but he was also a graphic artist, a painter, an illustrator, a spiritualist, areligious visionary, and a mystic philosopher. For the performance of this work, a professional sound system, including two microphones and a CD player, is needed. The three sound collages are three separate tracks on the enclosed CD and can beplayed easily at the right moment. The Book of Urizen bears resemblance to Genesis and Exodus, of which the contents form the basis of the Christian, Jewish, and Islamic faith. Blake adhered to the principle that all religions are in fact one,and that deities reside in human beings. In The Book of Urizen this is represented in “The Net of Religion,†which is spanned over the earth by Urizen. The sound collages, compiled by Jacob de Haan in the studio, find their origin inJerusalem, the Holy City, where the afore-mentioned faiths “come together.†In the first movement of this composition, The Vision, Urizen prepares his vision of the world, and he presents this to the “Eternals.†His vision is rejected,and Urizen locks himself up in his own abstract world. When he does emerge again, he is confronted with rage by the gathered Eternals. Urizen flees the wrath of the Eternals, “the flames of eternal fury,†and enwombs himself in his own world. Whenthe Eternals see Urizen in his “stony sleep,†they wonder if this is death. The blacksmith Los is torn by grief because of the isolation of Urizen. It brings him to rouse his fires, prepare his forge, and to give Urizen’s world concrete form. In thesecond movement, The Creation, Urizen’s world, but also man, woman, and child are created. Los is horrified with the appearance of Urizen’s body. He mourns and pities Urizen, and from his blood a female form comes into being, with thename Enitharmon. The Eternals, fearful of the female form, decide to erect a tent to obstruct their view to eternity. Enitharmon and Los beget a son, called Orc. Los baptizes him as a child of the “fallen world.†Orc is fed at Enitharmon’s breast,which makes a girdle of jealousy restrict Los’ chest. He takes the child to the top of the mountain and chains him down. The cries of Orc awaken Urizen, who explores his world creating instruments of scientific measurement to do so. Los encircles theface of Enitharmon from the sight of Urizen and Orc. She then populates the earth by giving birth to an enormous race.The Web, third movement of The Book of Urizen is now available: DHP 1125252.
SKU: HL.50571843
SKU: AP.36-A773948
ISBN 9798892704991. UPC: 659359779060. English.
The prodigy Felix Mendelssohn Bartholdy (1809-1847) composed the CONCERTO FOR VIOLIN No. 1 in D minor, MWV O 3, in 1822 when he was only 13. Written for Eduard Rietz, a dear friend and teacher, the concerto was forgotten, and after Mendelssohn died, his widow gifted the score to Mendelssohn's friend Ferdinand David. The work remained unknown until violin virtuoso Yehudi Menuhin, in 1951, was shown the manuscript by a London rate books dealer. Menuhin, realizing the opportunity he had, quickly bought the rights for the work from the Mendelssohn family, edited the concerto, then offered the first performance in well over 100 years at Carnegie Hall on February 4, 1952. While not as popular as Mendelssohn's VIOLIN CONCERTO in E minor, the work does find frequent performances. Reprint of the Renate Unger edition. String count of 8-8-5-5-5 in set.
These products are currently being prepared by a new publisher. While many items are ready and will ship on time, some others may see delays of several months.
SKU: HL.48181779
UPC: 888680863111. 9.0x12.0x0.06 inches.
1.Tartini - Andante cantabile; 2.Schubert - Adagio; 3.Vivaldi - Sonate Fragments (for trombone and piano).
SKU: HL.49041571
ISBN 9783795794866. 10.0x13.25x1.95 inches. German - English.
The New Robert Schumann Edition (RSA) is intended as a historico-critical edition of the collected works. They will be carefully studied and prepared according to present-day musicological and editorial techniques and presented in their entirety. Drafts, sketches and fragments, in short, everything that has come down to us as being authentically by Schumann and which, in most cases, has been deliberately preserved by him, will be brought together, evaluated as to its importance and documented in some form or other in the edition of the complete works.It is the aim of the edition to reproduce authentic texts which - having corrected scribal, copying and printing errors and eradicated later additions and other textual corruptions - will approach as closely as is possible the intention of the originals.The critical edition will form the basis of accurate performance material for Robert Schumann's work.
SKU: HL.49041570
ISBN 9783795794545. 10.0x13.25x1.9 inches.
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