| Noona Comprehensive Piano Playing with Sound Level 3 Piano solo Heritage Music Press
By Walter Noona. For piano. Level: Level 3. Piano method. Published by Heritage ...(+)
By Walter Noona. For piano. Level: Level 3. Piano method. Published by Heritage Music Press. (40/1034H)
$14.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Tartan Tapestries Concert band - Intermediate Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5 SKU: CF.CPS225 Composed by Larry Clark. Concert Band (CPS). Set of Score and Parts. With Standard notation. 12+12+6+12+24+24+6+4+6+6+6+6+8+8+8+4+4+6+6+6+8+2+1+6+2+4+10+32+4 pages. Duration 6 minutes, 9 seconds. Carl Fischer Music #CPS225. Published by Carl Fischer Music (CF.CPS225). ISBN 9781491152515. UPC: 680160910014. Tartan Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section, lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups. Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted. We set up a “Skype†meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017. $95.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Tartan Tapestries Concert band - Intermediate Carl Fischer
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2,...(+)
Band Bagpipes, Bass Clarinet, Bass Drum, Bassoon, Bells, Clarinet 1, Clarinet 2, Clarinet 3, Crash Cymbals, Double Bass, Euphonium, Euphonium T.C., Flute 1, Flute 2, Horn 1, Horn 2, Mallet Percussion, Mark Tree, Oboe, Percussion 1, Percussion 2 and more. - Grade 3.5 SKU: CF.CPS225F Composed by Larry Clark. Concert Band (CPS). Full score. With Standard notation. 32 pages. Carl Fischer Music #CPS225F. Published by Carl Fischer Music (CF.CPS225F). ISBN 9781491153192. UPC: 680160910694. Tartan Tapestries is an original piece that sets out to emulate Scottish folk music. Composer Larry Clark has created a concert overture in triple meter to capture the essence of music from Scotland. After a lilting first section, lush and beautiful moments weave a tapestry of sounds with the lyrical, middle section of the piece. There is an optional part for bagpipes, and an optional ending should you chose to use this instrument as part of the piece. Alert your contest music committee about this strong new piece for advancing groups. Tartan Tapestries was commissioned by Friends of the Arts for the Saint Andrew's School Band in Boca Raton, Florida. The band program at Saint Andrew’s School is under the direction of Andrea Wolgin. The premiere took place on November 29, 2017.When I was asked by their conductor Ms. Wolgin to write a piece for the Saint Andrew’s School, I asked her what kind of involvement she wanted the students to have in the process. We discussed several options for having the students involved in the process of creating with the type of piece they wanted. We set up a “Skype†meeting with members of the band to discuss the piece. During this discussion, the consensus of the students was that they wanted a piece depicting the Scottish influence to the school. They also wanted a piece that would challenge all sections of the band and to include bagpipes if possible. I asked that the students be involved in helping to name the piece once it was completed, for which they agreed and were very helpful. Armed with this information, I set out to compose a piece for them, and Tartan Tapestries is the result.The piece begins with a fanfare gesture based upon rhythms and harmonies that appear throughout the piece. I chose the lilting triple feel to the piece, to bring about the Scottish flavor. I wanted the fanfare to be bardic sounding, to depict the strength of the Scottish people and for the piece to have a dynamic opening. The fanfare contains material that alludes to the main theme and with a bit of dissonance and tension that is resolved in the main body of the piece.The main theme is a lilting original melody, but one that I hope with have the essence of Scottish folk songs. The main idea is followed by a more modal and dark sounding secondary theme, first stated in the horns. This material is later used in the development section of the piece. The main theme returns several times, with different and varied orchestrations and harmonic treatments. This is followed by a short transition leading to the more lyrical and slower second section of the piece. A transparent presentation of the lyrical theme, which is based on aspects of the main theme, is presented first by a solo flute. This section is a nod to famous composer Malcom Arnold’s wonderful works for orchestra in its style and orchestration. After a transition or bridge section with a solo euphonium, the piece builds to a dramatic climax of the lyrical theme by the full band. This subsides to a return of the solo flute to end this second section of the piece, followed by a transition back the main theme.The solo bagpipes play a central role in the return of the main theme and take center stage after being heard in the distance earlier in the work. The piece brings back a shortened version of the darker secondary theme, followed by a hint of the fanfare material that builds to one last statement of the main theme by the full band, before leading to a dramatic coda to complete the work.It has been my pleasure to have been given the opportunity to compose this piece for the Saint Andrew’s School Band! I thank Andrea Wolgin for making it happen, and I hope that you enjoy it as much as I have enjoyed bringing the piece to life.–Larry ClarkLakeland, Florida 2017. $14.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| November Evening Marimba [Sheet music] Innovative Percussion
November Evening by Christopher Norton. Marimba Solo - Unaccompanied. For marimb...(+)
November Evening by Christopher Norton. Marimba Solo - Unaccompanied. For marimba solo (marimba (low F)). Level 5. Book. Duration 8 minutes, 15 seconds. Published by Innovative Percussion
$16.00 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Intelli-Shred Guitar notes and tablatures [Sheet music + CD] Alfred Publishing
(The Thinking Musicians Guide to Incredible Guitar Soloing) Written by Kevin Dil...(+)
(The Thinking Musicians Guide to Incredible Guitar Soloing) Written by Kevin Dillard. Instructional book and examples CD for guitar. Series: National Guitar Workshop Book - Approved Curriculum. 96 pages. Published by Alfred Publishing.
(1)$20.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Exercises for Three Finger Banjo Banjo - Beginner Mel Bay
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay ...(+)
Composed by Jack Hatfield. Squareback saddle stitch. Book. Published by Mel Bay Publications, Inc (MB.99783).
$24.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Prairie Light Theodore Presser Co.
Dan Welcher’s most enduringly and frequently played orchestral work, Prai...(+)
Dan Welcher’s most enduringly and frequently played orchestral work, Prairie Light is a fascinating musical companion to three of Georgia O’Keeffe’s most unusual paintings, Light Coming on the Plains, Canyon with Crows, and Starlight Night. This work is ideal for performances using visual projections of the paintings, and is frequently programmed for subscription concerts as well as those for educational settings. Duration: 14’ Parts available on rental. This work for full orchestra was inspired by three paintings of the noted Americanartist Georgia O’Keeffe. These three watercolors were done in 1917 while the artist was living in Canyon, Texas (near Amarillo), and deal primarily with color and shape. Consequently, the music is primarily concerned with broad lines and shapes rather than rhythms, with subtle washes of color rather than constant harmonic movement, and with arching melody instead of linear counterpoint.The first movement, Light Coming on the Plains, is an elliptical-shaped painting, deep blue to indigo with a “horizon†at the bottom that seems flat and unchanging. The sun hasn’t risen yet, although it does in the course of this movement, but it seems instead to be providing light from behind the canvas. The music is unmoving in terms of rhythm or harmony (although there is a modulation midway through), a color-infused mantra of sound that is almost Eastern.At the height of the sun, we proceed to the second movement, entitled Canyon with Crows. The canyon is red-orange, with black crows circling above friendly unfolding hills. The music is gentle but lively and more rhythmic, with the birds represented by solo oboe, clarinet, and sometimes flute. Halfway through, the brass have a chorale version of the opening motive, played very slowly, over the unending triplets of woodwinds and strings. At the end of the movement, the birds return for a duo-cadenza, accompanied by the dying rays of the sun in muted strings and the ongoing triplets of the solo quartet.The stage is set for the final movement, Starlight Night. In O’Keeffe’s painting, the stars are represented by regularly-spaced rectangles of bright pale yellow on a blue-black sky, with the same shape to the field of vision and the horizon that is found in Light Coming on the Plains. The stars become audible: harp, celesta, glockenspiel, and string pizzicati all lend a sparkle while a solo flute introduces a slowly unfolding theme. After this theme has been heard twice and the sky has begun to really brighten, there is a sudden interruption: a xylophone and a piano begin another “mantra†in brittle staccato chords. This is the same mechanical eternity as O’Keeffe’s regularly-spaced square stars, and it continues on its own as the night progresses. The music builds and grows as the moon rises and arcs, then falls as the pre-dawn light that opened the work returns to bring it to a close. Acycle of light, changing with the movements of sun, moon, and stars, appearing differently from various points of view
$50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Happy Rain on A Spring Night - Score Theodore Presser Co.
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.11441271S(+)
Chamber Music Clarinet, Flute, Piano, Violin, Violoncello SKU: PR.11441271S For Flute, Clarinet, violin, Cello, and Piano. Composed by Chen Yi. Poem by Du Fu (712-770 in Tang Dynasty). Premiered at Merkin Hall in New York. Contemporary. Full score. With Standard notation. Composed 2004. 45 pages. Duration 12 minutes. Theodore Presser Company #114-41271S. Published by Theodore Presser Company (PR.11441271S). UPC: 680160587094. 8.5 x 11 inches. Poem by Du Fu (712-770 in Tang Dynasty). It's like the welcome rain on a quiet spring night that nurtures the budding seeds, our new society is pushing us forward to the new future. This music reflects the scenes and the expression according to the meaning of the poem when it's being unfolded line by line. Although the tempo is set 60-70 quarter notes per minute throughout (played vividly, never slow down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehersal A and B (measures 1 - 41) represents the first four lines of the poem. The woodwind instruments response to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high piano gestures. The music in Rehersal C and D (measures 42-87) represents the next two lines of the poem. It's so dark, a little light in the boat is shimmering on the lake... The breathy key slaps on the flute creates a mysterious atmosphere, in a dialogue with other instruments. The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics. The music in Rehersal E, F, G (m 88 - 161) is a toccata, starting with the piano, which builds up a big shape, to reach the climax in m. 116, and keeps the vivid scene towards the coda (Rehersal H, m. 162 - the end), which stands on the energetic peak at the end of the piece. Commissioned by the Music From Copland House ensemble, supported by a grant from the NYSCA’s Composer’s Commissions program in 2002, my mixed ensemble piece Happy Rain on a Spring Night is written for all five instruments in the ensemble: flute, clarinet, violin, cello and piano, and premiered on Oct. 18, 2004, at Merkin Hall in New York.  The musical imagination came from an ancient Chinese poem with the same title, written by Du Fu (712-770) in the Tang Dynasty. Happy Rain on a Spring Nightby Du Fu (712-770 in the Tang Dynasty) Happy rain comes in time,When spring is in its prime.With night breeze it will fall,And quietly moisten all.Clouds darken wild roads,Light brightens a little boat.Saturated at dawn,With flowers blooming the town. (English translation by Chen Yi from the original poem in Chinese) It’s like the welcome rain on a quiet spring night that nurtures the budding seeds; our new society is pushing us forward to the new future.  The music reflects the scenes and the expression according to the meaning of the poem when it’s being unfolded line by line.  Although the tempo is set 60-70 quarter notes per minute throughout (played vividly, never slowing down), the tension is being built up from the quiet background in the beginning, to the sustained climax towards the end. The musical image in Rehearsal A and B (measures 1-41) represents the first four lines of the poem.  The woodwind instruments respond to the rustling of fast moving notes on muted string triplets, decorated by occasional strokes produced by metallic string sound and high piano gestures.  The music in Rehearsal C and D (measures 42-87) represents the next two lines of the poem.  It’s so dark, a little light in the boat is shimmering on the lake...  The breathy key slaps on the flute create a mysterious atmosphere, in a dialogue with other instruments.  The cello glissandi recite the poem in the tone of Mandarin, echoed by the string harmonics.  The music in Rehearsal E, F and G (m 88-161) is a toccata, starting with the piano, which builds up a big shape, to reach the climax in m. 116, and keeps the vivid scene towards the coda (Rehearsal H, m. 162-192), which stands on the energetic peak at the end of the piece. According to the principle of the Golden Section, I have constructed the piece with two large parts (m. 1-115 and m. 116-192).  The GS falls onto the beginning of the climax section of the piece, which is exciting and loud.  All subdivisions of the structures coincide with the numbers of proportions based on the GS principle.  The music has textures changed according to the proportional arrangement throughout the piece. First Part (m. 1-115, total 115 measures), including two sectionsSection I (m. 1-69, total 69 measures), including two divisionsFirst Division (m. 1-41, total 41 measures), including two subdivisions:Subdivision I (m. 1-25, total 25 measures)Rehearsal A, violin triplets + cello metalic sound in small intervals, followed by woodwinds.Subdivision II (m. 26-41, total 16 measures)Rehearsal B, cello triplets + violin metallic sound in small intervals, overlapped by woodwinds.Second Division (m. 42-69, total 28 measures)Rehearsal C, breathy key slaps on flute, in dark.Section II (m. 70-115, total 46 measures), including two divisionsFirst Division (m. 70-87, total 18 measures)Rehearsal D, soft cello reciting, followed by string harmonics & woodwind “echo†passages.Second Division (m. 88-115, total 28 measures)Rehearsal E, starts to buildup the excitement, with piano toccata in the beginning. When it reachesthe patterns on the top of the keyboard, the lowest passages on piano and cello punch in, andreview the pitch material with small intervals.Second Part (m.116-192, total 77 measures), including two sectionsSection I (m. 116-161, total 46 measures), including two divisionsFirst Division (m. 116-133, total 18 measures)Rehearsal F, the excitement reaches the climax, GS located. All instruments join in.Second Division (m. 134-161, total 28 measures)Rehearsal G, combination of E and F, continue to buildup.Section II (m. 162-192, total 31 measures)Rehearsal H, coda, keep the excitement on the peak. $34.99 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Deluxe Pedal Steel Guitar Method Lap Steel Guitar [Sheet music + CD] Mel Bay
by Dewitt Scott. Level: Multiple Levels. Book/CD Set. Size 8.75x11.75. 200 pages...(+)
by Dewitt Scott. Level: Multiple Levels. Book/CD Set. Size 8.75x11.75. 200 pages. Published by Mel Bay Pub., Inc.
$34.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sequoia 2 Marimbas [Sheet music + CD-ROM] - Advanced Tapspace Publications
For marimba duo. Composed by Alex Stopa. Percussion Duets. Folio and Parts on ...(+)
For marimba duo. Composed by
Alex Stopa. Percussion Duets.
Folio and Parts on CD-ROM.
Tapspace Publications
#TSPCD16-001. Published by
Tapspace Publications
$28.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Riverboat Jazz Piano solo - Intermediate Alfred Publishing
By Martha Mier. For Piano. Piano Solo; Solo. Signature Series. Jazz; Recital. Ea...(+)
By Martha Mier. For Piano. Piano Solo; Solo. Signature Series. Jazz; Recital. Early Intermediate. Sheet. 4 pages
$3.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Like Ella Cello Breitkopf & Härtel
Cello solo SKU: BR.EB-9357 2 Studies for Solo Violoncello. Compose...(+)
Cello solo SKU: BR.EB-9357 2 Studies for Solo Violoncello. Composed by Martin Smolka. Solo instruments; stapled. Edition Breitkopf. Compulsory Piece for the Final Round oft he ARD International Music Competition (Munich, September 2019) Music post-1945; New music (post-2000). Score. Composed 2019. 16 pages. Duration 9'. Breitkopf and Haertel #EB 9357. Published by Breitkopf and Haertel (BR.EB-9357). ISBN 9790004188279. 9 x 12 inches. The sound of the cello in this piece should be foggy like voice of Ella Fitzgerald. Sweet, smooth and pleasant, but at the same time slightly hoarse, rustle, dirty. There are almost only natural harmonics; either single, or in chords (triple-stops) including two natural harmonics, or double-stops of two harmonics. All should be played flautando, sul tasto and molto lasciar vibrare. Flautando and sul tasto should serve in search for the foggy color - harmonics should speak less clear than normally, but more smooth and decent.(Martin Smolka) ,Like Ella' would be suited to a player of a high standard as many harmonics are in higher positions and played as triple-stops. I would recommend ,Like Ella' to an advanced cellist seeking to learn a piece of modern music to add to their concert repertoire.(Mitchell Smith, AUSTA Stringendo)
Compulsory Piece for the Final Round of the ARD International Music Competition (Munich, September 2019). $37.95 - See more - Buy onlinePre-shipment lead time: 3 to 4 weeks | | |
| Ride of the Knights Concert band - Beginner Belwin
Concert Band - Grade 1 SKU: AP.43078S Composed by Victor Lopez. Concert B...(+)
Concert Band - Grade 1 SKU: AP.43078S Composed by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Score. 16 pages. Duration 1:45. Belwin Music #00-43078S. Published by Belwin Music (AP.43078S). ISBN 9781470668952. UPC: 038081507675. English. This exciting original work for developing band was conceptualized as a contest / festival selection. It is high-energy and vigorous, and will make your ensemble sound like professionals. Written in triple meter, this work provides an opportunity to learn and teach key modality, articulations, phrasing, dynamics---and the complex structure of combining the melodic, rhythmic, and harmonic materials. This piece intensely portrays the mysterious history of ancient knights as a force with which to be reckoned. (1:45). $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Venetian Gondolier String Orchestra [Score] - Beginner Alfred Publishing
Composed by Loreta Fin. Orchestra. Score; String Orchestra. Wilfin String Orches...(+)
Composed by Loreta Fin. Orchestra. Score; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. Grade 1. 12 pages. Published by Alfred Music
$7.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Danses Terpsichore Concert band - Easy FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1565 Composed by Chris Sharp...(+)
Concert Band Concert Band - Grade 2 SKU: FJ.B1565 Composed by Chris Sharp. Concert Band. FJH Concert Band. Score and Part(s). Duration 3:45. The FJH Music Company Inc #98-B1565. Published by The FJH Music Company Inc (FJ.B1565). UPC: 674398231881. English. Composed as a follow-up to the writer's popular Danse Antiqua, this three-part Renaissance-style dance suite features a wealth of musical styles in one continuous movement. The opening Allemande showcases a courtly duple-meter dance. The ensuing Pavane features a slower, more dignified melody. The final Galliard is presented as a lively triple-meter dance with some adventurous harmonic language. A wonderful addition to the repertoire! About FJH Concert Band Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5 $50.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Danses Terpsichore Concert band - Easy FJH
Concert Band Concert Band - Grade 2 SKU: FJ.B1565S Score Only. Com...(+)
Concert Band Concert Band - Grade 2 SKU: FJ.B1565S Score Only. Composed by Chris Sharp. Concert Band. FJH Concert Band. Score. Duration 3:45. The FJH Music Company Inc #98-B1565S. Published by The FJH Music Company Inc (FJ.B1565S). English. Composed as a follow-up to the writer's popular Danse Antiqua, this three-part Renaissance-style dance suite features a wealth of musical styles in one continuous movement. The opening Allemande showcases a courtly duple-meter dance. The ensuing Pavane features a slower, more dignified melody. The final Galliard is presented as a lively triple-meter dance with some adventurous harmonic language. A wonderful addition to the repertoire! About FJH Concert Band Designed for high school groups and upper-level middle school groups. Independence is encouraged, but many lines are cross-cued. Usually includes an expanded percussion section. Grades 3 - 3.5 $9.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| There's a Song in the Air - Performance/Accompaniment CD Choral CD Lorenz Publishing Company
SKU: LO.99-2975L Composed by Ruth Elaine Schram. Choral. Ready to Worship...(+)
SKU: LO.99-2975L Composed by Ruth Elaine Schram. Choral. Ready to Worship. Sacred Anthem, Christmas. Performance/accompaniment CD. Lorenz Publishing Company #99/2975L. Published by Lorenz Publishing Company (LO.99-2975L). UPC: 000308131000. The lilting melody and triple meter give There's a Song in the Air a tender quality that is enhanced by Ruthie's setting, which is full of lovely harmonic nuance. The text images are sheer poetry, focusing on the nativity and the message that Mary's babe is King of kings. The flexible voicing makes it easily prepared for Christmas Eve, Christmas, or Christmastide. $29.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ride of the Knights Concert band - Beginner Belwin
Concert Band - Grade 1 SKU: AP.43078 Composed by Victor Lopez. Concert Ba...(+)
Concert Band - Grade 1 SKU: AP.43078 Composed by Victor Lopez. Concert Band; Performance Music Ensemble; Single Titles. Belwin Beginning Band. Score and Part(s). 146 pages. Duration 1:45. Belwin Music #00-43078. Published by Belwin Music (AP.43078). ISBN 9781470668945. UPC: 038081507668. English. This exciting original work for developing band was conceptualized as a contest / festival selection. It is high energy and vigorous, and will make your ensemble sound like professionals. Written in triple meter, this work provides an opportunity to learn and teach key modality, articulations, phrasing, dynamics---and the complex structure of combining the melodic, rhythmic, and harmonic materials. This piece intensely portrays the mysterious history of ancient knights as a force with which to be reckoned. (1:45). $51.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| There's a Song in the Air Choral SATB SATB, Piano [Octavo] Lorenz Publishing Company
By Ruth Elaine Schram. For SATB/SAB choir, piano (with optional flute). Ready to...(+)
By Ruth Elaine Schram. For SATB/SAB choir, piano (with optional flute). Ready to Worship. Sacred Anthem, Christmas. Octavo. Published by Lorenz Publishing Company
$2.75 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Venetian Gondolier String Orchestra [Score and Parts] Alfred Publishing
Composed by Loreta Fin. Part(s); Score; String Orchestra. Wilfin String Orchestr...(+)
Composed by Loreta Fin. Part(s); Score; String Orchestra. Wilfin String Orchestra: Young String Ensemble Series. 98 pages. Published by Alfred Music (AP.76-44509).
$45.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cascadia Celebration Concert band - Beginner Alfred Publishing
Concert Band - Grade 1.5 SKU: AP.19524 Composed by Steve Hodges. Concert ...(+)
Concert Band - Grade 1.5 SKU: AP.19524 Composed by Steve Hodges. Concert Band; MakeMusic Cloud; Performance Music Ensemble; Single Titles. Challenger Band Series. Score and Part(s). 120 pages. Alfred Music #00-19524. Published by Alfred Music (AP.19524). UPC: 038081189611. English. Cascadia Celebration is a buoyant piece in triple meter, which provides the young band with many interesting rhythmic and harmonic motives. The energetic A section and the contrasting, flowing B section both feature active rhythmic patterns and memorable themes. The solid scoring provides melodic interest for every section of the band and will make this piece a favorite to rehearse! This title is available in MakeMusic Cloud. $48.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Simple Sarabande Concert band - Beginner Anglo Music
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-037-010 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-037-010 Composed by Philip Sparke. Debut Series (Anglo). Concert Piece. Set (Score & Parts). Composed 2003. Anglo Music Press #AMP 037-010. Published by Anglo Music Press (BT.AMP-037-010). The sarabande originated in the early 17th century and is a stately dance in triple time. It was popular in France and Spain but as a dance it quickly spread throughout the courts of Europe and the style was soon adopted into instrumental music in dance suites for solo instruments as well as orchestra. Something of this style has influenced Simple Sarabande and although its harmonic language is perhaps more up-to-date it could be seen as a ‘period piece’.
Simple Sarabande ist im Stil der ursprünglichen Sarabande, einem würdevollen höfischen Tanz aus dem 17. Jahrhundert im 3/4-Takt, geschrieben, wenn auch Philip Sparke für seine Komposition einen etwas moderneren harmonischen Ausdruck wählte. Einfachheit und leichte fließende Bewegungen sind die Schlüsselworte in diesem Stück, in dem Ihr Blasorchester sich ganz auf die Schönheit von Ton und Phrasierung konzentrieren kann.
La sarabande est une danse au caractère digne, sur un rythme ternaire lent, dont l’origine remonte la première moitié du XVIIe siècle. Très appréciée en France et en Espagne, elle conquiert rapidement l’ensemble des cours européennes. La sarabande s’intègre alors dans la musique instrumentale et devient un mouvement fondamental de la suite de danses. On retrouve quelques éléments stylistiques de cette danse dans Simple Sarabande. La structure harmonique reste néanmoins plus moderne. $100.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Simple Sarabande Concert band - Beginner Anglo Music
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-037-140 Composed by Philip Sp...(+)
Concert Band/Harmonie - Grade 1 SKU: BT.AMP-037-140 Composed by Philip Sparke. Debut Series (Anglo). Concert Piece. Score Only. Composed 2003. 20 pages. Anglo Music Press #AMP 037-140. Published by Anglo Music Press (BT.AMP-037-140). The sarabande originated in the early 17th century and is a stately dance in triple time. It was popular in France and Spain but as a dance it quickly spread throughout the courts of Europe and the style was soon adopted into instrumental music in dance suites for solo instruments as well as orchestra. Something of this style has influenced Simple Sarabande and although its harmonic language is perhaps more up-to-date it could be seen as a ‘period piece’.
Simple Sarabande ist im Stil der ursprünglichen Sarabande, einem würdevollen höfischen Tanz aus dem 17. Jahrhundert im 3/4-Takt, geschrieben, wenn auch Philip Sparke für seine Komposition einen etwas moderneren harmonischen Ausdruck wählte. Einfachheit und leichte fließende Bewegungen sind die Schlüsselworte in diesem Stück, in dem Ihr Blasorchester sich ganz auf die Schönheit von Ton und Phrasierung konzentrieren kann.
La sarabande est une danse au caractère digne, sur un rythme ternaire lent, dont l’origine remonte la première moitié du XVIIe siècle. Très appréciée en France et en Espagne, elle conquiert rapidement l’ensemble des cours européennes. La sarabande s’intègre alors dans la musique instrumentale et devient un mouvement fondamental de la suite de danses. On retrouve quelques éléments stylistiques de cette danse dans Simple Sarabande. La structure harmonique reste néanmoins plus moderne. $19.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Judith Weir: Moon And Star (Full Score) Choral SATB Chester
SATB Choir, Orchestra SKU: HL.14016787 Composed by Judith Weir. Music Sal...(+)
SATB Choir, Orchestra SKU: HL.14016787 Composed by Judith Weir. Music Sales America. Choral. Sheet Music, Score. With Text language: English. Chester Music #CP56089. Published by Chester Music (HL.14016787). UPC: 884088815271. 12.0x16.5x0.144 inches. Within much of her work,Judith Weir has tried to portray the sky, stars and planets in her music and the Moon and Star follows the same path. This work based on poetry by Emily Dickinson uses the text to act as a philisophical motto to the music itself, choral voices are used a source of textual richness and produce wide, harmonic paragraphs. The orchestra is used to display musical height and distance with a mix of triple woodwind, 4 trumpets and high violins. The composition is 15 minutes long. Work for SSAATTBB Choir and Orchestra. Commissioned by the BBC Promenade Concerts, and premiered by the BBC Symphony Orchestra and BBC Singers in August 1995. $28.00 - See more - Buy online | | |
| Concerto for Piano and Orchestra (Koncerts klavierem un orkestrim) Orchestra Peters
Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-timpani-4 percus...(+)
Orchestra piccolo, English horn, B-clarinet, contrabassoon-4, 1-timpani-4 percussion-harp-piano-strings SKU: PE.EP73403 Liepaja Concerto No. 3 (Liepajas koncerts Nr. 3). Composed by Rihards Dubra. Orchestra. Edition Peters. Book. Duration 00:33:00. Edition Peters #98-EP73403. Published by Edition Peters (PE.EP73403). ISBN 9790577018331. 297 x 420 mm inches. English. Rihards Dubra (born Latvia, 1964) wrote his piano concerto – Liepaja Concerto No. 3 – in 2012. A 33-minute work for solo piano and symphony orchestra comprising triple wind and brass, percussion, harp and strings, the concerto starts with a mournful piano melody. It has an elemental beauty – we hear water in the sonorities of harps and chime-bells, earth in the rhythmic formulae, and fire in his colourful harmonic sequences – ending with a majestic and vibrant conclusion. This full score (EP 73403) is now available as part of the Peters Baltic Library. - Peters Baltic Library is a new series of full scores of orchestral music by contemporary composers from the Baltic States.
- Published in partnership with the leading music publisher from the region: Musica Baltica.
- Peters Baltic Library presents a rich selection of compositions that demonstrates both the distinctiveness and the variety of stylistic approaches adopted by the region's most prominent composers.
This product is Printed on Demand and may take several weeks to fulfill. Please order from your favorite retailer. $115.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Cobra Concert band - Intermediate/advanced De Haske Publications
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0991729-010 Composed by Jan B...(+)
Concert Band/Harmonie - Grade 4 SKU: BT.DHP-0991729-010 Composed by Jan Bosveld. Inspiration Series. Concert Piece. Set (Score & Parts). Composed 1999. De Haske Publications #DHP 0991729-010. Published by De Haske Publications (BT.DHP-0991729-010). Shortly after the Second World War, a combative movement of Danish, Belgian and Dutch artists chose the cobra snake - extremely dangerous yet considered sacred - as a symbol of their resistance to strict guideliness of form. The name Cobra also happens to contain the first letters of the cities Copenhagen, Brussels ans Amsterdam, from where most of the movement's members came. The Cobra movement, which existed from November 1948 until November 1951, can with some justicication be called the last major avant-garde movement of the 20th century.The source of inspiration for the composition Cobra comes from four paintings: Obhobning by the Dane Egill Jacobsen; La jeune fille et lamort by the Belgian Pierre Alechinsky; Orgeldraaier and Le rythme joyeux de la ville by the Dutch artists Karel Appel and Corneille. Obhobning means pile-up, which is represented musically in the first part by a melodic and harmonic pilling up of perfect fourth's. The first part is also characterized by a rhythmic feeling, which the painting gives through its use of numerous black stripes. In the painting La jeune fille et la mort, Pierre Alechinsky places a young girl opposite Death. The second part features the constantly pulsating motion of live while a creeping, dark, melodic line develops. The tension between life and death is tangible as a battle reveals itself. In part three, one hears the Orgeldraaier by Karel Appel, as cheerful and playful as an organ grinder's music. The painting Le rythme joyeux de la ville by Corneille is busy and extremely dynamic, a perfect source of inspiration for a powerful, rhythmic ending to this composition. $184.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Cats! Cats! Everywhere, Cats! Piano solo - Beginner Alfred Publishing
By Carol Matz. For Piano. Piano Solo. Level: Elementary (grade 1B). Sheet. 4 pag...(+)
By Carol Matz. For Piano. Piano Solo. Level: Elementary (grade 1B). Sheet. 4 pages. Published by Alfred Publishing.
(1)$3.50 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Theory Fun Factory 3 Music Theory Boosey and Hawkes
Music Theory Puzzles and Games. By Katie Elliott. (Book). Boosey and Hawkes Sco...(+)
Music Theory Puzzles and Games. By Katie Elliott. (Book). Boosey and Hawkes Scores and Books. Softcover. 32 pages. Published by Boosey & Hawkes.
$15.99 - See more - Buy online | | |
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