SKU: HL.428632

UPC: 196288064039. 4.0x35.0x4.0 inches.

The DRUMnBASE Vintage Persion Drum/Stage Mats are heavy duty rugs with a very durable road proof anti-slip rubber backing. The 4mm thick top is made of polyamide velours, giving grip and durability. Furthermore the top is easy to clean and UV and waterproof. So cleaning with water and soap is no problem. • Made in Belgium, with long history of superior textile manufacturing, unlike most competitor products • Rigid, high-quality construction • 1.5 mm thick anti-slip rubber backing • Rug lies flat and stays flat, no curling up (not even at the corners!) • Reduces vibration • 4mm strong & durable velour top (easy to clean) • Waterproof • Classic design and look with eye-pleasing colors • Perfect for use with any instrument: keyboard; guitar; bass; pedalboard setups; amps; drums; wind instruments; vocals. Looks great in all practice spaces, studios and stage setups • Nice compact size (4.26-feet x 3-feet) for a guitar/amp setup, small percussion setup, compact electronic drumset or accent for any room • 5.5mm thick • 2.8 kg. (6.1 lbs.).

SKU: BT.DHP-1053879-040

9x12 inches. English-German-French-Dutch.

The energetic activities of three craftsmen at a local crafts market inspired the composer Christian Bouthier to write this work in three movements. The clockmaker gets many curious visitors at his stand. He patiently and proudly shows the precision work of his beautiful clocks and lets all of them tick - the small ones and large ones. The cooper (barrel-maker) skillfully puts together fine-looking, sturdy barrels of the best types of wood. From afar, you can hear the cooper hammering. In the final movement things are hectic at the blacksmith because the local horse-riding society has just arrived. Many horses are provided with new shoes. The experienced blacksmith hits thehorseshoes into the proper shape on his anvil; now the horses can spiritedly trot and gallop on the way back. A fascinating new addition to the concert band repertoire.

De energieke werkzaamheden van drie ambachtslieden op een plaatselijke ambachtsmarkt inspireerden de Belgische componist Christian Bouthier tot het schrijven van The Craftsmen, een compositie in drie delen. De klokkenmaker,de kuiper (tonnenmaker) en de hoefsmid worden achtereenvolgens op ludieke wijze in de muziek weergegeven.

Zu The Craftsmen - ‘Die Handwerker’ - ließ sich Christian Bouthier beim Bummel über einen Markt inspirieren, wo alte Handwerkskünste vorgeführt wurden. In den drei Sätzen seiner Komposition werden sehr anschaulich die Klangeindrücke in Musik umgesetzt: das Ticken nostalgischer Uhren beim Uhrmacher, das Hämmern des Böttchers beim Bau von Holzfässern und schließlich das Schlagen der Hufeisen, bevor der Hufschmied die Pferde beschlägt. Ein Werk der Reihe Flexible 5 für eine fünfstimmig variable Besetzung, an dem Musiker und Publikum ihre Freude haben werden!

Séduit par l’authenticité et le charme d’un marché artisanal, Christian Bouthier s’est inspiré du savoir-faire de trois artisans pour composer cette suite en trois mouvements. l’ombre des platanes, ils font et refont devant un public nombreux et passionné, ces gestes ancestraux qui donnent naissance tant de belles choses. Découvrez les traditions perpétuées par l’artisan horloger, le tonnelier et le maréchal-ferrant.

Affascinato dall’originalit e dallo charme di un mercato di artigiani, per comporre questa suite in tre movimenti, Christian Bouthier si è ispirato al “savoir-faire” di tre artigiani. All’ombra dei platani, dinnanzi ad un pubblico numeroso ed appassionato, gli artigiani eseguono e ripetono gesti ancestrali che danno vita a oggetti unici. Scoprite le tradizioni attraverso un orologiaio, un bottaio e un fabbro.

SKU: CA.3119211

ISBN 9790007210243. Text language: German/English.

The cantata Nun danket alle Gott (Now thank we all our God) BWV 192 is based on the text of the well-known hymn. It is therefore one of a small number of chorale cantatas which contain no free poetic texts. Correspondingly, there are no recitatives either. It has only recently been assumed that this three-movement work was not intended for Leipzig, but was actually written in 1730 for Bach's prestigious position as Kapellmeister of Saxe-Weissenfels. The court of Duke Christian enjoyed the its sojourn in the newly-renovated castle of its secondary residence in Sangerhausen and, at Trinity, in the court church, celebrated the anniversary of its consecration with festive music. Bach evidently occasionally contributed to this. The work does not survive complete. Even in the 18th century a full score evidently no longer existed, just a set of parts, the tenor part of which is entirely missing. For the new edition the missing part has been reconstructed by Detlev Schulten (Leipzig). Score and part available separately - see item CA.3119200.

SKU: AP.1-ADV7477

UPC: 805095074772. English.

Written in tribute to all mothers, but especially the composer's mother Florilyn, who died at the age of 90 in 2008, each of the four movements in this grade 3 suite may be performed independently of the others with excellent results. Movement 1 is a plaintive waltz with lush romantic harmonies. Movement 2 is a comedic interpolation featuring portions of two etudes by Muzio Clementi and the tick-tick sound of the typewriter. Conflict, reconciliation, resolution, and acceptance is the conveyed essence of movement 3. And with a reverent duet introduction, the final movement of Elégie à nos mères commemorates the end of Florilyn's long life. Arranged for saxophone quartet (SATBar).