| Deconstructing Production Music for TV [Sheet music + Audio access] Centerstream
Secrets Behind Writing Successful Music Cues. Instructional. Music Business, ...(+)
Secrets Behind Writing
Successful Music Cues.
Instructional. Music
Business, Songwriting.
Softcover Audio Online. 82
pages. Duration 165 seconds.
Published by Centerstream
Publications
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The great organ of St. Jean Baptiste - Nemours Organ Anne Fuzeau Productions
Organ SKU: FZ.508 Edited by Jean Christophe Tosi. Instruments Historiques...(+)
Organ SKU: FZ.508 Edited by Jean Christophe Tosi. Instruments Historiques: Monographies d'Instruments, Facteurs et Luthiers. Book and CD. Published by Anne Fuzeau Productions - France (FZ.508). ISBN 9782841690183. 21.00 x 21.00 cm inches. Old instruments collection is a new series of monographs featuring single instruments or instrument markers. Each booklet contains chronological charts, historical and technical details, together with photographs, as well as considering the instrument from ans aesthetic point of view. We have tried to make this collection thoroughly pratical one, deliberately limiting the format, and providing texts in four language ( French, English, German and Japenese ) aiming for maximum clarity. These individual studies should be helpful to musicians, musicologists, historians, instrument makers and enthusiasts. The history. Description. Tuning and temperament. Aesthetic consideration. The builders. Bibliography. Archives. Delve into the memory of music with the Old instruments monographies collection from Anne Fuzeau Classique. $17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| The great organ of St Gervais - Paris Organ Anne Fuzeau Productions
Organ SKU: FZ.2633 Edited by Pierre Hardouin. Instruments Historiques: Mo...(+)
Organ SKU: FZ.2633 Edited by Pierre Hardouin. Instruments Historiques: Monographies d'Instruments, Facteurs et Luthiers. Book and CD. Published by Anne Fuzeau Productions - France (FZ.2633). ISBN 9782841690619. 21.00 x 21.00 cm inches. Old instruments collection is a new series of monographs featuring single instruments or instrument markers. Each booklet contains chronological charts, historical and technical details, together with photographs, as well as considering the instrument from ans aesthetic point of view. We have tried to make this collection thoroughly pratical one, deliberately limiting the format, and providing texts in four language ( French, English, German and Japenese ) aiming for maximum clarity. These individual studies should be helpful to musicians, musicologists, historians, instrument makers and enthusiasts. The history. Description. Tuning and temperament. Aesthetic consideration. The builders. Bibliography. Archives. Delve into the memory of music with the Old instruments Monographies collection from Anne Fuzeau Classique. $21.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Rafi flutes Flute Anne Fuzeau Productions
Flute SKU: FZ.5259 Edited by Philippe Allain-Dupre. Instruments Historiqu...(+)
Flute SKU: FZ.5259 Edited by Philippe Allain-Dupre. Instruments Historiques: Monographies d'Instruments, Facteurs et Luthiers. Book and CD. Published by Anne Fuzeau Productions - France (FZ.5259). ISBN 9782841690954. 21.00 x 21.00 cm inches. Old instruments collection is a new series of monographs featuring single instruments or instrument markers. Each booklet contains chronological charts, historical and technical details, together with photographs, as well as considering the instrument from ans aesthetic point of view. We have tried to make this collection thoroughly pratical one, deliberately limiting the format, and providing texts in four language ( French, English, German and Japenese ) aiming for maximum clarity. These individual studies should be helpful to musicians, musicologists, historians, instrument makers and enthusiasts. The 6-key clarinet: Jean-Jacques Baumann's instrument maker. History. Description. Measurements. Esthetics. Delve into the memory of music with the Old instruments monographies collection from Anne Fuzeau Classique. $18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Turandot - Movement 1 from the Suite To Gozzi's Fairy Tale Drama Concert band [Score and Parts] - Intermediate/advanced Southern Music Ltd
Score and Parts. Composed by Ferruccio Busoni (1866-1924). Arranged by Mark Ro...(+)
Score and Parts. Composed by
Ferruccio Busoni (1866-1924).
Arranged by Mark Rogers.
Southern Music. Softcover.
Southern Music Company
#S953CB. Published by
Southern Music Company
$195.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Easy Guitar Chords DVD Guitar [DVD] - Easy MJS Music Publications
Common Rhythms and Progressions. By Mark John Sternal. For Guitar. Instructional...(+)
Common Rhythms and Progressions. By Mark John Sternal. For Guitar. Instructional DVD. Published by MJS.
$12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Practical Recording 2: Pro Tools [Book + CD] Music Sales
By Christian Preissing ; Mark Ziebarth. Book and CD-ROM. 142 pages. Published by...(+)
By Christian Preissing ; Mark Ziebarth. Book and CD-ROM. 142 pages. Published by Music Sales.
$18.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| My Life in Percussion Hal Leonard
Paperback SKU: HL.1155283 Five Decades in the Music Products Industry<...(+)
Paperback SKU: HL.1155283 Five Decades in the Music Products Industry. Reference. Biography / Music Bisac, Biography/Composers & Musicians, Drum Reference. Softcover. 328 pages. Hal Leonard #MLIPSC. Published by Hal Leonard (HL.1155283). ISBN 9781888408539. UPC: 196288122562. 8.5x11.0x0.544 inches. This memoir by Karl Dustman details his illustrious music industry career. Dustman began his professional career in music retail, leading to a sales forecaster for IBM. This opened the door to an executive position with Ludwig Drum Company where he spent 11 years in the marketing and educational departments. Executive-level stints with Gretsch, Hohner-Sonor-Sabian, Pearl, and Sonor gave Karl great insight into the percussion industry of the 1970's through the '80s, '90s, and into the current era, which he shares here in intimate detail. Striking out on his own as a marketing consultant, Karl worked not only with numerous music industry clients, but other businesses which further developed his skill set. Along the way, Karl authored numerous articles to share his percussion marketing expertise; many are included in the book's appendix. Also included are capsule histories of the Ludwig and Gretsch drum companies, and a good look at the inner workings of the Percussion Marketing Council for the past nineteen years. Pretty much anyone who has worked in the percussion industry over the last five decades has crossed paths with Karl Dustman. This book has been painstakingly written to provide insights and details to a career that spans over fifty-five years and continues to this day. The huge assortment of photos, internal documents, examples of the many different marketing, sales, promotional product launch materials, and massive trade show exhibits are included in each of the nine chapters. The personal stories and memorable moments illustrates an ever-changing industry filled with products, people, company mergers, brand acquisitions, and personal uncertainty for the future through five decades of career development. This could also serve as an industry textbook, illustrating the vast differences in the industry's retail, wholesale distribution, and manufacturing environments and workplaces. The journey is not limited to percussion but includes direct experiences with acoustic and digital pianos, electric, acoustic, and classical guitars, and even sound reinforcement. $35.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| What Sweeter Music - Full Orchestra Score and Parts plus CD w/Printable Parts Orchestra [CD-ROM] Lorenz Publishing Company
(A Festival of Carols). Composed by Mark Hayes. For orchestra. Cantatas. Christm...(+)
(A Festival of Carols). Composed by Mark Hayes. For orchestra. Cantatas. Christmas. Full orchestra score, set of parts and CD with printable parts. Duration 35 minutes. Lorenz Publishing Company #30/2968L. Published by Lorenz Publishing Company
$399.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Die Meistersinger von Nurnberg WWV 96 Opera [Vocal Score] Schott
(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For ...(+)
(Vocal Score). Composed by Richard Wagner (1813-1883). Edited by Egon Voss. For Vocal, Piano Accompaniment (Vocal Score). This edition: Urtext edition. Vocal Score. Vocal score. 672 pages. Schott Music #ED20410. Published by Schott Music
$80.99 - See more - Buy online | | |
| The Aristide Cavaille-Coll organ - Poligny Organ Anne Fuzeau Productions
Organ SKU: FZ.50530 Collegiale Saint-Hippolyte de Poligny (Jura-France...(+)
Organ SKU: FZ.50530 Collegiale Saint-Hippolyte de Poligny (Jura-France). Edited by Pierre Cheron. Instruments Historiques: Monographies d'Instruments, Facteurs et Luthiers. Book and CD. Published by Anne Fuzeau Productions - France (FZ.50530). ISBN 9782360950003. 21.00 x 21.00 cm inches. Old instruments collection is a new series of monographs featuring single instruments or instrument markers. Each booklet contains chronological charts, historical and technical details, together with photographs, as well as considering the instrument from an aesthetic point of view. These individual studies should be helpful to musician, musicologists, historians, instrument markers and enthusiasts. Serie: LES ORGUES. by Jean-Christophe TOSI. The History. Description. Archives. Only in French. Delve into the memory of music with the Old instruments monographies collection from Anne Fuzeau Classique. $38.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Music Publishing -- The Complete Guide [Book] Alfred Publishing
Composed by David Lowery and Steve Winogradsky. Reference Textbooks; Textboo...(+)
Composed by David Lowery and
Steve Winogradsky. Reference
Textbooks; Textbook -
General. Book. Alfred Music
#00-48273. Published by
Alfred Music
$79.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Suite No. 1 Guitar Classical guitar [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. ...(+)
Guitar solo - Advanced SKU: DZ.DZ-4308 Composed by Giorgio Mirto. Score. Les Productions d'OZ #DZ 4308. Published by Les Productions d'OZ (DZ.DZ-4308). ISBN 9782898522253. Following a recent experience on the jury of a guitar competition, I noted with great pleasure that Giorgio Mirto, with whom I had shared the role of juror, wanted to celebrate the experience of the competition - during from which we discovered that we had had a great affinity of thought - with something which could endure over time and not evaporate as often happens in short and occasional meetings between musicians. He did it as a true composer, which he is, and dedicated to me a very beautifully crafted Suite to which I allowed myself to collaborate at least formally, by suggesting titles for the four movements. This is how Suite n.1 was born, a piece that does not strictly respect the formal rules of the Baroque era, but reinterprets and reuses them in a new key. The work's obvious late Baroque inspiration led me to find titles that invited the performer to delve deeper into the work's aesthetic inspiration. So I suggested to Giorgio that he title the four movements with something that linked their content to four greats of the 18th century. German masters. The prelude has thus become from Eisenach because of its sometimes improvised Bach-like atmosphere, the second movement, vaguely toccata, speaks an organ language in the manner of Buxtehude (who lived in Lübeck), the slow movement has a Handelian quality - and Handel was born in Halle - and the last movement, far from being a true Chaconne, undoubtedly has the latter's taste for variation and ostinato, typical traits of Telemann who lived in Magdeburg. The cities that appear in the titles are therefore indelible to the authors cited. Furthermore, one should not think that the style of the work is in any way German, given that Giorgio Mirto expresses himself in a very joyful language that synthesizes modality with minimalism, all seasoned with a a nod to Pink's progressive rock Floyd. or a Mike Oldfield... The result of this mixture of ideas, inspirations and styles is a work that personally I never tire of reading and rereading, for the freshness that emanates from it and for the climate expressive which rises, nourishing itself with full efficiency. We ultimately cannot ignore that the note B, the one which marks in a minor way some of the most expressive works of the guitar repertoire, from the study of Sor which made generations of students fall in love with the guitar, until to that of Frank Martin's Four Pieces via La Catedral di Barrios, is the modal fulcrum of the entire Suite: it is true that the Prelude begins with a clear chord in E minor and lingers on an open ending in A minor , but it almost seems that the initial E serves as a launching pad for a continuation of the work in which the dominant, that is to say the B, is the true musical North, the pole star which guides us in the other three movements until the end of the Chaconne de Magdebourg. I wish Giorgio and our Suite great longevity and a favorable destiny in the complex and complex world of contemporary guitar composition. And I thank him again, flattered by his very kind dedication.
FRANCESCO BIRAGHI
Au lendemain d'une récente expérience au sein du jury d'un concours de guitare, j'ai constaté avec grand plaisir que Giorgio Mirto, avec qui j'avais partagé le rôle de juré, souhaitait célébrer l'expérience du concours - au cours de laquelle nous avons découvert que nous avions eu un grand affinité de pensée - avec quelque chose qui pourrait perdurer dans le temps et ne pas s'évaporer comme cela arrive souvent lors de rencontres courtes et occasionnelles entre musiciens. Il l'a fait en véritable compositeur, ce qu'il est, et m'a dédié une Suite d'une très belle facture àlaquelle je me suis permis de collaborer au moins formellement, en suggérant des titres pour les quatre mouvements. C'est ainsi qu'est née la Suite n.1, une pièce qui ne respecte pas strictement les règles formelles de l'époque baroque, mais les réinterprète et les réutilise dans une nouvelle tonalité. L'inspiration évidente du baroque tardif de l'Ã
Âuvre m'a amené àtrouver des titres qui invitaient l'interprète àapprofondir l'inspiration esthétique de l'Ã
Âuvre. J'ai donc suggéré àGiorgio de titrer les quatre mouvements avec quelque chose qui reliait leur contenu àquatre grands du XVIIIe siècle. Maîtres allemands. Le prélude est ainsi devenu d'Eisenach en raison de son atmosphère parfois improvisée àla Bach, le deuxième mouvement, vaguement toccata, parle un langage d'orgue àla manière de Buxtehude (qui vivait àLübeck), le mouvement lent a un Qualité haendélienne - et Haendel est né àHalle - et le dernier mouvement, loin d'être une véritable Chaconne, a sans doute le goût de cette dernière pour la variation et l'ostinato, traits typiques de Telemann qui vivait àMagdebourg. Les villes qui apparaissent dans les titres sont donc indélébiles aux auteurs cités. De plus, il ne faut pas penser que le style de l'Ã
Âuvre soit en aucune façon allemand, étant donné que Giorgio Mirto s'exprime dans un langage très joyeux qui synthétise la modalité avec le minimalisme, le tout assaisonné d'un clin d'Ã
Âil au rock progressif Floyd de Pink. ou un Mike Oldfield... Le résultat de ce mélange d'idées, d'inspirations et de styles est un ouvrage que personnellement je ne me lasse pas de lire et de relire, pour la fraîcheur qui s'en dégage et pour le climat expressif qui monte, se nourrissant de plein efficacité. On ne peut finalement pas ignorer que la note B, celle qui marque de manière mineure certaines des Ã
Âuvres les plus expressives du répertoire de guitare, depuis l'étude de Sor qui a fait tomber amoureux de la guitare des générations d'étudiants, jusqu'àcelle de Frank Martin Quatre Pièces via La Catedral di Barrios, est le point d'appui modal de toute la Suite : il est vrai que le Prélude commence par un accord clair en mi mineur et s'attarde sur une fin ouverte en la mineur, mais il semble presque que le mi initial sert de une rampe de lancement pour une suite de l'Ã
Âuvre dans laquelle la dominante, c'est-à-dire le B, est le véritable Nord musical, l'étoile polaire qui nous guide dans les trois autres mouvements jusqu'àla fin de la Chaconne de Magdebourg. Je souhaite àGiorgio et àë notre û Suite une grande longévité et un destin favorable dans le monde complexe et complexe de la composition contemporaine pour guitare. Et je le remercie encore, flatté de son très aimable dévouement.
FRANCESCO BIRAGHI. $12.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Let All the World Sing - Choral Book Word Music
SKU: WD.080689593178 Composed by David Wise. Choral, cantatas. Eastertide...(+)
SKU: WD.080689593178 Composed by David Wise. Choral, cantatas. Eastertide. Book. Word Music #080689593178. Published by Word Music (WD.080689593178). UPC: 080689593178. LET ALL THE WORLD SING, the new Easter musical from Word Music & Church Resources’ best-selling Very Simply Word Series, is designed to help your church do its part to raise that sound of praise, so that the world will hear the message as though one mighty voice was proclaiming it…HE IS ALIVE!
Easy-to-Learn, Easy-to-Sing are hallmarks of this popular series. Each musical in the Very Simply Word Series is built on a foundation of great song selection and arranged and orchestrated by some of today’s leading musicians, each of the songs having been expertly re-purposed into a Unison Choir/Optional 2-Part format. Featuring epic-sounding accompaniment tracks designed to make your choir sound bigger than life, Very Simply Word musicals also offer the option to perform using the high-quality DVD Accompaniment Track, giving your presentation the kind of flair and production quality usually found in much bigger, more elaborate productions.
LET ALL THE WORLD SING is sure to help your choir stand out in an exceptional way and enhance your choir’s outreach, as you lead them in presenting what could be their most powerful Easter program ever!
$10.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonatina No. 1 Guitar [Score] Productions OZ
Guitar solo SKU: DZ.DZ-4272 Composed by Mark Anthony Cruz. Score. Les Pro...(+)
Guitar solo SKU: DZ.DZ-4272 Composed by Mark Anthony Cruz. Score. Les Productions d'OZ #DZ 4272. Published by Les Productions d'OZ (DZ.DZ-4272). ISBN 9782898521898. En septembre 2018, le guitariste Toby McWilliams a commandé à Cruz lâécriture dâune pièce solo en trois mouvements après avoir entendu ses Five Pieces in C dans lâémission de radio internationale Classical Guitar Alive. McWilliams a demandé que le premier mouvement soit en forme sonate-allegro, suivi de deux autres pièces reflétant les choix de tempo dâune sonatine en trois mouvements typique. Comme câest le cas pour la plupart des Åuvres de Cruz, cette Sonatine a été achevée en tant que musique pure, sans programme sous-jacent. Cependant, dans sa quête de trouver des titres autres que des indications de tempo, Cruz a extrait trois mots de la correspondance entre lui-même et McWilliams qui, ensemble, ajoutent une touche personnelle à la collection tout en suggérant une progression des événements dâune journée imaginaire.
Un point dâintérêt dans le premier mouvement, le thème A : Cruz commence sur lâaccord IV et évite intentionnellement dâutiliser un accord I tout au long de la pièce. Bien que la section B commence dans la tonalité de dominante, elle se dirige rapidement vers un centre tonal de ré majeur.
Festival (3ème mouvement) utilise un thème dâouverture bitonal : mi majeur dans la voix supérieure tandis que la ligne de basse utilise mi mineur.
In September of 2018, guitarist, Toby McWilliams commissioned Cruz to write a three-movement guitar solo after hearing his Five Pieces in C on the internationally syndicated radio show, Classical Guitar Alive. McWilliams requested the first movement to be in sonata-allegro form followed by two other pieces that reflect the tempo choices of a typical three-movement sonatina. As is the case with most of Cruzâs music, this Sonatina was completed as music written for musicâs sake. However, in his quest to find titles other than tempo markings, Cruz plucked three words from the correspondence between himself and McWilliams that together, add a personal touch to the collection while suggesting a progression of an imaginary dayâs events.
A point of interest in the first movement, A theme: Cruz begins on the IV chord and intentionally avoids using a proper I chord throughout. While the B section does begin in the dominant key, it moves quickly towards a D major tonal center.
Festival (3rd movement) uses a bitonal opening theme: E major in the top voice while the bass line uses E minor. $10.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Michael Golding: The Christmas Story (Cassette) Piano, Vocal and Guitar Golden Apple Productions
Piano, Vocal and Guitar SKU: HL.14006779 Composed by Mark Golding. Music ...(+)
Piano, Vocal and Guitar SKU: HL.14006779 Composed by Mark Golding. Music Sales America. Christmas. Cassette. Composed 2016. Golden Apple Productions #GA10972. Published by Golden Apple Productions (HL.14006779). English. The traditional Nativity story, retold in narration and song, for performance by children of mixed ages and abilities. The music is easy to learn and has an up-to-date feel which makes it instantly appealing. If you need to license a school/youth theatre performance of this product, please use the online application form. $15.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Hal Leonard Recording Method Book 5: Engineering and Producing [Book + DVD] Hal Leonard
(2nd Edition). Music Pro Guide Books and DVDs. Softcover with DVD-ROM. 304 pages...(+)
(2nd Edition). Music Pro Guide Books and DVDs. Softcover with DVD-ROM. 304 pages. Published by Hal Leonard
$39.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Sonata No. 6 Kharkiv , Op. 48 Guitar Classical guitar [Score] - Advanced Productions OZ
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Sco...(+)
Guitar solo - Advanced SKU: DZ.DZ-4244 Composed by Konstantin Bliokh. Score. Les Productions d'OZ #DZ 4244. Published by Les Productions d'OZ (DZ.DZ-4244). ISBN 9782898521614. La Sonate n° 6 Kharkiv pour guitare solo a été composée en 2021, à la fin du confinement lié au COVID-19. � ce moment-là , ma famille et moi étions restés dans notre ville natale de Kharkiv (également connue sous le nom de Kharkov), en Ukraine, pendant près de deux ans. Nous considérions cette période de pandémie comme un désastre, mais nous avons réalisé plus tard que c'était en fait un moment plutôt heureux, car la guerre est arrivée dans notre pays quelques mois plus tard. Depuis 2022, une fraction considérable des 1,5 million de citoyens de Kharkiv ont quitté leur foyer, ceux qui sont restés vivent sous des attaques incessantes de missiles, et beaucoup ont été tués. Je voudrais dédier cette Sonate à la ville frontalière de Kharkiv et, surtout, à ses citoyens souffrant de la guerre.
Pourtant, la musique de la Sonate n'a aucun programme spécifique. Ici, je donnerai un bref aperçu de ses principaux éléments de composition pour faciliter les interprétations futures.
Les premier et quatrième mouvements de cette Sonate sont basés sur l'interaction entre le principe dodécaphonique et le centre tonal de sol majeur, naturel pour la guitare. En particulier, le premier mouvement est basé sur l'interaction de la triade de sol majeur Solâ??Siâ??Ré des cordes de guitare à vide 2â??3â??4, le motif ascendant 1 impliquant les notes Miâ??Fa#â??Laâ??Do# (à l'origine sur la première corde), et le motif descendant 2 utilisant les notes Miâ??Doâ??Sibâ??La (à l'origine sur la corde de basse 6). Ces éléments se complètent presque pour former douze tons (à l'exception du Fa manquant), et les motifs alternent avec des fragments ostinato où chaque note de la triade de sol majeur est déplacée pas à pas d'un demi-ton vers le haut ou vers le bas.
Le deuxième mouvement est un Scherzo impliquant de nombreux demi-tons dans des accords accentués et des passages rapides, ainsi qu'un mouvement mélodique chromatique dans la voix de basse. Il est presque atonal dans certains fragments, mais a un centre tonal global de la mineur.
Le troisième mouvement est un Adagio méditatif basé sur un thème composé dans l'échelle hexatonique Réâ??Miâ??Faâ??Sol#â??Laâ??Si et des accords ostinato impliquant les cordes de basse à vide Miâ??Laâ??Ré et le demi-ton Siâ??Do.
Enfin, le quatrième mouvement est basé sur le thème dodécaphonique complet composé de deux phrases comprenant les motifs 1 et 2 du premier mouvement : Solâ??Faâ??Sibâ??Labâ??Doâ??Mibâ??Ré et Miâ??Siâ??Do#â??Laâ??Fa#. Ce thème est présenté dans ses formes prime et rétrograde. Il y a des dialogues entre la première corde, les basses et les cordes médianes à vide, similaires au premier mouvement. Ã? son apogée, le thème dodécaphonique est interprété en utilisant le mouvement parallèle de l'accord de sol majeur standard de la guitare avec les cordes médianes à vide sur douze positions.
La Sonate a été créée en première et enregistrée (CD Naxos No. 8.574630) par le célèbre guitariste ukrainien Marko Topchii, qui a également vécu et étudié à Kharkiv. Je lui suis extrêmement reconnaissant pour l'interprétation brillante de cette pièce.
Je suis très redevable envers Productions d'Oz d'avoir conservé mes notations originales là où celles-ci ne correspondent pas au style de l'éditeur.
Sonata No. 6 Kharkiv for guitar solo was composed in 2021, in the end of the COVID-19 lockdown. At that time my family and I were staying in our home city of Kharkiv (also known as Kharkov), Ukraine for almost two years. We considered that pandemic period as a disaster, but later have realized that it actually was a rather happy time, because a war came to our homeland just a few months later. Since 2022 a considerable fraction of the 1.5 millions of Kharkiv citizens have left their homes, those who stayed have been living under ceaseless missile attacks, and many have been killed. I would like to dedicate this Sonata to the frontier city of Kharkiv and, most of all, to its citizens suffering from the war. Yet, the music of the Sonata does not have any specific program. Here I will give a brief overview of its main composition elements to facilitate future interpretations. The first and fourth movements of this Sonata are based on the interplay between the twelve-tone principle and the G-major tonal center, natural for the guitar. Namely, the first movement is based on the interaction of the G-major triad Gâ??Bâ??D of the open guitar strings 2â??3â??4, ascending motif 1 involving the notes Eâ??F#â??Aâ??C# (originally on the first string), and descending motif 2 using the notes E-â??Câ??Bbâ??A- (originally, on the bass string 6). These elements supplement each other to almost make up twelve tones (apart from the missing F), and the motifs alternate with ostinato fragments where each note in the G major triad is step-by-step moved by a semitone up or down. The second movement is a Scherzo involving numerous semitones in accented chords and fast passages, as well as chromatic melodic motion in the bass voice. It is almost atonal in some fragments, but has an overall tonal center of A-minor. The third movement is a meditative Adagio based on a theme composed within hexatonic scale Dâ??Eâ??Fâ??G#â??Aâ??B and ostinato chords involving open bass strings Eâ??Aâ??D and semitone Bâ??C. Finally, the fourth movement is based on the complete twelve-tone theme consisting of two phrases including motifs 1 and 2 from the first movement: Gâ??Fâ??Bbâ??Abâ??Câ??Ebâ??D and Eâ??Bâ??C#â??Aâ??F#. This theme is presented in its prime and retrograde forms. There are dialogues between the first string, basses and open middle strings, similar to the first movement. In the culmination, the twelve-tone theme is performed using the parallel motion of the standard guitar G-major chord with open middle strings across twelve positions. The Sonata was premiered and recorded (CD Naxos No. 8.574630) by the prominent Ukrainian guitarist Marko Topchii who has also lived and studied in Kharkiv. I am extremely grateful to him for the brilliant performance of this piece. I am greatly indebted to Productions dâ??Oz for keeping my original notations in places where these do not conform to the publisherâ??s style. $9.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| II. Rhapsodie hongroise Piano solo EMB (Editio Musica Budapest)
Piano SKU: BT.EMBZ8162 Composed by Franz Liszt. EMB Liszt Works. Book Onl...(+)
Piano SKU: BT.EMBZ8162 Composed by Franz Liszt. EMB Liszt Works. Book Only. Composed 1977. Editio Musica Budapest #EMBZ8162. Published by Editio Musica Budapest (BT.EMBZ8162). English-German. Though he grew up in Vienna and Paris and spoke German as his native language, Ferenc Liszt's Hungarian patriotism was aroused by a natural disaster. ''Oh my wild and distant country! Your cry of pain has brought me back to you. I bow my head, ashamed that I have forgotten you for so long,'' he reacted to the news of the 1838 Danube floods that demolished much of Pest, and he announced a charity concert for the benefit of the victims. When he visited Hungary the following year, he was embraced by his compatriots with an unexpected enthusiasm that defied all description. This highly emotional encounter set his entire career onto a new track Hungarian motifs began to appear inhis music. This marked the beginning of the genesis of his 19 Hungarian Rhapsodies that spanned many decades. The opening theme of Hungarian Rhapsody No. 2, a piece that has acquired extraordinary popularity, was written down by Liszt in his sketchbook in 1847 in Ia i, Romania. The piece was published in 1851, later with separate cadenzas and ad-libitum variants added for two of Liszt s pupils. This revised (2020) edition, based on the New Liszt Edition, is distinguished by the inclusion of these, as well as a preface summarizing the latest findings of research, facsimile reproductions, and critical notes. $18.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Methods & Treatises Viola & Pardessus de viole - France 1600-1800 Viola [Score] Anne Fuzeau Productions
Viola SKU: FZ.5794 Serie I - France 1600-1800. Edited by Philippe ...(+)
Viola SKU: FZ.5794 Serie I - France 1600-1800. Edited by Philippe Lescat, Jean Saint-Arroman. This edition: Facsimile. Methodes & Traites. Score. Published by Anne Fuzeau Productions - France (FZ.5794). ISBN 9790230657945. 24.00 x 33.00 cm inches. These early music methods are in facsimile in one book. ANCELET - Jean Laurent de BETHISY - C. R. BRIJON - Michel CORRETTE - Francois, le jeune CUPIS - Encyclopedie - FRAMERY N. E. et GINGUENE P. L. : Encyclopedie methodique - Francois-Alexandre-Pierre de GARSAULT - Jean-Benjamin de LABORDE - Marin MERSENNE - Michel WOLDEMAR. Table of contents: VIOLA. Mersenne Marin: Harmonie universelle - 1636. Bethisy Jean Laurent de: Exposition de la theorie - 1754. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Corrette Michel: Methode pour apprendre [. . . ] de la quinte ou alto - 1773. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Framery N. E. et Ginguene P. L. : Encyclopedie methodique (reprend le texte de l'Encyclopedie de Diderot) - 1785. Cupis Francois, Le jeune: Methode d'alto - 1800 (ca). Woldemar Michel: Methode d'alto - 1800/1805 (ca). PAR-DESSUS DE VIOLE. Corrette Michel: Methode pour apprendre facilement a jouer du par-dessus de viole - 1748. Ancelet: Observations sur la musique - 1757. Garsault Francois-Alexandre-Pierre de: Notionnaire ou Memorial raisonne - 1761. Brijon C. R. : Methode nouvelle et facile pour apprendre a jouer du par-dessus de viole - 1766. Laborde Jean-Benjamin de: Essai sur la musique - 1780. Collection supervised by the musicologist Jean Saint-Arroman, professor at the Conservatoire National Superieur de Musique et de Danse of Paris and at the CEFEDEM Ile de France (Training Centre for Music Teachers). He is the author of the majority of our prefaces and has also been involved in library searches. Facsimile of copies from: - Bayerische Staatsbibliothek of Munich (Germany). - National Library of Paris (France). - British Library of London (England). - Det Kongelike Bibliothek of Copenhagen (Denmark). - Gemeente Museum of The Hague (Netherlands). Anne Fuzeau Classique propose the complete theoretic documentation, methods, classical music scores on the viola and pardessus de viole. $47.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
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