| Praetorius M Quem Pastores Laudavere Schott
SKU: HL.49026040 Composed by Michael Praetorius. Schott Chorverlag (Chora...(+)
SKU: HL.49026040 Composed by Michael Praetorius. Schott Chorverlag (Choral Music). Choral score. 2 pages. Schott Music #C 46411-99. Published by Schott Music (HL.49026040). $1.95 - See more - Buy online | | |
| Antiphonies: Four Renaissance and Baroque Dialogues for Organ and Brass Quartet Organ and Brass Quartet MorningStar Music Publishers
Composed by J. S. Bach; Michael Praetorius; G. P. Telemann; Claude Gervaise. Arr...(+)
Composed by J. S. Bach; Michael Praetorius; G. P. Telemann; Claude Gervaise. Arranged by Charles E. Callahan Jr. Non Hymn-Based. Baroque. Published by MorningStar Music Publishers (MN.20-616).
$40.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Praetorius, M O Lovely Night Ssa Choral 3-part SSA Music Sales
SSA Choir SKU: HL.14024692 Composed by Michael Praetorius. Music Sales Am...(+)
SSA Choir SKU: HL.14024692 Composed by Michael Praetorius. Music Sales America. Classical. Choral Score. Music Sales #NOV510528. Published by Music Sales (HL.14024692). $3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Linkenbach; Praetorius: Es ist ein Ros entsprungen [Score] Carus Verlag
By Klaus / Praetorius Linkenbach. Use during church year: Christmas. Score. 4 pa...(+)
By Klaus / Praetorius Linkenbach. Use during church year: Christmas. Score. 4 pages
$3.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Michael Praetorius: Dance Suite from Terpsichore Brass Quintet: 2 trumpets, horn, trombone, tuba [Score and Parts] Theodore Presser Co.
For Brass Quintet. By Michael Praetorius. Edited by Allan J. Dean. Arranged by A...(+)
For Brass Quintet. By Michael Praetorius. Edited by Allan J. Dean. Arranged by Allan J. Dean. Brass quintet. For Trumpet I, Trumpet II, French Horn, Trombone, Tuba. Score and parts. 20 pages. Duration 8:45. Published by Theodore Presser Company.
$28.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Recorder Consort 1 Recorder Ensemble Boosey and Hawkes
47 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenber...(+)
47 Pieces for Recorder Consort. By Various Composers. Arranged by Steve Rosenberg. (Recorder). Boosey and Hawkes Chamber Music. Size 8.5x11 inches. 50 pages. Published by Boosey & Hawkes.
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Frederick Noads Classical Guitar Treasury: Duets And Ensembles Guitar Ensemble Classical guitar [Sheet music] Chester
By Frederick Noad. For Guitar. Baroque, Renaissance, Classical. Sheet Music. 164...(+)
By Frederick Noad. For Guitar. Baroque, Renaissance, Classical. Sheet Music. 164 pages. Published by Chester Music.
$33.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002849 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Organ. Sacred concertos, Sacred vocal music, Advent. Single Part, Organ. 4 pages. Duration 4 minutes. Carus Verlag #CV 10.028/49. Published by Carus Verlag (CA.1002849). ISBN 9790007189389. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and part available separately - see item CA.1002800. $8.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB [Score] Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002800 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Full score. 12 pages. Duration 4 minutes. Carus Verlag #CV 10.028/00. Published by Carus Verlag (CA.1002800). ISBN 9790007171735. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002805 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Sacred concertos, Sacred vocal music, Advent. Choral Score. 8 pages. Duration 4 minutes. Carus Verlag #CV 10.028/05. Published by Carus Verlag (CA.1002805). ISBN 9790007181352. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score available separately - see item CA.1002800. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| How brightly beams the morning star (Wie schon leuchtet der Morgenstern) Choral SATB [Score and Parts] Carus Verlag
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002...(+)
SSATB choir, SATB ad lib., 5 instruments ad lib., basso continuo SKU: CA.1002819 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Separate instruments. Sacred concertos, Sacred vocal music, Advent. Set of Orchestra Parts. Duration 4 minutes. Carus Verlag #CV 10.028/19. Published by Carus Verlag (CA.1002819). ISBN 9790007181420. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorael concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking chorale concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. In the chorale setting Wie schon leuchtet der Morgenstern Praetorius wrote for a five-part ensemble which is joined in some sections by a four-part capella. For the ensemble, Praetorius suggested both voices and instruments, which he uses in a sophisticated texture of sound, the instruments sometimes duplicating the voices and sometimes alternating with them. Score and parts available separately - see item CA.1002800. $44.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002705 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Choral Score. 8 pages. Duration 8 minutes. Carus Verlag #CV 10.027/05. Published by Carus Verlag (CA.1002705). ISBN 9790007181338. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score available separately - see item CA.1002700. $5.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002711 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 1. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/11. Published by Carus Verlag (CA.1002711). ISBN 9790007189327. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB [Score and Parts] Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002709 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. 1x 10.027/31 trombone 1, 1x 10.027/32 2 trombones, 1x 10.027/33 trombone 3, 1x 10.027/34 trombone 4. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/09. Published by Carus Verlag (CA.1002709). ISBN 9790007189310. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700. $21.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB [Score and Parts] Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002719 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Set of Orchestra Parts. Duration 8 minutes. Carus Verlag #CV 10.027/19. Published by Carus Verlag (CA.1002719). ISBN 9790007181413. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and parts available separately - see item CA.1002700. $65.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Come, Holy Ghost, God and Lord (Komm, Heiliger Geist, Herre Gott) Carus Verlag
4 children's voices/S, ATTB choir (SATB), [Instr.], basso continuo SKU: CA.10...(+)
4 children's voices/S, ATTB choir (SATB), [Instr.], basso continuo SKU: CA.1003005 Composed by Michael Praetorius. Edited by Uwe Wolf. Stuttgart Urtext Edition. Chorus 1. Sacred vocal music. Choral Score. 4 pages. Duration 7 minutes. Carus Verlag #CV 10.030/05. Published by Carus Verlag (CA.1003005). ISBN 9790007186159. Language: German. This late work by Michael Praetorius is characterized by a combination of the new Italian style with the Protestant chorale. The Puericinium, which appeared in 1621, the year of Praetorius' death, has a music-pedagogical component. Four children's voices (who would have been boys in Praetorius' time), ideally spread around the four corners of the church, sing the chorale line by line in turn, interrupted and ended with tutti passages in which an adult choir joins. The whole piece is accompanied by basso continuo and a four-part instrumental ensemble ad lib. The magnificent Komm heiliger Geist, Herre Gott is still suitable for performance by a children's choir and adult choir today; although adult sopranos would not have sung in church choirs in Praetorius' time, they can join in the melody line in the tutti passages. Score available separately - see item CA.1003000. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Halleluja, Christ ist erstanden (Halleluja. Christ ist erstanden) Choral SATB Carus Verlag
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.10027...(+)
SSATB choir, [SATB/SATB], 8 instruments ad lib., basso continuo SKU: CA.1002714 Chorale concert. Composed by Michael Praetorius. Edited by Uwe Wolf. This edition: urtext. Stuttgart Urtext Edition. Halleluja, Christ Ist Erstanden. Sacred concertos, Sacred vocal music, Praise and thanks. Single Part, Viola 4. 4 pages. Duration 8 minutes. Carus Verlag #CV 10.027/14. Published by Carus Verlag (CA.1002714). ISBN 9790007189358. Text language: German. The collection Polyhymnia Caduceatrix & Panegyrica of 1619 is rightly regarded as the high point in Michael Praetorius's output. It combines Solennische Friedt- und Frewden-Concert: which Praetorius as a travelling musician had composed largely for festive occasions - he writes of Kayser: Konig: Chur: vnd Furstlichen zusammen Kunfften - and also for furnehme Capellen vnd Kirchen. In these chorale concerti the highly modern, Italian style and the Protestant chorale combine and form a symbiosis which showed the way forward for the history of German music. The chorale settings draw on influences from Venetian polychoral music, use ritornelli and employ obbligato instruments in a way which is beyond compare, even in contemporary Italy. Here we see a quite different side of the master from the composer of Es ist ein Ros entsprungen. And above all, Praetorius always remains a practical musician who ensures that these breathtaking choral concerti can also be effectively performed with smaller forces, sometimes considerably reduced ones. Praetorius gives the verses of the well-known Easter hymn Christ ist erstanden to the concertists (soloists or small choir), who can perform these in alternating scorings. At the beginning, between the verses, and at the end, a magnificent Halleluja occurs as a ritornello, which can be performed by up to 5 choirs - ad lib, of course. Score and part available separately - see item CA.1002700. $4.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
1 31 Next page 61 91 ... 781 |