SKU: M7.PPV-20046366
ISBN 9783941531109.
Vier Songs im Stile der großen Meister führen dich durch die Heldengeschichte der Rockgitarre. Erlebe die Geheimrezepte von AC/DC, Eric Clapton, Oasis und Green Day: So schreiben sie Songs. So bearbeiten sie die Gitarre. So machen sie ihren Sound! Jeder Song bringt die typischen Stilelemente eines Künstlers auf den Punkt: Gezeigt werden alle wichtigen Techniken für Rhythmus- und Leadgitarre. Equipment und Sound wird genau unter die Lupe genommen. Nicht zuletzt geht Thomas Blug dem besonderen Feel jeder Band genau auf den Grund. Bei AC/DC geht es um die Kunst des puren Rock'n'Roll. Bei Eric Clapton ist es das spezielle Gefühl für den Blues. Mit Oasis lernst du, wie man sich mit Phantasie und Selbstironie selbst inszeniert. Und Green Day stehen schließlich dafür, auf der Gitarre eine große Party zu feiern. Damit du richtig abrocken kannst, enthält die DVD von einem echten Rocktrio live eingespielte Playalongversionen der 4 Songs. Für alle, die wissen, wie man eine Gitarre hält: Welcome to Rock!
SKU: HL.1438381
ISBN 9798350123692. UPC: 196288204893.
The '60s were a game-changing decade for tunes, kicking off with The Beatles leading the charge from across the pond with the soul-stirring beats of Motown. It was a time when music festivals like Woodstock weren't just about music; they were massive statements of peace, love, and rebellion against the status quo. Travel back in time with this new Super Easy sonbook featuring 46 simple arrangements of this decade's hits to start playing your favorite songs in no time! Each song is arranged with simple right-hand melody, letter names inside each note, basic left-hand chord diagrams, and no page turns. Songs include: Are You Lonesome Tonight? ⢠Bad Moon Rising ⢠Build Me Up, Buttercup ⢠California Dreamin' ⢠Downtown ⢠God Only Knows ⢠Happy Together ⢠I Got You Babe ⢠I Want to Hold Your Hand ⢠I'm a Believer ⢠Light My Fire ⢠Like a Rolling Stone ⢠Mrs. Robinson ⢠On a Clear Day (You Can Seee Forever) ⢠On Broadway ⢠(I Can't Get No) Satisfaction ⢠Somebody to Love ⢠Surfin' U.S.A ⢠Suspicious Minds ⢠Will You Love Me Tomorrow (Will You Still Love Me Tomorrow) ⢠and more!
SKU: ST.C129
ISBN 9790570811298.
As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.Timeless Cornish melodies, cooked up for hungry clarinet playersGrades 1–4Former Spartan Press Cat. No.: SP1218.
SKU: ST.C130
ISBN 9790570811304.
As I sit myself down to write this brief foreword, I ask myself can there be music more stirring than these old Cornish folk melodies? Though not Cornish myself (I confess to being born a little further up the road, in Bristol), I feel I have spent sufficient time in these 'ere parts to resonate with the sturdy brass band tradition that continues to permeate this incomparably beautiful, rugged county. One can almost detect a French 'accent' when listening to the piano music of Debussy, and likewise, speaking as a lapsed brass player, there is undoubtedly something of the Cornish twang about Trelawny when played on a cornet or euphonium. Then again, one gets a different, yet entirely convincing effect upon hearing these melodies rendered on woodwind instruments; hence, with a little gamesmanship on my part, I am pleased to see my collection of these fifteen delectable ditties come to fruition in the form of arrangements for treble clef brass instruments (in B flat and E flat), trombone and tuba (bass clef), horn in F, flute, clarinet and bassoon. While many will find themselves humming the likes of Going up Camborne Hill, Lamorna or The Helston Furry Dance even before they have turned to the first page - for these are indelibly intertwined with Cornish culture – I wonder if I might draw your attention to The Cornish Squire, The Pool of Pilate and Cold Blows the Wind Today Sweetheart, which are quite simply sublime melodies, perhaps needing that extra bit of help in bringing them to mind nowadays. In the best tradition of musical hand-me-downs, Cornish folk music works equally ideally sung and played, and only by doing so on a regular basis can such traditions hope to continue forward with vigour and authority. A legitimate way of achieving this is to revitalise the harmonic scheme of these ancient tunes and bring them up to date for a modern audience; after all, it was such an approach that fuelled the imagination of Benjamin Britten and Ralph Vaughan Williams in decades past, while skilfully paying homage to the underlying charm and, for want of a better word, simplicity, of the original music. But this is only a start – for without an energetic response from younger generations, Cornish folk music is destined to wither on the vine in much the same way as is happening with the Cornish dialect. So, put your instrument to your lips and proceed, not with caution, but with enthusiasm and a smile, for your great grandparents (and perhaps even their grandparents) would surely raise a glass if they could hear you doing your bit to ensure the survival of this splendid heritage.Timeless Cornish melodies, cooked up for hungry clarinet playersGrades 1–4Former Spartan Press Cat. No.: SP1219.
SKU: HP.9088
UPC: 763628190880. Scotty Gray & David Music.
Biography of Timothy Dudley-Smith Timothy Dudley-Smith is the greatest hymn writer of the late twentieth and early twenty-first centuries. Gray and Music have demonstrated his superb qualities as a poet and as an inspiration to contemporary Christianity throughout the world. In this admirable account of his work, they have set it in context, relating the preoccupations of his life to the political and social world in which he lives; and they have added commentaries on many of the hymns that explains their extraordinary ability to stir the heart and satisfy the mind. This will be the definitive account for many years.--J. R. Watson, Emeritus Professor of English, University of Durham, UK, Co-Editor of the Canterbury Dictionary of Hymnology.
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