SKU: HL.364929
UPC: 810100410032. 9.5x6.5x6.0 inches.
Not only is the Fin a professional microphone with all the qualities you could ask for in a dynamic cardioid microphone, it also just happens to be one of the coolest-looking mics you've ever seen – combining a “vintage†look with a futuristic and timeless feel, all in one shiny microphone. Best-in-class, smooth, flat response from the shock mounted, large, low mass diaphragm element driven by a powerful magnet, will reward you with rich sound throughout its broad frequency range. The Fin is great in the studio, or live, and it particularly exhibits excellent upper mids. The Fin has a beautifully sculpted body that is double-chromed in a three-stage plating process. Horizontal fins accent its soft angular profile. As an added bonus, The Fin glows via the four L.E.D. lights inside, which can be turned on and off from via the phantom power from the mixing board. This can make for a dramatic effect, or create that certain “vibe†to enhance your next performance. The Fin is stocked in chrome and matte black bodies. Each version has either red, white or blue foam color/LEDs.
SKU: HL.49012938
ISBN 9781847612069. UPC: 841886000506. 9.0x12.0x0.215 inches.
These 13 pieces are intended for live performances. They are varied in style and enjoyable to play. The pianist is an equal partner to the trumpet player, sharing responsibility for musical completeness. Titles include: White Water Rafting; Steam Train; Parachuting; Gliding; Dodgems; Rock Jumping. The accompanying CD gives full performances of the pieces to listen to as well as accompaniments alone so that students can play along. White Water Rafting * Sailing * Parachuting * Steam Train * Gliding * Dodgems * In a Rowing Boat * Motor Cycle and Side-car * On Roller Blades * Rock Jumping * Country Cycle Ride * March Behind the Band * An Evening Stroll.
SKU: HL.44011005
UPC: 884088637651. 9x12 inches. English-German-French-Dutch.
White Light was commissioned by Fumiko Teramoto, oboist with the Musashino Grand Concert Band in Tokyo, Japan. The request was for a moderately slow piece of intermediate difficulty that included the work “white” (Ms. Teramoto's lucky color) in the title. The composer used this suggestion to write a piece that was both bright and light in terms of harmony, color and orchestration, with much use of simple major and minor chords and an emphasis on the pure, transparent timbres of the upper woodwinds of the band; he was also keen to capture the essence and history of the oboe as a solo instrument. The piece is pastoral in character and often almost baroque in style. It opens with a chorale-like passage on flutes and clarinets; the soloist enters with a recitative over trilling clarinets. The main theme is then introduced, accompanied by the woodwinds. After a short bridge passage, a change of key heralds a second theme by the soloist, with gentle brass punctuations. This builds to a climax, ending on a high trill from the soloist. After short passage over a timpani roll, the band recalls the main theme, taken up once again by the soloist. This leads to a short cadenza before the closing bars bring the work peacefully to a close.
SKU: BT.RICL00003700
English.
One of Australia’s best-known composers, Ross Edwards’ distinctive sound world combines shapes and patterns from nature with a variety of musical resources which reflect and celebrate Australia’s cultural diversity.White Cockatoo Spirit Dance has all the characteristics of a maninya, or dance-chant. Ross Edwards coined the word maninya to denote the chant-like quality of one strand of his music, a unique and highly characteristic form which results from thesubtly varied repetition of material over a static harmonic basis in a lively tempo.Vibrant, captivating, life-affirming and virtuosic, White Cockatoo Spirit Dance is a spontaneous melodic outpouring. It also exists as a viola solo from which it has been adapted for violin by the composer.
SKU: IS.VAP6164BEM
ISBN 9790365099870.
This composition tells the story of a quest to find truth, which is relative and constantly changing. It is often to be found in the place where water becomes steam, somewhere in Between on the dividing line between Ying and Yang, somewhere in a twilight zone between dark and light, between Black and White. Black, White & In Between was conceived as a concertino for violin and string orchestra. It has been recorded by the London Philharmonic Orchestra under direction of the composer with Marta Abraham as soloist.
SKU: HL.48180548
UPC: 888680946098. 9.0x12.0x0.052 inches.
The Little White Donkey is a famous piece initially composed by Jacques Ibert (1890-1962). Arranged by the French flautist Marcel Moyse, and part of the set called Stories, this piece is the second one in the list of six. Rated as medium, its scores lasts two pages for flute and four for piano. Jacques Ibert (1890-1962), a neoclassical composer who won the Prix de Rome in 1919, also composed many symphonic suites, operas and seven orchestras, including Angelique (1926) and Entertainment (1930). He was also in charge of the Accademie de France in the Villa Medicis (Roma) and was later administrator for the Paris Opera.
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