SKU: HL.14022931

ISBN 9788759814369. 8.25x11.75x0.202 inches.

SKU: HL.14031846

Danish.

SKU: HL.14067462

SKU: BT.WH33255

ISBN 9788759842492.

From the incidental music for Poul Knudsen’s tragic pantomime Scaramouche, arranged for String Quartet by Luukas Hiltunen. Parts available: WH33255A.

SKU: HL.14043561

ISBN 9788759887073. UPC: 888680967543. 9.5x14.0 inches.

Set of parts for Rued Langgaard 's String Quartet No. 2 dating from 1931. BVN 145.

SKU: HL.14031874

ISBN 9788759868676. Danish.

SKU: HL.14043562

ISBN 9788759832431.

Rued Langgaard 's String Quartet No. 2 dating from 1931. BVN 145.

SKU: HL.50606707

UPC: 196288168966.

SKU: HL.14047945

ISBN 9788759836156. 8.25x11.75 inches. English.

Autumn Collection for Viola solo by Poul Ruders (2014). Written for Rafael Altino.

SKU: HL.14076202

SKU: HL.14023317

ISBN 9788759809075. 10.25x14.5x0.43 inches. English.

The original version for Solo Viola written for Nobuko Imai, the Japanese violist.

SKU: BT.WHKP01280

English.

Nordheim, A Five Stages, arranged for string quartet set of parts.

SKU: HL.14047983

ISBN 9788759817469. 9.75x14.25x0.072 inches. English.

Parts for Hans Abrahamsen's String Quartet No.3 (2008).

SKU: HL.14041524

ISBN 9788759871812. Danish-English.

Programme Note During the composition of my tenth string quartet a flower-name, host-tidlos, came to my mind - and it would not me leave again. [hosttidlos is actually autumn crocus in English, but the composer prefers harvest-timeless, to maintain some of the associations of the Danish flower-name, red.] The paradoxical union of a seasonal time (harvest) and no-time-at-all was a good fit to the sections of the work that I had composed at that time, and I decided to tentatively stick to that title for the work-in-progress, and now, having finished the piece, I can say that is is still a fitting title - and it stands. Enough about the title, I will go on to describe themusic, a somewhat more precarious project. My tenth string quartet is probably the most basic string quartet that I have composed: melodically - and in sound - it employs the naturally based overtones and undertones (perceived at major and minor, respectively), and rhythmically it is based on growth, on the principles of the Golden Section, and the structure itself contrasts abundance and exuberance with sections of immobility and contemplation. However, Melos, melody, is definitely the dominating aspect of my STRING QUARTET NO. 10: behind even the most rhythmically complex or pure sonoric sections lies a firm - if hidden - basis of melodic or polyphonic ideas. The work was composed in 2004-2005 for the Kroger Quartet.