SKU: AP.1-ADV10305
ISBN 9783892212614. UPC: 805095103052. English.
The main body of this piece stays as close to the original composition as possible, considering that is has been adapted for the guitar. With this arrangement comes a set of performance notes which offer conceptual and technical insights.
SKU: HL.49047318
ISBN 9798350121940. UPC: 196288201359.
Composed for two guitars, this suite in three movements was inspired by a trip to northern Chile with two close friends whose lives have been dedicated to Human Rights activism and to whom the suite is dedicated. Each of the three movements evokes the spirit of the place where the music locates itself. The first movement, Tongoy Sea captures the sleepy seaside town of Tongoy on the Pacific coast with its long stretch of beach onto which spills the village, the fishing boats and the fish market while families gather in the local fish restaurants that line the beach looking out to sea. The second movement, Tololo Sky, recalls the long car drive up the winding mountain towards the Inter-American observatory, Cerro Tololo. Driving up the mountain I was struck by the starkness of our car winding its way on a single desert mountain road surrounded by a vast sky of an intense and translucent blue. The final movement, Elqui Earth, evokes the gentle slow pace of the town of Vicuña, birthplace of the poet Gabriela Mistral in the Elqui Valley. This fertile stretch of green with its abundant vineyards and fruit orchards stands out against the dry mountains that encircle it below a limpid sky. Dominique Le Gendre (2023).
SKU: DZ.DZ-4258
ISBN 9782898521751.
Four Album Leaves, Op. 28 is a set of pieces for piano solo composed by Edvard Grieg. The set was first published in 1878 in Leipzig by C.F. Peters. The Album Leaves were composed over the span of almost fifteen years. As such, they present a fascinating cross-section of Grieg's pianistic and compositional development. They are arranged in chronological order as follows: Allegro con moto (1864), Allegretto espressivo (1874), Vivace (1876), and Andantino serioso (1878).Having realized some years ago that due to GriegâÂÂs way of writing for the piano, that they would fit wonderfully on two guitars, I began with this set, and then moved onto more of his works, finally transcribing his complete set of 10 books of Lyric Pieces (66 pieces in all), all of which are available as separate publications at Les Productions DâÂÂOz. I hope you enjoy playing them as much as I, and my duet partner Ann, do.Quatre feuilles d'album, op. 28 est un ensemble de pièces pour piano seul composé par Edvard Grieg. L'ensemble a été publié pour la première fois en 1878 àLeipzig par C.F. Pierre. LâÂÂalbum Leaves a été composé sur une période de près de quinze ans. En tant que tels, ils présentent un aperçu fascinant du développement pianistique et compositionnel de Grieg. Ils sont classés par ordre chronologique comme suit : Allegro con moto (1864), Allegretto espressivo (1874), Vivace (1876) et Andantino serioso (1878).Ayant réalisé il y a quelques années qu'en raison de la manière d'écrire de Grieg pour le piano, elles s'adapteraient àmerveille àdeux guitares, j'ai commencé avec cet ensemble, puis je suis passé àd'autres de ses à Âuvres, pour finalement transcrire sa série complète de 10 recueils de paroles. Pièces (66 pièces au total), toutes disponibles sous forme de publications séparées aux Productions D'Oz. J'espère que vous prendrez autant de plaisir àles jouer que moi et ma partenaire Ann, en duo.
SKU: MB.WBM03
ISBN 9780985922702. 8.5 X 11 inches.
Acoustic Guitar Portraits is a collection of scores from my recording of the same name. The music reflects a rich variety of musical styles and is original. The rhythms are contemporary and the harmonies are lush. The duos feature an intricate dialog between the two acoustic guitars. It has been my goal to present performance or concert material for the plectrum flatpick guitar. These compositions were written with that in mind.
SKU: BO.B.3649
Padre Antonio Soler is the most important Spanish composer of keyboard instruments of the XVIII century. Born in Olot he was baptized in 1729 and died in El Escorial in 1787. As a young boy he entered the Escolania of Montserrat, where he studied composition and organ, coinciding at the same monastery with the also Spanish composer of that time, Fernando Sor. Padre Soler spent great part of his life in El Escorial as chapel master and organist and met in Madrid Italian composer Domenico Scarlatti with whom he developped a deep friendship inspired on mutual admiration.In spite of the similar styles of both composers the fluid inspiration of Padre Soler excels for his own personality, definitely influenced by Spanish roots. Furthermore, I ask myself if the fact of being at the same monastery of Montserrat with guitarist composer Fernando Sor didn't play an important role in the future development of Padre Soler's style.I have transcribed for two guitars these three sonatas in the hope that also the guitarists can enjoy playing these little jewels, truly musical delights, that Padre Antonio Soler left for us.
SKU: M7.BBA-4024
The Cimarosa Sonatas represent a chest of melodic ideas in which the Neapolitan universe of contrasts takes shape, where freshness sometimes alternates tender melancholy and heartfelt sadness that have always been the counterpart in the culture of that city. Domenico Cimarosa was one of the most prominent opera composers of the late 18th century. He is a transitional figure between the generation of classical operas of the second half of the 18th century (e.g., Gluck and Mozart), and the later generation of early 19th century Italian composers such as Rossini and Donizetti. The work of Jorge MartÃnez Zárate as a composer and transcriber is vast, he has written original works for one and two guitars and has made more than a thousand transcriptions, a large number of them have been published in Argentina and also in the United States, France and Italy.
SKU: HL.49047518
ISBN 9783795733018. UPC: 196288308546.
Discover the fascinating world of Gypsy Swing - a musical tradition that originated in France in the 1920s and was influenced by artists such as Django Reinhardt and Stéphane Grapelli. Immerse yourself in the unique rhythm of “La Pompe” and experience the art of improvised arpeggios. Joscho Stephan, one of the most outstanding gypsy swing musicians of our time, shares his knowledge and passion in an innovative workshop. In collaboration with Dieter Kreidler, the well-known classical guitarist, author and composer, the basics of this fascinating genre are made accessible to classical guitarists in didactically prepared learning steps. From acoustic guitars with plectrums to application on classical concert guitars with nylon strings - this workshop offers a unique opportunity to explore and master the world of gypsy swing. Get ready to broaden your horizons and immerse yourself in the fascinating world of gypsy swing!
SKU: AP.1-ADV10001
ISBN 9783892210115. UPC: 805095100013. English.
This book and its accompanying recordings are designed to provide the guitarist with the following: A collection of contemporary music which is fun to play and equally enjoyable to listen to. Material which is challenging and exposes the guitarist to new styles and techniques. The opportunity to improvise within a variety of musical settings and styles including Latin, modal jazz, funk and New Age. Preceding each piece are performance suggestions and explanations of techniques required for that particular piece.
SKU: DZ.DZ-4311
ISBN 9782898522284.
Louise Farrenc was a profoundly influential French composer, performer, professor, and author. Though she would ultimately become quite a sought-after performer, her potential as a composer was recognized quite early on. Women were not permitted to enroll in conventional composition classes at the Conservatoire de Paris at the time, but, she did receive private lessons from Anton Reicha, the professor of composition there. Years later she would receive a permanent appointment as Professor of Piano at the same institution, a position she held for thirty years. She was the only woman during the 19th century to bear that title. Her piano etudes possess pedagogical value as well as great beauty and character. These works lend themselves quite well to the guitar duo setting. While I have rendered all of FarrencâÂÂs melodies quite faithfully, I have taken liberties with the accompaniments in order to make them more idiomatic to the guitar. Likewise, many of the effects of which the guitar is capable have been brought to bear in ways that deviate from the original intent of the etude. Alternatively, the challenges that some of these etudes were meant to address for the piano student are amplified by this adaptation. For example, etude 5 is intended to enable the piano student to improve the coordination between their left and right hands. It certainly presents a challenge in that regard to the guitar duo!These selections are entirely suitable for guitarists with limited experience, though they could, of course, be beautifully realized by players with a great deal more experience as well.Louise Farrenc était une compositrice, interprète, professeur et auteure française profondément influente. Même si elle deviendra finalement une interprète très recherchée, son potentiel en tant que compositrice est reconnu très tôt. Les femmes n'étaient pas autorisées às'inscrire aux cours de composition conventionnels au Conservatoire de Paris àl'époque, mais elle recevait des cours particuliers d'Anton Reicha, le professeur de composition du Conservatoire de Paris. Des années plus tard, elle recevra un poste permanent de professeur de piano dans la même institution, poste qu'elle occupera pendant trente ans. Elle était la seule femme au XIXe siècle àporter ce titre.Ses études pour piano possèdent une valeur pédagogique ainsi qu'une grande beauté et un grand caractère. Ces à Âuvres se prêtent assez bien au montage en duo de guitares. Même si jâÂÂai rendu assez fidèlement toutes les mélodies de Farrenc, jâÂÂai pris des libertés avec les accompagnements afin de les rendre plus idiomatiques àla guitare. De même, de nombreux effets dont la guitare est capable ont été mis en à Âuvre dâÂÂune manière qui sâÂÂécarte de lâÂÂintention originale de lâÂÂétude. Alternativement, les défis que certaines de ces études étaient censées relever pour l'étudiant en piano sont amplifiés par cette adaptation. Par exemple, l'étude 5 est destinée àpermettre àl'élève de piano d'améliorer la coordination entre ses mains gauche et droite. Cela représente certainement un défi àcet égard pour le duo de guitares !Ces sélections conviennent parfaitement aux guitaristes ayant une expérience limitée, même si elles pourraient bien sûr également être magnifiquement réalisées par des musiciens beaucoup plus expérimentés.
SKU: PR.11440785S
UPC: 680160012091.
The composition of the work began as a few improvisational thoughts on a short phrase from a Beethoven piano sonata, which eventually developed into a six-minute fantasia that ultimately bears little audible relation to the original Beethoven phrase. The work is in four sections, of which the first and last are nocturnal, prelude, and postlude respectively. The main second section grows from a simple imitative idea to a chordal climax that subsides into a chorale and soliloquy which is elegiac in nature.
SKU: PR.UE034492
ISBN 9783702471439. UPC: 803452068549.
The editors of the New Karl Scheit Guitar Edition, guitarists all, have unearthed a rare gem in Marella's Sonata. Having made his mark as an accomplished violinist in the 18th century scene of Paris and Dublin, Marella relocated to London to continue his career, becoming also a teacher of guitar and composer of study volumes for that instrument. The Sonata in La Maggiore is taken from a second volume of pieces dating from 1762, and consists of three movements - Andantino, Largo, and Menuetto a theme and five variations). For intermediate to advanced performers.
SKU: HH.HH130-FSP
ISBN 9790708041641.
You are trying to remember an image. Only details come back to your mind. From those details, you must reconstitute the whole. You memory is blurred. You mix memories, you believe that what is merely imagination is reality. And someone appears to make signs to you . . .
SKU: DZ.DZ-4120
ISBN 9782898520372.
This fourth booklet is dedicated to ensemble playing through five trios and three quartets of various styles (tango, ballad, rock, etc.) appropriate for the end of primary school with a few years of experience and the beginning of secondary school. Some pieces are written in a homorhythmic manner and can constitute an introduction to ensemble music, while others are rather polyrhythmic. They can constitute a first contact with the following techniques and effects: staccato, pizzicato, accent, louré, natural harmonic, percussion or crossed strings. This volume is therefore intended for guitarists who already know the notes in first position. Two pieces include a more advanced part with an introduction to playing in 5th position. These are short pieces that do not present technical challenges other than those allowing you to achieve the effects and play expressively.You will find in the scores indications of nuances, timbre, attack and fingerings which constitute suggestions for work and not prescriptions. Teachers and students are therefore invited to make interpretation choices different from those proposed or to try to convincingly render those already written.The pieces were composed or arranged by UQAM music education students as part of a course aimed at equipping musicians for teaching guitar in the school system. Many of them are musicians from different backgrounds (composition, performance, world music, etc.), which explains the creativity found in the pieces. All the pieces have been the subject of an audio recording available on the Productions dâÂÂOz website and on YouTube. Search for àvos guitares, prêt, joue! Vol. 4.Isabelle Héroux, editor, professor, Department of Music, UQAM.Louis-Edouard Thouin-Poppe, assistant editor, arranger and engraver.Ce quatrième cahier est consacré au jeu en ensemble grâce àcinq trios et trois quatuors de styles variés (tango, ballade, rockâ¦) appropriés pour la fin du primaire avec quelques années dâÂÂexpérience et le début du secondaire. Certaines pièces sont écrites de manière homorythmique et peuvent constituer une initiation àla musique dâÂÂensemble, alors que dâÂÂautres sont plutôt polyrythmiques. Elles peuvent constituer un premier contact avec les techniques et effets suivants : staccato, pizzicato, accent, louré, harmonique naturelle, percussion ou cordes croisées. Ce volume sâÂÂadresse donc aux guitaristes qui connaissent déjàles notes en première position. Deux pièces comportent une partie plus avancée avec une initiation au jeu en Ve position. Ce sont des pièces courtes qui ne présentent pas de défis techniques outre ceux permettant de réaliser les effets et de jouer de manière expressive. Vous trouverez dans les partitions des indications de nuances, de timbre, dâÂÂattaque et de doigtés qui constituent des suggestions de travail et non des prescriptions. Ainsi, les enseignants et les élèves sont invités àfaire des choix dâÂÂinterprétation différents de ceux qui sont proposés ou àtenter de rendre de manière convaincante ceux déjàécrits.Les pièces ont été composées ou arrangées par des étudiants en enseignement de la musique de lâÂÂUQAM dans le cadre dâÂÂun cours qui vise àoutiller les musiciens pour lâÂÂenseignement de la guitare dans le système scolaire. Beaucoup dâÂÂentre eux sont des musiciens provenant dâÂÂhorizons différents (composition, interprétation, musique du monde, etc.) ce qui explique la créativité que lâÂÂon retrouve dans les pièces. Toutes les pièces ont fait lâÂÂobjet dâÂÂun enregistrement audio disponible sur le site des Productions dâÂÂOz et sur YouTube. Recherchez àvos guitares, prêts, jouez! Vol. 4.Isabelle Héroux, éditrice, professeure, Département de musique, UQAM.Louis-Edouard Thouin-Poppe, assistant éditeur, arrangeur et graveur.
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