SKU: SU.80603641
Set of partsJazz Big Band: 2 fl(pic), 4 hns, 2 ASx, 2 TSx, BarSx, 5 tpts, 5 tbns, Tuba, solo Flglhn, drms, perc, vbs, gtr, kybd, bs Composed: 1971 Published by: E.B. Marks.
SKU: SU.80603640
2 fl(pic), 4 hns, 2 ASx, 2 TSx, BarSx, 5 tpts, 5 tbns, Tuba, solo Flglhn, drms, perc, vbs, gtr, kybd, bs Composed: 1971 Published by: E.B. Marks.
SKU: M7.BARN-32392900
English.
An up-tempo rock shuffle chart by Howard Rowe full of exciting licks for the whole band to enjoy! Ranges are reasonable, and there is plenty of solo space for the soloists of your choosing. The rhythm section parts are carefully notated to get just the right groove, and it's playable with a limited instrumentation. Really moves!
SKU: M7.SMP-306
Here is another chart written for Stan Kenton (in the mid-1950's), that was never recorded by the band. It is a sensational piece, a real flag-waver which features alto saxophone from top to bottom. Great ensemble figures propel the soloist ever onward. This up-tempo swing chart is refreshing, with band vs soloist, great background figures, a very hip key change and excitement throughout. A wonderful feature for your hot alto saxophonist. Typical, great Holman. 5-5-5-3.
SKU: M7.BARN-32253800
A delightful Latin rock tune that really grooves. Very contemporary in nature and playable with limited instrumentation, Hot Sauce has all the ingredients to become one of your all-time favorite charts. Suggested solos are provided for the open solo section and it also includes several short written keyboard solos which really add to the flavor. Another winner by Howard Rowe! Hot!
SKU: M7.BARN-32360900
Did someone say, shuffle?? From the stop-time intro to a poppin' shout chorus, this Howard Rowe chart is maximum excitement! Subway Shuffle is an excellent showcase for soloists and ensemble alike and builds to a rousing finale!
SKU: M7.BARN-32305600
A big time bebop swing chart. Perfect competition chart or great opener for any concert. Hot!
SKU: M7.BARN-32395300
Take your students and audiences on a quick tour of the History of Jazz with this impressive Les Hooper chart for better bands. Starts in the 1920's and moves forward about a decade for each following chorus until you get to the present. A great way to teach many jazz styles and features short solos(written) for piano, trombone,trumpet and drums. Even includes a short section for dixieland band. Totally unique!
SKU: M7.SMP-1241
As recorded by the Oliver Nelson Orchestra, 'Berlin Bei Nacht' is the 4th movement of the Impressions of Berlin suite. Set in an up-tempo fashion, this Oliver Nelson's 1971 forward-thinking original starts out with an in-your-face swing unison line played by the saxophones and the trumpets, with the trombones and rhythm section providing the undercurrent. It then moves into a half-time Latin feel before settling into a funk/rock blues solo section (trumpet, or as you choose). This exciting and unique arrangement will be a favorite for your band and audiences alike! 5-4-4-3 (opt. 5th trombone).
SKU: M7.BARN-32349200
A hot shuffle chart that kicks off by featuring a combo within the band for the first chorus. Includes a tasty sax ensemble section and solo space for the soloists of your choice. A rip-roaring shout chorus takes it out in fine style. A great feature for your whole band!
SKU: M7.BARN-32363200
Your band and audiences will love this funky rocker! This chart is all about the groove and once your band gets the groove going, it practically plays itself. Flexible solo space on easy changes, suggested solos, and hot brass punches make this a sure winner!
SKU: M7.SMP-1123
Omar Thomas has written a stunning, contemporary piece reminiscent of the style of the Pat Metheny Group. It has a straight-eighths feel with solos for piano and trombone. This chart requires soprano saxophone and clarinet (with optional bass clarinet). There are meter changes throughout. This piece moves jazz ensemble composition forward. 5-4-4-4 (w/ opt. voice part).
SKU: M7.SMP-1213
Many have tried, but few have been able to match the incredible swing that happens when you combine Billy Byers' arranging with the Count Basie Orchestra. Originally recorded on the Basie album Frankly Basie: Count Basie Plays the Hits of Frank Sinatra, Hey, Jealous Lover is a medium-swing chart that will excite your band and audiences alike! Filled with typical Basie-esque piano solo fills (written out), there is also room for trumpet and tenor saxophone improvisation. The ensemble writing is powerful and swinging; nothing complex or rhythmically awkward, just a great melody with hard swingin' horn lines and tasty solo spots. 5-4-4-4.
SKU: M7.BARN-32379500
Here's a hot, driving shuffle full of sizzle and swagger that's playable by younger bands as well as more experienced groups. Includes an open solo section for the soloists of your choosing and suggested solos are included. A unison ensemble chorus leads to a rousing finale that will have audiences saying wow! Terrific concert and contest selection!
SKU: M7.BARN-32349400
A very playable rock ballad which features your trumpet section on either trumpets or flugelhorns. Solid ensemble writing makes this an outstanding programming choice for mid-level bands. Very cool!
SKU: M7.BARN-32298500
A hot contemporary swing chart that really cooks! Reasonable ranges for this level (trumpet to C). Outstanding for concert or contest!
SKU: M7.SMP-558
A true Kenton Classic. Alto saxophone, piano and bass are featured on this one-of-a-kind piece. The piece was recorded in the early 1950s by Stan Kenton, became a huge hit and found its way onto many albums, most notably Popular Favorites by Stan Kenton. If you need a Kenton chart that doesn't demand a great deal of hard, high blowing, this is the one. 5-5-4-4.
SKU: M7.SMP-628
A magnificent alto saxophone feature. Lennie also solos on his chart on the CD Live from the Tropicana. This is a superb arrangement, using all of the textures and power and sensitivity of the Kenton Orchestra. 5-4-4-3 (opt. 10 brass).
SKU: M7.SMP-619
Bill Holman, well known for his solo features, originally arranged this iconic tenor saxophone feature, 'Out of Nowhere,' for Bill Perkins and the Stan Kenton Orchestra in the mid '50s. Set as an up-tempo swing, the tenor saxophone is featured throughout and has lots of solo space to make this tune its own. Combine that with a cookin' rhythm section and great swinging ensemble passages, this chart is really happening! This new Finale edition provides cleaner, more correct parts and is easier to read with better page turns. This 'pro' version is the original chart requiring 10-brass. Brass ranges are reasonable in both versions (highest note for trumpet is a written D). 5-5-5-3.
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