SKU: GI.G-9825
UPC: 785147982500. English. Text Source: Based on 1 Corinthians 12 and 1 John 4. Scripture: 1 Corinthians 12, 1 John 4.
For cello or bassoon.
SKU: GI.G-3414
Translation: NAB. Scripture: Psalm 63.
Oboe or Flute, Cello or Bassoon.
SKU: GI.G-4272
Text by J. Michael Joncas.
SKU: GI.G-3137A
SKU: HP.8727
Christmas Musical Telling the Christmas story through six dynamic choral settings, Joel Raney brings his masterful ability to compose new and creative rhythms that showcase his grasp of the gospel style to this impactful presentation for SATB choirs. Christmas carols like you've never heard before, all performed with an interspersing of scripture readings. Accompaniment can be provided by just piano, or Ed Hogan's lively orchestration or a smaller set of rhythm parts. Performance time is 25-minutes making this ideal for fitting into a Christmas worship service or as a separate musical program. Orchestration: Conductor's Score, Flute, Oboe(or Soprano Sax or Clarinet), Clarinet, 2 Trumpets (or Alto Sax), Alto Sax, Tenor Sax, 2 Trombones or Tenor Sax or Baritone T. C. , Percussion, Piano, Synth, Guitar/Bass, Drums, Violins 1 & 2, Viola, Cello/Bassoon and String Reduction for Keyboard. Rhythm Parts: Conductor's Score, Percussion, Piano, Synth, Guitar/Bass, Drums and String Reduction for Keyboard. The Publisher grants permission to the purchaser to print parts from the CD-ROM for the use in your church's performance.
SKU: HP.8873
UPC: 763628188733.
Lent/Easter Musical This 30-minute musical reflects on Jesus's ministry and life on earth, and looks at the monumental effect his name has had on history. Told through six choral anthems with narration this work traces Jesus' life from his first preaching to the final momentous events of his passion. The music is mostly original and covers a range of styles. Accompaniment can be provided by just piano, CD or ED Hogan's orchestration. The half-hour length makes it ideal for including in a worship service anytime during Lent, or Holy Week, and it would be particularly poignant on Palm Sunday. Orchestrations: Conductor's Score, Flute, Oboe (or Soprano Sax* or Clarinet*), Horn (or Alto Sax* or Clarinet*), Trumpet (or Alto Sax*), Trombone (or Tenor Sax* or Baritone T. C. *), Percussion, Piano, Synth, Electric Bass, Harp, Violins 1 & 2, Viola (or Clarinet*), Cello/Bassoon (or Bass Clarinet*). *Parts are included on the CD-Rom890.
SKU: HP.8878
UPC: 763628188788.
SKU: CA.3104205
ISBN 9790007161873. Language: German/English.
Instead of an opening chorus Cantata BWV 42 begins with a magnificent Sinfonia in the style of the Brandenburg Concertos. It is possible that Bach took this movement from a concerto which he had composed earlier. The first aria, for alto with obbligato oboe and bassoon, could be derived from the middle movement of this concerto. The heroic bass aria, a statement of the certainty of faith, forms a weighty counterpart to the opening movement. Score available separately - see item CA.3104200.
SKU: BR.SON-442
ISBN 9790004803509. 10 x 12.5 inches.
This volume contains three reworkings and orchestrations of religious works by Felix Mendelssohn Bartholdy which were originally set for smaller ensembles (solo voices, four-part chorus and organ). They were composed at different times and for different occasions, two of them as commissions. The anthem ,,Why, o Lord, delay forever MWV A 19 was originally the sacred vocal piece MWV B 33, published in England in 1841 with the additional title ,,[…] The Thirteenth Psalm, and in Germany in the same year as ,,Lass, o Herr, mich Hilfe finden with the title ,,Drei geistliche Lieder which was composed at the suggestion of the English literature and music lover Charles B. Broadley who also provided the paraphrase of the psalm text. After Mendelssohn had refused an initial request by Broadley to furnish the anthem post festum with an organ prelude, the composer did not want to turn down a second request to orchestrate the work and he even expanded the existing material with a lengthy closing fugue involving additional trumpets and timpani. The ,,Ave Maria MWV B 19 was written in connection with Mendelssohn's appointment as municipal music director, a position which at the same time included the responsibility for the musical organization of church services. The instrumentation of the work with an accompaniment of two clarinets and two bassoons as well as low strings was due to the fact that the organ in Dusseldorf's principal church St. Lambertus was out of order for an extended period of time, and Mendelssohn considered this solution explicitly only as a surrogate for the organ should there be none. A further psalm paraphrase in English, this time by William Bartholomew, of the hymn ,,Hear my prayer MWV B 49 was set to music in early 1844; the orchestration of the organ part commissioned by the distinguished Dublin musician Joseph Robinson was not completed until 1847 so that the premiere finally only took place after Mendelssohn's death. In the further course of the century ,,Hear my prayer would, particularly in the version with organ accompaniment, come to enjoy great popularity in Great Britain and Ireland.
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