Clarinet & piano

SKU: HH.HH561-FSP

Composed by Jean-Xavier Lefèvre. Edited by Nicholas Cox. Full score and parts. Edition HH Music Publishers #HH561-FSP. Published by Edition HH Music Publishers (HH.HH561-FSP).

ISBN 9790708185765.

These Sonatas were written as part of Jean-Xavier Lefèvre’s Méthode for the Clarinet. They are great stepping stones to the more difficult clarinet master works by Mozart and Weber and are also invaluable first pieces for those studying period performance on the classical clarinet. They retain Lefèvre’s original notation for clarinet and the bass lines are transposed down a tone so the Sonatas are playable on the B flat clarinet. The right hand of the piano parts have been realised from a single unfigured bass line probably intended for the cello. The piano parts are designed to be stylistic, complementary to the clarinet line, satisfying to play and occasionally challenging.

Clarinet & piano

SKU: HH.HH555-FSP

Composed by Jean-Xavier Lefevre. Edited by Nicholas Cox. Full score and parts. Edition HH Music Publishers #HH555-FSP. Published by Edition HH Music Publishers (HH.HH555-FSP).

ISBN 9790708185703.

Jean-Xavier Lefèvre’s Clarinet Method, published at the beginning of the 19th century, contains a number of sonatas that are significant stepping-stones to the more difficult clarinet master works of Mozart and Weber. They are also invaluable first pieces for those studying period performance on the classical clarinet. Lefèvre’s original notation for the instrument has been retained, and the bass lines are transposed down a tone so that the sonatas are playable on the B flat clarinet. The piano accompaniments, whose right-hand parts have been realized from a single, unfigured bass line probably intended for the cello, are stylistic, always complementary to the clarinet line, and satisfying (if occasionally challenging) to play.

Clarinet and Piano

SKU: ST.C501

Composed by Rob Hall. Wind & brass music. Clifton Edition #C501. Published by Clifton Edition (ST.C501).

ISBN 9790570815012.

Close Encounters for Clarinet in B flat & Piano draws on historic themes connected to the medieval closes (also know as wynds or vennels) of the Scottish burgh town of Lanark, situated in the rural Clyde Valley. Often named after prominent resident business owners, these otherwise unremarkable narrow lanes are given life by the records of their occupiers or through local tales.

Aside from the more self explanatory titles, ‘Luminare’ describes the astronomical interests of electrical pioneer David Hunter; ‘Jumbo Jive’ relates to the legend of an inebriated circus elephant escapee who became stuck in the arch of Wide Close; ‘Amber Sky’ connects the India Ale trade of Brewery Close with an occasional, evocative dusk light that cloaks the town before sunset.

Close Encounters comprises five fascinating and contrasted short movements each set within its own very vivid sound world. The colourful harmonic language is drawn from a number of musical influences including flavours of Jazz, the silver screen and the French impressionists, all adding up to music that is both engaging to play and to listen to. The five movements are set at a comfortable technical level for the intermediate to advanced clarinettist, cover the entire range of the instrument, and the set would make for an intriguing addition to any clarinet recital.

- Paul Harris (composer & clarinettist)

Suitable for intermediate to advanced clarinettists.
Grades 5–8

(Cover painting by Ronnie Cruwys www.drawingthestreet.co.uk).

Clarinet and piano

SKU: P2.30110

Composed by Nick DiBerardino. Solo music, 20th century. Published by Potenza Music (P2.30110).

Nick DiBerardino says, Madison Avenue is a work full of whimsy, bustle and effervescent energy. Composed with New York City's famous Madison Avenue in mind, this piece attempts to capture the action of New York's busy streets, the mass of its towering buildings and the thrill - and occasional anxiety - of participating in its frenetic rituals. Madison Avenue's celebrated advertising history plays a role here, as well; I like to think you can hear somewhere in the work the furious typing of secretaries or the insistence of a hard sell. Above all, this is a playful piece, a romp and a gallop, a miniature rhapsody infused with the spirit and drive of the city. In it, I hope you hear an unbridled enthusiasm and an unyielding optimism, both marked on the music by the persistent energy of the human spirit..