SKU: HL.50513742
UPC: 884088955090. 8.5x11.75x0.163 inches.
SKU: SU.50016855
Viola & Piano Composed: 1939 Published by: Seesaw Music.
SKU: M7.DOHR-16494
ISBN 9790202034941.
SKU: HL.48024311
ISBN 9780851629582. 9.0x12.0x0.165 inches.
New edition of this charming suite by the British composer Richard Walthew (1872-1951), originally published in 1900. The work was frequently performed by Lionel Tertis over his long career; his fingerings and bowings are of great interest to students and scholars, so these are included for reference in the viola cue stave in the piano score; the viola part itself is left 'clean' for performers to make their own decisions In 1943 Tertis premiered A Mosaic in Ten Pieces in the version for viola and orchestra in a concert broadcast by the BBC. The performance was reviewed in the Musical Times: “It is the work of a happy craftsman, genial, jesting (so few composers joke now). In a slow movement Walthew is at his serene best. Brahms would have enjoyed the Valsette, and Elgar beamed upon other parts. Tertis's phrasing is the best lesson I can imagine for any young musician...â€.
SKU: BT.MUSVWP000029
UPC: 890346001683.
Novacek's virtuosic Perpetual Motion has been skilfully arranged for Viola with Piano accompaniment by Alan Arnold, and so can now be performed and enjoyed by advancing and accomplished Violists alike. The solo Viola part is also included on a separate insert.
SKU: PR.414411620
UPC: 680160089932.
SKU: PR.114415430
ISBN 9781598064193. UPC: 680160606634. 9x12 inches.
Martin Amlin’s KENNEL is a suite of seven movements, each inspired by one of the seven groups of dog breeds defined by the American Kennel Club. Kennel’s music has all the charm suggested by its warm imagery, as well as the excitement and energy that drives Amlin’s rhythmically-infused concert music. For advanced players. Duration: 13’.
SKU: HL.49045870
ISBN 9790001177948. UPC: 841886034525. 9.0x12.0x0.161 inches.
Nikolai Kapustin, born in 1937, is regarded as pioneer of the Soviet jazz scene. In his music he combines typical jazz idioms with classical forms. Sonata Op. 69 for viola and piano was written in 1992. Contents: Allegro Largo Vivace.
SKU: HL.49018407
ISBN 9790001175678. UPC: 841886016385. 9.0x12.0x0.067 inches.
A 'Last Night of the Proms' without this march - unthinkable! 'Pomp and Circumstance Military March No. 1' with its middle section, the hymn-like 'Land of Hope and Glory' by Edward Elgar (1857-1934), belongs to the finale of the London music event like the Radetzky March usually played as last piece to the New Year's Concert of the Vienna Philharmonic Orchestra. The fame and popularity of the other four military marches composed by Elgar between 1901 and 1907 fade in comparison to this secret national anthem of Great Britain (although strongly rivalled by 'Rule, Britannia!'). It is, indeed, an equally rousing and catchy piece of music, and the catchy tune in the middle has just become a classical 'hit'. Thanks to the present edition, all those who do not have a large symphony orchestra at home can now play this rousing march by themselves.
SKU: PR.114419100
ISBN 9781491129425. UPC: 680160674381.
MAGIC MAZE is the perfect title for this 8-minute adventure for viola and piano. Cycling through a form loosely inspired by numerical “magic squares,†the work is a chain of variations on a 12-note series built of perfect fourths and minor thirds. Miniature versions of various characters — march, canon, barcarolle, toccata, bolero, and sarabande — weave their way through the continuous labyrinth, all based on symmetrical patterns of pitch and rhythm that continually develop and return.
SKU: BT.MUSVWP000014
UPC: 890346001423.
Dvorak's Romance Op.11 has been arranged for viola and piano by Alan Arnold.
SKU: PR.114418860
UPC: 680160667901.
Hailstork had originally written his Elegy in 1980, in memory of a friend's passing. Decades later, he was asked by cellist Tim Holly to finish the work, and the Caprice was added in 2016. Despite 35 years of intervening life and changes in musical language, Hailstork has matched the tonality of the earlier movement. His transcription for viola and piano was performed in October at New Music Norfolk (Hampton Roads) by Rebecca Sinclair Kim and Susan Ha.
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