Violinn, Viola, Piano

SKU: SU.50013920

For Violinn, Viola, Piano. Composed by Ted Hansen. Chamber Music, Piano Trio. Score & Parts. Seesaw Music Corp #50013920. Published by Seesaw Music Corp (SU.50013920).

Published by: Seesaw Music.

For violin and Viola. Composed by Robert Mann. Contemporary. Set of performance scores. With Standard notation. Composed 1980. 8 pages. Duration 5 minutes. Theodore Presser Company #144-40225. Published by Theodore Presser Company (PR.144402250).

For Violin, Viola, Cello, and Contrabass. Composed by Fred Lerdahl. Schott. Schott Music #ED30157. Published by Schott Music (HL.49045032).

For violin and Viola (both players play both instruments). Composed by Ralph Shapey. Set of performace parts and score. With Standard notation. Composed 1983. 11 pages. Duration 12 minutes, 30 seconds. Theodore Presser Company #114-40438. Published by Theodore Presser Company (PR.114404380).

Orchestra Bass Clarinet, Bassoon 1, Bassoon 2, Bongos, Cello, Clarinet, Contrabass, Crotales, Cymbals, English Horn, Field Drum, Flute, Glockenspiel, Horn 1, Horn 2, Oboe 1, Oboe 2, Percussion, Piano, Snare Drum, Triangle, Trumpet, Vibraphone, Viola and more.

SKU: PR.416411770

For Violin, Piano, and Chamber Orchestra. Composed by William Kraft. Full score. With Standard notation. Duration 17 minutes. Theodore Presser Company #416-41177. Published by Theodore Presser Company (PR.416411770).

UPC: 680160091508.

I was tempted to call the piece Throw Back because it consciously employs rhythmic and harmonic approaches characteristic of the earlier part of the twentieth century, much of which plays a part in forging my musical personality. Going along with the impetus, I have paid homage by subtly interpolating stylistic or actual references to such unexpected bedfellows as Scriabin, Ravel, Debussy, Piston, Roussel, and Ysaye. I hope I will be musically forgiven. In one continuous movement, there are three definite internal sections: Presto-Largo-Allegro. The first section opens with a very soft percussion cadenza. If the acoustics allow it, the player will use sponge pottery mallets (sponge-headed mallets employed to smooth the interior of a pot as it is being spin-dried). No matter how hard the percussionist strikes the drums, the dynamic cannot go above pp (pianissimo). This cadenza serves as a basis for the first movement. The elements of the cadenza are taken by the orchestra to make the first major statement, similar to the classical concerto; but rather than making a restatement, the soloists, when they come in, begin with variational ideas. The second section is given over to the soloists, and is lyrical. The third section begins with an alternation between strict rhythmic pulsation and free-sounding timbres, as if reluctant to leave the second section behind. The rhythmic aspect takes over more and more as the piece progresses toward its conclusion. Double Play was commissioned by the Saint Paul Chamber Orchestra with financial assistance from the Northwest Area Foundation. It received its premiere on January 7, 1983, in St. Paul, with the St. Paul Chamber Orchestra; Pinchas Zukerman, violinist; Marc Neikrug, piano; and the composer conducting.

(Determine the Optimum Playing Position and Support for Your Body Type). DVD. DVD. Published by Hal Leonard

Composed, compiled, arr. and ed. William Starr. For Violin Ensemble, or with Viola and/or Cello. String Ensemble (Suzuki). 56 pages. Published by Alfred Publishing.

Score

SKU: HL.14034101

For Violin, Viola and Cello Score. Composed by Niels Viggo Bentzon. Music Sales America. Book Only. Edition Wilhelm Hansen #KP01193. Published by Edition Wilhelm Hansen (HL.14034101).

Danish.

For Violin, Viola and Cello. Composed by Justus Johann Friedrich Dotzauer. Edited by Bernhard Pauler. Score and parts. Published by Amadeus Verlag (M7.BP-1502).