Handy Guide. Composed by Morton Manus. This edition: Handy Guide. Guitar Method or Supplement. Book. 48 pages. Alfred Music #00-358. Published by Alfred Music

Resources; Ukulele Method or Supplement. Alfred Handy Guides. Reference, Chords and Learn To Play. Reference book. With instructional text, illustrations and ukulele chord diagrams. 48 pages. Alfred Music #00-423. Published by Alfred Music

The Player's Guide to Guitars, Amps, and Effects (Handy Guide). Composed by Tobias Hurwitz. This edition: Handy Guide. Guitar Reference; Reference Textbooks. Book. 56 pages. Alfred Music #00-18423. Published by Alfred Music

By Brendan Taafe. Edited by Mary Larsen. For Fiddle. Solos. Celtic/Irish. Intermediate. Book. 60 pages. Published by Mel Bay Publications, Inc

Banjo Chord Dictionary. (Handy Guide). By Dick Weissman. For Other Fretted. Banjo Method or Supplement. Book. 48 pages. Published by Alfred Music Publishing

By L.C. Harnsberger. Textbook - General. Essential Dictionary Series. Handy Guide Book. 160 pages. Published by Alfred Publishing.

By Rob Nockowitz. For Guitar. ISBN 1-58560-494-1. There are three main uses of this Handy Guide. The "gigging musician" will benefit from all the popular licks and can draw on this information as you would with an encyclopedia. For example, if you need a Classic Rock lick for your evening gig, simply turn to the Classic Rock section and transpose one of the licks into the desired key. For the student, just bring this guide to one of your lessons and have your teacher walk you through the licks and offer additional suggestions. For the guitar instructor, Portable Alternative Rock Licks is a fantastic resource for teaching your students popular sounding licks without having to spend countless hours transcribing them on your own. Now you can spend that extra time playing these licks and sharing in the excitement with each of your students. Here's an example of the types of licks we've already transcribed for you; Classic Rock Licks / Heavy Metal Licks / Alternative Licks This is just one of the many "case-style" chord books available from Santorella Publications.

By Morton Manus. For Electronic Keyboard. Electronic Keyboard. Handy Guide Book. 48 pages. Published by Alfred Publishing.

Scales and Modes for Bass. (Handy Guide). By Steve Hall and Ron Manus. For Bass Guitar. Bass Guitar Method or Supplement. Book. 32 pages. Published by Alfred Music Publishing

Mandolin

SKU: HL.14020489

Compact Reference Library. Composed by James Major. Music Sales America. Chords and Reference. Reference book (softcover). With chord names and mandolin chord diagrams. 41 pages. Music Sales #AM34729. Published by Music Sales (HL.14020489).

ISBN 9780825622960. UPC: 752187347293. 9x12 inches.

The most useful chord book yet developed for the mandolin player is always handy with clear readable chord diagrams grouped by key for easy, speedy reference.

By W.C. Handy (1873-1958). Arranged by Gary D. Ziek. For brass quintet (2 Bb Trumpet, Horn in F, Trombone, Tuba). Grade 4 . Published by Kendor Music Inc

By Morton Manus. For Guitar. Guitar Method or Supplement. 0. Handy Guide Book. 48 pages. Published by Alfred Publishing.

Full orchestra Bassoon 1, Bassoon 2, Clarinet 1, Clarinet 2, Contrabass, Crash Cymbals, Flute 1, Flute 2, Glockenspiel, Harp, Horn 1, Horn 2, Horn 3, Oboe 2, Percussion 1, Percussion 2, Piccolo, Suspended Cymbal, Timpani, Trombone 1, Trombone 2, Trumpet 1 and more.

SKU: CF.SC88

Composed by William Grant Still. Full score. 32 pages. Duration 9 minutes, 20 seconds. Carl Fischer Music #SC88. Published by Carl Fischer Music (CF.SC88).

ISBN 9781491158845. UPC: 680160917563.

William Grant Stillas catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 aAfro-Americana by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Stillas orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the aDean of Afro-American Composers.a Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Stillas interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
William Grant Still's catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 Afro-American by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still's orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals. This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the Dean of Afro-American Composers. Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still's interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.
William Grant Still’s catalog of works comprises over 200 pieces, including five symphonies, nine operas, four ballets and numerous works for chamber ensembles. He initially found employment as an oboist in pit orchestras in New York City, later as an arranger of popular music for various ensembles, including those by William C. Handy, James P. Johnson and Paul Whiteman. His career as a composer was launched with a performance in 1931 of his Symphony No. 1 “Afro-American” by the Rochester Philharmonic, conducted by Howard Hanson, who would remain a life-long champion of Still’s orchestral works. By the 1950s the symphony had been performed in New York, Chicago, Los Angeles and various European capitals.This notoriety earned Still a Guggenheim Fellowship in 1934, after which he moved to Los Angeles. He is credited as the first African-American to conduct a major orchestra (the Los Angeles Philharmonic Orchestra), the first to have an opera performed by a major company (Troubled Island by the New York City Opera in 1949), and one of the first composers to write for radio, films and television. So numerous were his awards and accolades, including three Guggenheim Fellowships and a variety of honorary doctorates, that he was designated as the “Dean of Afro-American Composers.”Still composed his Serenade for Orchestra in 1957 on a commission by the Great Falls High School in Great Falls, Montana. He later transcribed the work for a chamber ensemble of flute, clarinet, harp and strings. The piece reflects Still’s interest in American folk idioms, with conventional melodies and harmonies that nonetheless express a fresh and individual compositional voice.

By William Bay. For Guitar (All). Chord book. All styles. Level: Multiple Levels. Book. Size 5.5x8. 96 pages. Published by Mel Bay Publications, Inc.