SKU: WD.080689314575

UPC: 080689314575.

About Coronation Series

Coronation Series Instrumentation:
Woodwinds: 2 Flute, Oboe, 2 Clarinet, Bass Clarinet (doubles Tuba), Alto Sax (doubles French Horn), Tenor Sax/Baritone T.C. (doubles Trombone,) - All charts released since 3/1/02 include a Bari Sax part that doubles Tuba.
Brass: 2 French Horn, 3 Trumpet, 3 Trombone, Tuba
Percussion:Percussion
Strings: 2 Violin*, Viola* Cello/Bassoon, String Bass
*simplified parts included
Additional Parts: Harp, Rhythm, String Reduction

SKU: HP.8978

UPC: 763628189785.

Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!

A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM.

SKU: HP.8974

UPC: 763628189747.

Christmas Musical The message of Christmas is a message of joy - and becomes the central theme that is woven throughout this 37-minute musical by Lloyd Larson. Easily learned, this work contains eight selections of both new and familiar carols and spirituals, including Keith Getty's powerful song, 'Joy Has Dawned. ' The work is dynamically arranged for SATB choirs and orchestra, and is filled with the joy of the season, which congregations will find appealing, as the message embraces the hope that we have in both the good days and the bad - that joy has dawned upon the world - giving us something to celebrate!

A Christmas musical composed & arranged by Lloyd Larson, orchestrated by Ed Hogan. Included parts: Conductor's Score, 2 Flutes, Oboe (or Soprano Sax or Clarinet)*, 2 Clarinets, Bassoon (or Bass Clarinet)*, 3 Horns (or Alto Sax or Clarinet)*, 3 Trumpets (or Alto Sax)*, 2 Trombones (or Tenor Sax or Baritone T.C.)*, Tuba, Percussion, Harp, Piano, 2 Violins, Viola (or Clarinet)*, Cello, Double Bass/Electric Bass, String Reduction, *Alternate Parts on CD-ROM.

SKU: WD.080689188473

UPC: 080689188473.

SKU: HP.C6141C

UPC: 763628961411. By Kirk Franklin.

Spiritual by Kirk Franklin The music of Kirk Franklin is synonymous with the heart of worship in the African-American Church, and Joel Raney has set this powerful resurrection song as authentically as possible, maintaining its soulful, gospel style. The buildup from beginning to end is sure to enrapture all in the message Don't cry, wipe your eyes, he is not dead! If you enjoyed Revelation 19 and Order My Steps, previously published in our catalog, then you won't want to miss this one. Orchestrations: Conductor's Score, Horn (or Alto Sax or Clarinet), 2 Trombone (or Tenor Sax or Baritone T. C. ), Percussion, Piano, Synth (Vintage Rhodes), Electric Guitar (or Capo Guitar), Electric Bass, Drums, Violins 1 & 2, Viola (or Clarinet), Cello/Bassoon (or Bass Clarinet). Double Bass and String Reduction.

SKU: HL.49042434

ISBN 9783795794491. 10.25x13.5x1.141 inches. German.

Carl Maria von Weber's fame rests mainly on 'Der Freischutz'. The unprecedented success of this opera overshadowed all his other works and contributed to their increasing fall into oblivion. Certain works such as 'Preciosa', 'Oberon', and 'Euryanthe', the overtures, solo concertos and piano sonatas, the lieder and chamber works enjoyed great popularity and were widely known in Germany and abroad as late as the second half of the 19th century. However, any chance of a revival of Weber's influential and substantial oeuvre was wasted in the 1920s, when a complete edition - begun by Hans Joachim Moser and with potential contributors including Wilhelm Kempff, Hans Pfitzner, Max von Schillings, Fritz Stein and Richard Strauss - failed after the third volume.Ever since there have been numerous attempts to restart a complete edition of Weber's works, but as this kind of project would have required the co-operation of scholars from both sides of the inter-German border, the political situation after 1945 was not conducive to any such enterprise. Careful negotiations led to the first tangible steps in the 1980s. The intention, right from the beginning, was to place Weber's work in context, and not to separate his musical output from his influential work as a writer, critic and organiser in the musical field, but to publish his compositions together with his letters, diaries and other literary output as the best way to document the cross-fertilisation between his musical, literary and practical activities.Since the German re-unification both working-parties concerned - at the Staatsbibliothek zu Berlin, and at the Musikwissenschaftliches Seminar, Detmold/Paderborn - have co-operated on the complete edition of the musical works (c. 45 volumes in 10 series: sacred music; cantatas, odes and other occasional works; stage works; lieder and vocal works; orchestral works; chamber music; music for piano; piano reductions; miscellanea, arrangements and orchestrations; works of doubtful attribution). The diaries (6-8 vols.) are edited in Berlin and the letters (8-10 vols.) and other writings (2 vols.) in Detmold. This complete edition aims to be a reliable basis of scholarly debate as well as for the authentic performance practice of Carl Maria von Weber's music. Conforming to the standards of recent historico-critical editions, the textual material will be based on all available authentic sources, accompanied by a detailed documentation of the genesis and a list of variants for each work. The musicological importance of the works will be evaluated by placing them in their historical context, the presentation of their genesis, history and Critical Commentaries. The letters, writings and diaries will be treated as inter-related and relevant to each other in the commentaries, therefore readers should benefit from a wealth of concise information and cross-references.