SKU: M7.BP-1254

ISBN 9790015125409.

Endlich können sich an diesem bisher unveröffentlich gebliebenen Schwesterwerk zur grossen C-Dur-Sonate (Amadeus BP 2581) alle Bratscher gütlich tun: ein Feuerwerk an Technik und Gesang.

SKU: TM.00925SC

Clarinets in A. Solo.

SKU: BR.EB-10787

In Cooperation with G. Henle VerlagEB 10787 is printed in score form; two copies are needed for performance.Our edition EB 8579 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C majo. Solo concerto; Classical. Piano reduction. 68 pages. Duration 28'. Breitkopf and Haertel #EB 10787. Published by Breitkopf and Haertel (BR.EB-10787).

ISBN 9790201807874. 9.5 x 12 inches.

Composed under pressure, edited in peace: K. 491In spring 1786 Mozart was under pressure: he had only two weeks between the composition and first performance of the C-minor Piano Concerto K. 491. It is no wonder that the autograph was written very hastily and the piano part occasionally only sketched. Mozart, who played the solo part at the premiere, still thought about it later. During subsequent revisions of the piano part, he caused a certain amount of confusion through corrected versions and parallel versions. Editor Ernst Herttrich thus faced great challenges when preparing the Breitkopf Urtext edition, especially since printed editions were only published posthumously. But since they contain readings that play an important role in the reception of the work, they were included in the new edition as variants.

SKU: HL.50482136

UPC: 073999828047. 0.087 inches.

SKU: BT.AMP-322-010

9x12 inches. English-German-French-Dutch.

Named after the leaf displayed on Canada’s flag, Maple Leaf Overture was composed specifically to open a Canadian school’s symphonic band tour of England. A short fanfare during the overture smoothly transitions to a jazzy, syncopated section. The main theme is first played by the horns and saxophones, and then by the entire ensemble. This lively theme then alternates with a slower second theme, building momentum before a brisk coda culminates in a rousing finale!

Maple Leaf Overture gaat natuurlijk over het bekendste herkenningsteken van Canada: het blad van de esdoorn, in de vlag. Sparke componeerde dit openingswerk speciaal voor een Canadees schoolorkest uit Calgary, voor hun tour door Groot-Brittannië.Een korte fanfare gaat in deze ouverture naadloos over in een jazzachtig, syncopisch vivo. Eerst nemen de hoorns en saxofoons het hoofdthema voor hun rekening. Daarna speelt het hele orkest dit thema. Spanning ontstaatwanneer het snelle hoofdthema een langzaam tweede deel afwisselt. Daarna keert het snelle hoofdthema weer terug. Een snel coda beëindigt de ouverture. Maple Leaf Overture: feestelijk en sprankelend!

Maple Leaf Overture trägt das kanadische Wahrzeichen, das Ahornblatt im Titel. Eine kurze Fanfare geht in dieser Ouvertüre nahtlos in eine jazzig synkopiertes Vivo über. Das Hauptthema dürfen erst die Hörner und Saxophone vorstellen, dann spielt das gesamte Blasorchester. Es entsteht Spannung durch den Wechsel zwischen dem schnellen Hauptthema, einem langsameren zweiten Thema und zurück, bevor eine schnellere Coda das Werk beendet.

Maple Leaf Overture porte l’emblème du Canada (la feuille d’érable) jusque dans son titre… Ce morceau, composé par Philip Sparke, a été joué par l’Orchestre Symphonique du Lycée de Calgary dans le cadre de sa tournée en Angleterre. La pièce s’ouvre avec une fanfare maestoso, puis un passage en tempo vivo introduit peu peu des rythmes syncopés de style jazzy. Un motif plus doux nous conduira progressivement vers un apogée où le thème central réapparaît. Le morceau se termine par une brève référence la fanfare d’ouverture, suivie d’une rapide coda.

Maple Leaf Overture, il cui titolo riporta all’emblema della bandiera canadese (la foglia di acero), è un brano commissionato a Philip Sparke dall’Orchestra Sinfonica di un liceo di Calgary che l’ha eseguita in occasione di una serie di concerti tenutisi in Inghilterra. Il brano apre con una fanfara maestosa che alterna fraseggi affidati alle varie sezioni della banda. Questa successione omogenea in un tempo vivo introduce progressivamente ritmi sincopati in stile jazz. Un tema principale, all’inizio eseguito dai corni e dai sassofoni, sar in seguito ripreso da tutto l’organico. Segue un motivo più dolce che si intercala progressivamente verso un’apoteosi nella qualeviene riproposto il tema principale. Il brano si conclude con un breve richiamo alla fanfara di apertura, seguita da una rapida coda.