Orchestra SATB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 2 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, double bass

SKU: CA.4008705

Kronungsmesse. Composed by Luigi Cherubini. Edited by Oliver Schwarz-Roosmann. Kronungsmesse In G. Sacred vocal music, Masses, Latin. Choral Score. Composed 1819. 28 pages. Duration 45 minutes. Carus Verlag #CV 40.087/05. Published by Carus Verlag (CA.4008705).

ISBN 9790007130442. Key: G major. Language: Latin.

A special charm of the mass is the fact that it dispenses with soloists. In this mass, exemplary for Cherubini's church music is the richness of color in the treatment of the orchestra, as well as in the choral parts, and the expressiveness of the dynamic nuances. Score available separately - see item CA.4008700.

SATB vocal soli, SATB choir, 2 flutes, 2 oboes/oboe d'amore, 2 horns, 3 trumpets, timpani, 2 violins, viola, basso continuo

SKU: CA.3119505

Wedding cantata. Composed by Johann Sebastian Bach. Edited by Uwe Wolf. Stuttgart Urtext Edition: Bach vocal. Dem Gerechten Muss Das Licht Immer Wieder. Sacred vocal music, Cantatas, Wedding. Choral Score. BWV 195. 20 pages. Duration 16 minutes. Carus Verlag #CV 31.195/05. Published by Carus Verlag (CA.3119505).

ISBN 9790007181383. Text language: German/English.

The Hochzeitskantate (Wedding Cantata) BWV 195 was performed by Bach from around 1730 at various wedding celebrations in different forms, and was evidently also lent out for performances further afield. The only surviving version of the work dates from the last years of Bach's life. The opulently-scored first part begins and ends with grand choral movements, and Bach scored both parts for soloists and for chorus. At the centre of the cantata is an exceptionally sensitive bass aria, probably one of Bach's most modern vocal compositions of all. A chorale movement (Nun danket all and bringet Ehr/ Now thank we all and offer praise) with obbligato horns concludes the cantata as the second part after the consummation. Score available separately - see item CA.3119500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731519

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. German title: Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Set of Orchestra Parts. CG op. Posth. Duration 35 minutes. Carus Verlag #CV 27.315/19. Published by Carus Verlag (CA.2731519).

ISBN 9790007137366. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and parts available separately - see item CA.2731500.

Full orchestra

SKU: LO.30-3733L

Composed by Joel Raney. Arranged by Ed Hogan. Choral, cantatas. Advent, Christmas, Sacred. CD with printable parts. Lorenz Publishing Company #30/3733L. Published by Lorenz Publishing Company (LO.30-3733L).

UPC: 000308154610.

CD with Printable Parts for 65/2106L Joel Raney calls on Celtic musical traditions and instrumentation to deliver a refreshing sound for Christmas! The orchestration by Ed Hogan incorporates Irish flutes, drums, acoustic guitar, and fiddle to paint vivid imagery of a beautifully lush and green Irish countryside. Familiar Christmas carols appear, as do some familiar Christmas texts set to beloved Irish and Welsh folk songs. An ethereal opening sets the stage before breaking into an exuberant rendition of I Saw Three Ships. Come, Thou Long-Expected Jesus; Away in a Manger; Gentle Mary Laid Her Child; and the beloved Angels We Have Heard on High all make appearances as the work progresses, culminating with a rhythmic re-imagining of O Come, All Ye Faithful set to the traditional Scottish melody Loch Lomond. One of the highlights of this musical is O Holy Night, written for soloist and choir and set to the timeless tune, LONDONDERRY AIR. Present the Christmas story in a uniquely captivating way with this imaginative work!

(Vesperae Beatae Mariae Virginis). Composed by Claudio Monteverdi (1567-1643). For soloists (SSATTB), mixed choir, 2 Flutes, 3 Cornets, 3 Trombone, bassoon, strings and basso continuo. Score. 224 pages. Published by Moseler Verlag

SATB vocal soli, SATB choir, 2 flutes, 2 oboes, 2 violins, viola, basso continuo

SKU: CA.3116413

Cantata for the 13th Sunday after Trinity. Composed by Johann Sebastian Bach. Edited by Frieder Rempp. Arranged by Paul Horn. This edition: urtext. Stuttgart Urtext Edition: Bach vocal. Viola. Sacred vocal music, Cantatas, Whitsun. Single Part, Viola. Composed 1725. BWV 164. 4 pages. Duration 17 minutes. Carus Verlag #CV 31.164/13. Published by Carus Verlag (CA.3116413).

ISBN 9790007209049. Text language: German/English.

This six-movement cantata was performed for the first time on 26 August 1725 in Leipzig. The text was written by Bach's Weimar cantata poet Salomon Franck and had been published earlier in 1715 in his collection Evangelisches Andachts-Opffer. Here, Bach bases his work around the form of the Weimar cantatas which take their texts from Franck's printed collection (BWV 132, 152, 161-163, 165): movements 1-5 are performed by vocal soloists, whilst only the final chorus is given to the chorus. The key concepts of the text are Barmherzigkeit [compassion], Erbarmen [mercy] and wahre Christenliebe [true Christian love]; the chamber music arrangement of the cantata corresponds with this. The two arias for tenor and alto, and the duet for soprano and bass do not contain da capo sections, but repeat the entire text in a condensed form. The instruments do not contrast as a rule, but are treated as a string group (movements 1, 4), duetting (movement 3), and as full unison (movement 5). What is remarkable in all three movements is the thematic linking of the instrumental ritornello parts with the vocal parts through which Bach achieves a kind of unity of form. Score and part available separately - see item CA.3116400.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731512

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin 2. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/12. Published by Carus Verlag (CA.2731512).

ISBN 9790007201708. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731511

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Violin. CG op. Posth. 12 pages. Duration 35 minutes. Carus Verlag #CV 27.315/11. Published by Carus Verlag (CA.2731511).

ISBN 9790007201692. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.

Orchestra SSAA/TTBB choir, 2 flutes, 2 oboes, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, timpani, 2 violins, viola, cello, contrabass - Grade 3

SKU: CA.4007405

When Israel came from Egypt's land. Composed by Felix Bartholdy Mendelssohn. Edited by Oswald Bill. This edition: urtext. Stuttgart Urtext Edition: Mendelssohn. Der 114.Psalm/Da Israel Aus Agypten. Sacred vocal music, Psalms, German, Praise and thanks, Psalms. Choral Score. Composed 1839. Op. 51, MWV A 17. Duration 12 minutes. Carus Verlag #CV 40.074/05. Published by Carus Verlag (CA.4007405).

ISBN 9790007060848. Language: German/English.

The Psalms inspired Mendelssohn throughout his working life, and, aside from a cappella settings, he left behind five great orchestral Psalms. One of the most impressive works is certainly the monumental Psalm 114, which is entirely for 8-voice choir without soloists. Score available separately - see item CA.4007400.

Orchestra SATB vocal soloists, SATB choir, 2 flutes, 2 oboes, english horn, 2 clarinets, 2 bassoons, 4 horns, 2 trumpets, 3 trombones, tuba, timpani, bass drum, harp, percussion, 2 violins, viola, cello, contrabass, organ

SKU: CA.2731514

Composed by Charles Francois Gounod. Edited by Barbara Grossmann. This edition: urtext. Stuttgart Urtext Edition: Urtext Editions; French Sacred Music. Requiem (Gounods Letztes Werk). Sacred vocal music, Requiem, End of the church year, Mourning, death. Single Part, Cello. CG op. Posth. 8 pages. Duration 35 minutes. Carus Verlag #CV 27.315/14. Published by Carus Verlag (CA.2731514).

ISBN 9790007201722. Key: C major. Language: Latin.

Charles Gounod composed this Requiem under the impact of the death of his four-year-old grandson, Maurice. According to information handed down, while finishing the details of this work he was overtaken by death. It was published posthumously in various constellations by his pupil, Henri Busser, but the only complete version from the pen of Gounod is the version for large orchestra, which is published here for the first time in a critical edition. Gounod's Requiem, unlike many contemporary settings of the Mass of the Dead, is not characterized by darkness and terror. Rather, with all of its trepidation - expressed through a marked chromaticism - an atmosphere of hopeful expectation, of trust in the grace and equity of the divine judge predominates. This confidence finds its expression in the choice of the fundamental key of C major, which is rather unusual for a requiem. The work was given an impressive performance on the occasion of the first anniversary of Gounod's death in the Parisian church of Sainte-Madeleine under the direction of Gabriel Fauré and it was highly acclaimed by the contemporary press. Score and part available separately - see item CA.2731500.