Composed by Robert Lopez and Kristen Anderson-Lopez. Instrumental Play-Along. Children, Disney, Movies. Softcover Audio Online. 12 pages. Published by Hal Leonard

Frozen II. Alto Sax. Composed by Robert Lopez and Kristen Anderson- Lopez. Instrumental Play- Along. Children, Disney, Movies. Softcover Audio Online. 12 pages. Published by Hal Leonard

Frozen II. Horn. Composed by Robert Lopez and Kristen Anderson- Lopez. Instrumental Play- Along. Children, Disney, Movies. Softcover Audio Online. 12 pages. Published by Hal Leonard

Frozen II. Viola. Composed by Robert Lopez and Kristen Anderson- Lopez. Instrumental Play- Along. Children, Disney, Movies. Softcover Audio Online. 12 pages. Published by Hal Leonard

(Choral Highlights). Composed by Robert Lopez and Kristen Anderson-Lopez. Arranged by Mac Huff. Disney Choral. Collection, Disney, Medley, Movies, Musicals, Show Choir, Winter. Octavo. 44 pages. Published by Hal Leonard

(Choral Highlights). Composed by Robert Lopez and Kristen Anderson-Lopez. Arranged by Mac Huff. Disney Choral. Collection, Disney, Medley, Movies, Musicals, Show Choir, Winter. Octavo. 44 pages. Published by Hal Leonard

Mezzo-Soprano voice and Piano

SKU: C4.9790902261081

Composed by Jeremy Woodside. Classical. Score. Crescendo Music Publications #9790902261081. Published by Crescendo Music Publications (C4.9790902261081).

ISBN 9790902261081. 8.27 x 11.7 inches.

Wonderfully evocative and emotive, Jeremy Woodside's settings of five of Ruth Dallas's beautiful poems brings nature into sharp focus. Weighty and flighty, imaginative and thoughtful, this cyclespans a wide palette of colour, feeling and perspective.

Piano duets (solo: pno - 2(picc).2.2.2 - 2.2.1.0 - timp - str)

SKU: BR.EB-8901

Composed by Hans Gal. Solo instruments; Softbound. Edition Breitkopf. Solo concerto; Early modern; Music post-1945. Piano reduction. 100 pages. Duration 34'. Breitkopf and Haertel #EB 8901. Published by Breitkopf and Haertel (BR.EB-8901).

ISBN 9790004185292. 9 x 12 inches.

The composition of works for solo piano runs through Hans Gal's entire oeuvre. Like all of the piano reductions for his operas, cantatas and solo concertos, the piano reduction of the Piano Concerto Op. 57 was written by the composer himself. First performed in Bournemouth in 1949, the Piano Concerto fell into oblivion after 1959, only to be performed again in 2009 by Hartmut Hudezeck for the first time in 50 years. The chamber-musical texture of the Piano Concerto - each part literally plays a role and has an independent contrapuntal function makes rehearsing with the aid of the piano reduction virtually indispensable. The present critical new edition was prepared by Anthony Fox with the essential support of Hartmut Hudezeck, who, thanks to his practical performance experience and his expertise in the field, was able to address not only questions of content but also of performance practice. Moreover, the edition benefits from Sarah Beth Briggs's annotations, who first recorded the work with the Royal Northern Sinfonia under the baton of Kenneth Woods on CD. The Concerto is notable for its tightly organized musical material shared equally between soloist and orchestra: ...attractive and accessible... (Erik Levi, BBC Music Magazine).