| Concerto Violin Theodore Presser Co.
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, ...(+)
Orchestra Bass Trombone, Bassoon 1, Bassoon 2, Celesta, Clarinet 1, Clarinet 2, Contrabass, English Horn, Flute 1, Flute 2, Harp, Horn 1, Horn 2, Horn 3, Horn 4, Oboe 1, Oboe 2, Percussion, Piccolo, Timpani, Trombone, Trumpet 1, Trumpet 2, Viola, Violin 1 and more. SKU: PR.41641366L For Violin and Orchestra. Composed by Behzad Ranjbaran. Contemporary. Large Score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366L. Published by Theodore Presser Company (PR.41641366L). UPC: 680160585755. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violins open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movements primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violinas open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movementas primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notion of writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures. The notes of the violin's open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes: 1 st movement: A-D-A 2nd movement: D-G-D 3rd movement: E-A-E The overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement's primary theme. While the movements share similar musical materials, each one is defined by distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgiving ferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes from the previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. $180.00 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
| Concerto Concert band Theodore Presser Co.
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra....(+)
Orchestra Concert Band SKU: PR.416413660 For Violin and Orchestra. Composed by Behzad Ranjbaran. Perfect. Contemporary. Full score. With Standard notation. Composed 1994. 144 pages. Duration 31 minutes. Theodore Presser Company #416-41366. Published by Theodore Presser Company (PR.416413660). ISBN 9781598063578. UPC: 680160601899. 9x12 inches. Trained as a violinist in his native Tehran, composer Behzad Ranjbaran eagerly drew inspiration from the traditional Persian kamancheh and its delicate, lyrical sound when creating his profoundly luscious and brilliant Concerto for Violin and Orchestra. This work was completed in 1994 and premiered in England by Joshua Bell, who also gave the first American and Canadian performances. The Concerto for Violin and Orchestra is the recipient of the Rudolf Nissim Award from ASCAP, and it was supported in part by a grant from The National Endowment for the Arts. The solo part with a piano reduction as well as a large score are available on custom print. For advanced players. Duration: 31'. From my early years studying violin at the Tehran Music Conservatory, I was captivated by the sound of the kamancheh, an ancient Persian bowed instrument considered one of the ancestors to the modern violin. I was pleased when the National Endowment for the Arts awarded me a grant to write a violin concerto as it provided me with an occasion to rekindle my fascination with the kamancheh. The notionof writing a violin concerto that would incorporate the power and brilliance of a modern instrument with the delicate and lyrical character of an ancient one was simply irresistible. Moreover, the inspiration from the kamancheh also informed my use of Persian modes, melodic, and rhythmic figures.The notes of the violin’s open strings (G, D, A, E) also influenced many of the melodic and harmonic elements of my violin concerto. The opening tutti is mostly based on intervals of a perfect 4th and 5th. The primary material for each movement incorporates notes of two of the open strings of the violin, creating a three-note melodic motif as the basis of themes:1 st movement: A-D-A2nd movement: D-G-D3rd movement: E-A-EThe overall structure of the concerto is organic and cyclical, as themes are shared between the three movements. For example, the main musical idea of the third movement is a transformation of the first movement’s primary theme. While the movements share similar musical materials, each one is definedby distinguishing characters. The first movement is conflicted; alternating between sections of unabashed lyricism and unforgivingferocity. The second movement is haunting, mysterious, and expressive with long melodic lines that vary continuously. It moves through different moods and characters including a reimagining of a traditional Persian wedding tune played by the orchestra (m. 98). The third movement is festive in character and features much brilliant passagework for the solo violin. At the climax of this movement, themes fromthe previous movements re-emerge simultaneously with greater intensity, propelling the concerto to an energetic finale. The Concerto was composed in 1994 and is dedicated to Joshua Bell. $55.00 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Aaron Jay Kernis - Air (Flute / Piano) Flute and Piano - Advanced Associated
for Flute and Piano. By Aaron Jay Kernis. Woodwind Solo. Size 9x12 inches. 14 pa...(+)
for Flute and Piano. By Aaron Jay Kernis. Woodwind Solo. Size 9x12 inches. 14 pages. Published by Associated Music Publishers, Inc.
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ladies in Lavender for Violin and Piano Violin and Piano Faber Music Limited
By Nigel Hess (1953-). For violin and piano. String - Violin and Piano. Faber Ed...(+)
By Nigel Hess (1953-). For violin and piano. String - Violin and Piano. Faber Edition. Movies. Published by Faber Music
(2)$10.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Asia and More 2 Violins (duet) [Sheet music] Universal Edition
(Violin Duets). By Aleksey Igudesman. For 2 Violins. World Music. 51 pages. Publ...(+)
(Violin Duets). By Aleksey Igudesman. For 2 Violins. World Music. 51 pages. Published by Universal Edition
$23.95 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Ladies In Lavender Fantasy Vln/Pno Violin and Piano Faber Music Limited
Violin, Piano SKU: HU.F0571537316 For Violin and Piano. Composed by Nigel Hess....(+)
Violin, Piano
SKU: HU.F0571537316
For Violin and Piano. Composed by Nigel Hess. Strings, Repertoire, Solos. Ladies in Lavender: Fantasy. Softcover Book. 12 pages. Faber Music #F0571537316. Published by Faber Music
$17.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 weeks | | |
| Meditation from the Opera Thais for String Orchestra String Orchestra [Score and Parts] - Easy Southern Music Ltd
Score and Parts. Composed by Jules Massenet (1842-1912). Arranged by Lauren ...(+)
Score and Parts. Composed by
Jules Massenet (1842-1912).
Arranged by Lauren Keiser.
Southern Music. Classical.
Softcover. Southern Music
Company #SO119C. Published by
Southern Music Company
$40.00 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fantasy from Ladies in Lavender Violin and Piano - Intermediate Faber Music Limited
By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Pia...(+)
By Nigel Hess (1953-). For Violin. Part(s); Score; Solo; String - Violin and Piano. Faber Edition. 20th Century; Masterwork; Movie. Advanced; Intermediate. Published by Faber Music
$11.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| Succeed as a String Player [Sheet music] String Letter Publishing
Teen Strings Shows You How. String Letter Publishing. Softcover. 154 pages. Publ...(+)
Teen Strings Shows You How. String Letter Publishing. Softcover. 154 pages. Published by String Letter Publishing.
$16.95 - See more - Buy onlinePre-shipment lead time: 3 to 5 business days | | |
| The Folksong Fake Book - C Edition
Fake Book [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Folk. Series: Hal Leonard Fake Books. 536 pages. 9.6x12 inches. Published by Hal Leonard.
(10)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Fake Book Of The World's Favorite Songs - C Instruments - 4th Edition
C Instruments [Fake Book] Hal Leonard
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chor...(+)
For voice and C instrument. Format: fakebook. With vocal melody, lyrics and chord names. Traditional pop and vocal standards. Series: Hal Leonard Fake Books. 424 pages. 9x12 inches. Published by Hal Leonard.
(14)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Ring With 6: Year-Round II Handbells [Sheet music] Hope Publishing Company
(Music for 6 Ringers). Arranged by Martha Thompson. For 12 Bells, 3-6 Ringers wi...(+)
(Music for 6 Ringers). Arranged by Martha Thompson. For 12 Bells, 3-6 Ringers with optional handchimes. This edition: Complete. Collection. Ring with 6 Series. General Worship, Sacred. Handbell score. 24 pages. Published by Hope Publishing Company
$39.95 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Joshua Fit The Battle Handbells Hope Publishing Company
Arranged by Thomas Gregory. General Worship, Sacred. Handbell score. 8 pages. P...(+)
Arranged by Thomas Gregory. General Worship, Sacred. Handbell score. 8 pages. Published by Hope Publishing Company (HP.2788).
$6.25 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| Rise Up Singing
Lyrics and Chords [Sheet music] Hal Leonard
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Pu...(+)
The Group Singing Songbook. By Various. Vocal. Size 9.5x12 inches. 281 pages. Published by Hal Leonard.
(1)$39.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Rise Up Singing Lyrics and Chords [Sheet music] Hal Leonard
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages...(+)
Arranged by Peter Blood, Annie Patterson. Vocal. Size 7.5x10.5 inches. 283 pages. Published by Hal Leonard.
(1)$34.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| How Firm a Foundation/Simple Gifts Handbells Hope Publishing Company
Handbells 3-6 octave handbell choir 3-7 octave handbell choir - Level 2 - 3 S...(+)
Handbells 3-6 octave handbell choir 3-7 octave handbell choir - Level 2 - 3 SKU: HP.2183 Arranged by Susan T. Nelson. General Worship, Sacred. Handbell score. Hope Publishing Company #2183. Published by Hope Publishing Company (HP.2183). UPC: 763628121839. 1 Corinthians 3:11, 2 Timothy 2:19, Jeremiah 29:11, Psalms 42:5, 1 Peter 4:12, 2 Corinthians 12:9, Genesis 26:24, Hebrews 13:5, Isaiah 43:1-5, Joshua 1:5-9, Romans 8:37-39. Medley of hymn tunes Lots of special techniques enhance the flavor and add challenge for your ringers. How Firm A Foundation/Simple Gifts Medley employs both hymn tunes, skillfully interwoven throughout in this highly orchestral, multi-textural arrangement. It is scored for 3-7 octaves of handbells with OPTIONAL 3-4 octaves of handchimes, plus optional 3-4 octaves of handchimes, plus optional 2-3 octaves of Petit & Fritsen or Silver Melody Bells. An orchestral bell (tubular) part is added which can substitute for the alternate bells if they are not available. This setting also sports a bell tree (Simple Gifts) in the upper 5th octave. A glockenspiel part is provided especially for 3 and 4 octave choirs, which duplicates the bell tree part. $6.50 - See more - Buy onlinePre-shipment lead time: 4 to 6 business days | | |
| E-Z Play Today #199 - Jumbo Songbook
Piano, Vocal and Guitar [Sheet music] - Beginner Hal Leonard
Keyboard/vocal/chords songbook for voice and keyboard. With lyrics, chord names,...(+)
Keyboard/vocal/chords songbook for voice and keyboard. With lyrics, chord names, big note notation and registration guide. Series: Hal Leonard E-Z Play Today. 488 pages. Published by Hal Leonard.
(6)$19.95 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jumbo Easy Guitar Songbook Guitar notes and tablatures Classical guitar [Sheet music] - Easy Hal Leonard
Performed by Various. Easy Guitar (Simplified arrangements for guitar). With not...(+)
Performed by Various. Easy Guitar (Simplified arrangements for guitar). With notes and tablature. Size 9x12 inches. 400 pages. Published by Hal Leonard.
$24.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Jumbo Songbook Organ Hal Leonard
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electroni...(+)
(E-Z Play Today #199). Composed by Various. For Organ, Piano/Keyboard, Electronic Keyboard. E-Z Play Today. Softcover. 528 pages. Published by Hal Leonard
$29.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Huge Book of Really Easy Melodies for Guitar in TAB Guitar notes and tablatures Classical guitar - Easy Alfred Publishing
(The Most Famous Melodies of All Time Arranged for Easy Guitar). For Guitar. Thi...(+)
(The Most Famous Melodies of All Time Arranged for Easy Guitar). For Guitar. This edition: Easy Guitar TAB. Book; Guitar Mixed Folio; Guitar TAB; Solo Guitar TAB (EZ/Int). 288 pages. Published by Alfred Music Publishing
$25.99 - See more - Buy onlinePre-shipment lead time: 1 to 2 weeks | | |
| The Daily Ukulele - Baritone Edition Baritone Ukulele Hal Leonard
Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcove...(+)
Arranged by Jim Beloff and Liz Beloff. For Baritone Ukulele. Fake Book. Softcover. 336 pages. Published by Hal Leonard
$49.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Autoharp: Complete Method And Music Autoharp Ashley Publications
Autoharp Complete Method. For Autoharp. Ashley Publications. Theory. 96 pages. A...(+)
Autoharp Complete Method. For Autoharp. Ashley Publications. Theory. 96 pages. Ashley Mark Publishing Company #AS10462. Published by Ashley Mark Publishing Company
$12.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Songs of Yale Schirmer
Voice and Piano. By Various. Arranged by Marshall Bartholomew. Choral. Size 7.5x...(+)
Voice and Piano. By Various. Arranged by Marshall Bartholomew. Choral. Size 7.5x10.7 inches. 244 pages. Published by G. Schirmer, Inc.
$26.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| The Daily Ukulele
Ukulele [Sheet music] Hal Leonard
(365 Songs for Better Living). Arranged by Jim Beloff and Liz Beloff. Ukulele. S...(+)
(365 Songs for Better Living). Arranged by Jim Beloff and Liz Beloff. Ukulele. Softcover. 336 pages. Published by Hal Leonard
(5)$44.99 - See more - Buy onlinePre-shipment lead time: 24 hours - In Stock | | |
| Abracadabra Saxophone & CD Alto Saxophone [Sheet music + CD]
Alto Saxophone SKU: BT.9781408105290 Composed by Jonathan Rutland. Abraca...(+)
Alto Saxophone SKU: BT.9781408105290 Composed by Jonathan Rutland. Abracadabra. Method. Book with CD. Collins Music Publishing #9781408105290. Published by Collins Music Publishing (BT.9781408105290). ISBN 9781408105290. English. The perfect book for pupil and teacher - Tunes you know and want to play
- Technique carefully graded
- Clear fingering diagrams
- Concise theory explanations
- Jazz improvisations andstyles
- New duets
- Fresh new look
$14.95 - See more - Buy onlinePre-shipment lead time: 2 to 3 weeks | | |
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