SKU: HL.48187532
UPC: 888680990435. 9.0x12.0 inches.
Darius Milhaud: Concerto No.2, Op.225 (Pianos 2).
SKU: BR.PB-15110-07
In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Study Score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15110-07. Published by Breitkopf and Haertel (BR.PB-15110-07).
ISBN 9790004212677. 6.5 x 9 inches.
The editorial quality of the new edition is guaranteed not only by Schiff's sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Norbert Gertsch to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozart's handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozart's own manuscripts, early copies in parts and prints also contain important information regarding the musical text.Die Editionen werden den Intentionen des Komponisten so weit wie moglich gerecht. Gemass Mozarts Anweisungen in den Autographen ist beispielsweise im unteren Klaviersolosystem sowohl der Partituren als auch der Klavierauszuge durchgangig die Bassstimme des Orchesters wiedergegeben. (Andreas Friesenhagen, FonoForum)L'interet particulier de cette nouvelle edition reside dans les notations complementaires des parties de violon ayant pour source la premiere execution de l'oeuvre par Joseph Joachim et Robert Hausmann avec, tres probablement, l'autorisation du compositeur, ces notes de jeu refletant les pratiques de l'epoque. (Crescendo).
SKU: BR.PB-15106
In Cooperation with G. Henle VerlagEB 10766 is printed in score form; two copies are needed for performance.Our edition EB 8578 contains Ferrucci Busoni's cadenzas for the Piano Concerto in C m. Solo concerto; Classical. Full score. 72 pages. Duration 30'. Breitkopf and Haertel #PB 15106. Published by Breitkopf and Haertel (BR.PB-15106).
ISBN 9790004211892. 10 x 12.5 inches.
SKU: BR.PB-5507
A repertoire work in an Urtext performing editionEB 8655 is printed in score form; two copies are needed for performance.
ISBN 9790004211663. 10 x 12.5 inches.
The music text is based on the volume of the Leipzig Mendelssohn Complete Edition, in which Christoph Hellmundt rightly pointed to the existence of a secondary version for piano and string orchestra as well as an arrangement for piano solo made by the composer. Nevertheless, Mendelssohn's op. 40 remains foremost a Concerto for piano and orchestra - a fact that is unequivocally underscored by the practical new edition.A repertoire work in an Urtext performing edition.
SKU: BR.PB-15111-07
ISBN 9790004212684. 6.5 x 9 inches.
One of the most frequently performed concertos of all, it was written while Mozart was working on the opera Le nozze di Figaro. The source situation is clear: the autograph score has survived, and the first printed editions were not published until after Mozart's death.The editorial quality of the new edition is guaranteed not only by Schiffs sensitive fingerings and stylistically well-grounded cadenzas, but also by the Mozart scholar Ernst-Gunter Heinemann to whom Henle has entrusted its urtext editions.Breitkopf/Henle cooperation means: Each work is edited according to predetermined standardized editorial guidelines. First and foremost among the sources consulted were Mozarts handwritten scores, being the most important sources. In some cases they had not been available when the previous editions were being prepared. Moreover, we know today that in addition to Mozarts own manuscripts, early copies in parts and prints also contain important information regarding the musical text.
SKU: CF.CY3129P
ISBN 9780825899669. UPC: 798408099664.
A positive force in the Montana music landscape, pianist Steven Hesla requested a new piano concerto from Maslanka, which could be played with better high school ensembles around the state. Maslanka wrote Concerto No. 2, also in five movements, each movement arising out of a backdrop of inspiration, to meet that request. Hesla recorded the concerto on Naxos with the Illinois State University Wind Symphony. See a YouTube performance by Uschi Reifenberg (pno.) and Sinfonisches Blasorchester Mannheim with Tobias Mahl conducting.
